Opera in the novel from Balzac to Proust:
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres. In the first book-length study of that tradition to appear in English, Cormac Newark examin...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Dubai ; Tokyo ; Mexico City
Cambridge University Press
2011
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Schriftenreihe: | Cambridge studies in opera
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Schlagworte: | |
Online-Zugang: | BSB01 FUBA1 UBG01 Volltext |
Zusammenfassung: | The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres. In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Comédie humaine to Proust's À la recherche du temps perdu, by way of (among others) Dumas père's Le Comte de Monte-Cristo and Leroux's Le Fantôme de l'Opéra. Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts. The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience |
Beschreibung: | 1 Online-Ressource (ix, 287 Seiten) |
ISBN: | 9780511921216 |
DOI: | 10.1017/CBO9780511921216 |
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Datensatz im Suchindex
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any_adam_object | |
author | Newark, Cormac 1972- |
author_GND | (DE-588)1011155974 |
author_facet | Newark, Cormac 1972- |
author_role | aut |
author_sort | Newark, Cormac 1972- |
author_variant | c n cn |
building | Verbundindex |
bvnumber | BV043921536 |
classification_rvk | IG 4600 LQ 82206 LR 57710 |
collection | ZDB-20-CBO |
contents | Balzac, Meyerbeer and science -- Tout entier?: scenes from grand opéra in Dumas and Balzac -- The novel in opera: residues of reading in Flaubert -- Knowing what happens next: opera in Verne -- The Phantom and the buried voices of the Paris Opéra -- Proust and the soirée à l'Opéra chez soi -- Envoi |
ctrlnum | (ZDB-20-CBO)CR9780511921216 (OCoLC)851040566 (DE-599)BVBBV043921536 |
dewey-full | 843/.8093578 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 843 - French fiction |
dewey-raw | 843/.8093578 |
dewey-search | 843/.8093578 |
dewey-sort | 3843 78093578 |
dewey-tens | 840 - Literatures of Romance languages |
discipline | Romanistik Musikwissenschaft |
doi_str_mv | 10.1017/CBO9780511921216 |
era | Geschichte 1900-2000 Geschichte 1800-1900 |
era_facet | Geschichte 1900-2000 Geschichte 1800-1900 |
format | Electronic eBook |
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id | DE-604.BV043921536 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:38:38Z |
institution | BVB |
isbn | 9780511921216 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029330619 |
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publisher | Cambridge University Press |
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series2 | Cambridge studies in opera |
spelling | Newark, Cormac 1972- Verfasser (DE-588)1011155974 aut Opera in the novel from Balzac to Proust Cormac Newark Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Dubai ; Tokyo ; Mexico City Cambridge University Press 2011 1 Online-Ressource (ix, 287 Seiten) txt rdacontent c rdamedia cr rdacarrier Cambridge studies in opera Balzac, Meyerbeer and science -- Tout entier?: scenes from grand opéra in Dumas and Balzac -- The novel in opera: residues of reading in Flaubert -- Knowing what happens next: opera in Verne -- The Phantom and the buried voices of the Paris Opéra -- Proust and the soirée à l'Opéra chez soi -- Envoi The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres. In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Comédie humaine to Proust's À la recherche du temps perdu, by way of (among others) Dumas père's Le Comte de Monte-Cristo and Leroux's Le Fantôme de l'Opéra. Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts. The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience Geschichte 1900-2000 Geschichte 1800-1900 French fiction / 19th century / History and criticism French fiction / 20th century / History and criticism Opera in literature Roman (DE-588)4050479-7 gnd rswk-swf Oper Motiv (DE-588)4198779-2 gnd rswk-swf Französisch (DE-588)4113615-9 gnd rswk-swf Französisch (DE-588)4113615-9 s Roman (DE-588)4050479-7 s Oper Motiv (DE-588)4198779-2 s DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-521-11890-3 (DE-604)BV039868451 https://doi.org/10.1017/CBO9780511921216 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Newark, Cormac 1972- Opera in the novel from Balzac to Proust Balzac, Meyerbeer and science -- Tout entier?: scenes from grand opéra in Dumas and Balzac -- The novel in opera: residues of reading in Flaubert -- Knowing what happens next: opera in Verne -- The Phantom and the buried voices of the Paris Opéra -- Proust and the soirée à l'Opéra chez soi -- Envoi French fiction / 19th century / History and criticism French fiction / 20th century / History and criticism Opera in literature Roman (DE-588)4050479-7 gnd Oper Motiv (DE-588)4198779-2 gnd Französisch (DE-588)4113615-9 gnd |
subject_GND | (DE-588)4050479-7 (DE-588)4198779-2 (DE-588)4113615-9 |
title | Opera in the novel from Balzac to Proust |
title_auth | Opera in the novel from Balzac to Proust |
title_exact_search | Opera in the novel from Balzac to Proust |
title_full | Opera in the novel from Balzac to Proust Cormac Newark |
title_fullStr | Opera in the novel from Balzac to Proust Cormac Newark |
title_full_unstemmed | Opera in the novel from Balzac to Proust Cormac Newark |
title_short | Opera in the novel from Balzac to Proust |
title_sort | opera in the novel from balzac to proust |
topic | French fiction / 19th century / History and criticism French fiction / 20th century / History and criticism Opera in literature Roman (DE-588)4050479-7 gnd Oper Motiv (DE-588)4198779-2 gnd Französisch (DE-588)4113615-9 gnd |
topic_facet | French fiction / 19th century / History and criticism French fiction / 20th century / History and criticism Opera in literature Roman Oper Motiv Französisch |
url | https://doi.org/10.1017/CBO9780511921216 |
work_keys_str_mv | AT newarkcormac operainthenovelfrombalzactoproust |