Romanticism, aesthetics, and nationalism:
This ambitious study, first published in 1999, argues that our conception of the aesthetic sphere emerged during the era of British and German Romanticism from conflicts between competing models of the liberal state and the cultural nation. The aesthetic sphere is thus centrally connected to 'a...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
1999
|
| Schriftenreihe: | Cambridge studies in Romanticism
34 |
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | This ambitious study, first published in 1999, argues that our conception of the aesthetic sphere emerged during the era of British and German Romanticism from conflicts between competing models of the liberal state and the cultural nation. The aesthetic sphere is thus centrally connected to 'aesthetic statism', which is the theoretical project of reconciling conflicts in the political sphere by appealing to the unity of the symbol. David Kaiser traces the trajectory of aesthetic statism from Schiller and Coleridge, through Arnold, Mill and Ruskin, to Adorno and Habermas. He analyses how the concept of aesthetic autonomy shifts from being a supplement to the political sphere to an end in itself; this shift lies behind the problems that contemporary literary theory has faced in its attempts to connect the aesthetic and political spheres. Finally, he suggests that we rethink the aesthetic sphere in order to regain that connection |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (xiii, 154 pages) |
| ISBN: | 9780511484315 |
| DOI: | 10.1017/CBO9780511484315 |
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| 520 | |a This ambitious study, first published in 1999, argues that our conception of the aesthetic sphere emerged during the era of British and German Romanticism from conflicts between competing models of the liberal state and the cultural nation. The aesthetic sphere is thus centrally connected to 'aesthetic statism', which is the theoretical project of reconciling conflicts in the political sphere by appealing to the unity of the symbol. David Kaiser traces the trajectory of aesthetic statism from Schiller and Coleridge, through Arnold, Mill and Ruskin, to Adorno and Habermas. He analyses how the concept of aesthetic autonomy shifts from being a supplement to the political sphere to an end in itself; this shift lies behind the problems that contemporary literary theory has faced in its attempts to connect the aesthetic and political spheres. Finally, he suggests that we rethink the aesthetic sphere in order to regain that connection | ||
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| contents | Modernity, subjectivity, liberalism, and nationalism -- The symbol and the aesthetic sphere -- Schiller's aesthetic state -- Symbol, state, and Clerisy: the aesthetic politics of Coleridge -- The best self and the private self: Matthew Arnold on culture and the state -- Aesthetic kingship and queenship: Ruskin on the state and the home -- The aesthetic and political spheres in contemporary theory: Adorno and Habermas |
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| dewey-search | 801/.93 |
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| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Germanistik / Niederlandistik / Skandinavistik Anglistik / Amerikanistik Literaturwissenschaft |
| doi_str_mv | 10.1017/CBO9780511484315 |
| era | Geschichte 1790-1830 gnd |
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| language | English |
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| spelling | Kaiser, David Aram Verfasser aut Romanticism, aesthetics, and nationalism David Aram Kaiser Romanticism, Aesthetics, & Nationalism Cambridge Cambridge University Press 1999 1 online resource (xiii, 154 pages) txt rdacontent c rdamedia cr rdacarrier Cambridge studies in Romanticism 34 Title from publisher's bibliographic system (viewed on 05 Oct 2015) Modernity, subjectivity, liberalism, and nationalism -- The symbol and the aesthetic sphere -- Schiller's aesthetic state -- Symbol, state, and Clerisy: the aesthetic politics of Coleridge -- The best self and the private self: Matthew Arnold on culture and the state -- Aesthetic kingship and queenship: Ruskin on the state and the home -- The aesthetic and political spheres in contemporary theory: Adorno and Habermas This ambitious study, first published in 1999, argues that our conception of the aesthetic sphere emerged during the era of British and German Romanticism from conflicts between competing models of the liberal state and the cultural nation. The aesthetic sphere is thus centrally connected to 'aesthetic statism', which is the theoretical project of reconciling conflicts in the political sphere by appealing to the unity of the symbol. David Kaiser traces the trajectory of aesthetic statism from Schiller and Coleridge, through Arnold, Mill and Ruskin, to Adorno and Habermas. He analyses how the concept of aesthetic autonomy shifts from being a supplement to the political sphere to an end in itself; this shift lies behind the problems that contemporary literary theory has faced in its attempts to connect the aesthetic and political spheres. Finally, he suggests that we rethink the aesthetic sphere in order to regain that connection Geschichte 1790-1830 gnd rswk-swf Literatur Literature / History and criticism Aesthetics, Modern Romanticism Nationalism in literature Politics and literature Ästhetik (DE-588)4000626-8 gnd rswk-swf Nationalismus (DE-588)4041300-7 gnd rswk-swf Literaturtheorie (DE-588)4036031-3 gnd rswk-swf Romantik (DE-588)4050491-8 gnd rswk-swf Romantik (DE-588)4050491-8 s Literaturtheorie (DE-588)4036031-3 s Ästhetik (DE-588)4000626-8 s Nationalismus (DE-588)4041300-7 s 1\p DE-604 Geschichte 1790-1830 z 2\p DE-604 Erscheint auch als Druckausgabe 978-0-521-02268-2 Erscheint auch als Druckausgabe 978-0-521-63000-9 https://doi.org/10.1017/CBO9780511484315 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Kaiser, David Aram Romanticism, aesthetics, and nationalism Modernity, subjectivity, liberalism, and nationalism -- The symbol and the aesthetic sphere -- Schiller's aesthetic state -- Symbol, state, and Clerisy: the aesthetic politics of Coleridge -- The best self and the private self: Matthew Arnold on culture and the state -- Aesthetic kingship and queenship: Ruskin on the state and the home -- The aesthetic and political spheres in contemporary theory: Adorno and Habermas Literatur Literature / History and criticism Aesthetics, Modern Romanticism Nationalism in literature Politics and literature Ästhetik (DE-588)4000626-8 gnd Nationalismus (DE-588)4041300-7 gnd Literaturtheorie (DE-588)4036031-3 gnd Romantik (DE-588)4050491-8 gnd |
| subject_GND | (DE-588)4000626-8 (DE-588)4041300-7 (DE-588)4036031-3 (DE-588)4050491-8 |
| title | Romanticism, aesthetics, and nationalism |
| title_alt | Romanticism, Aesthetics, & Nationalism |
| title_auth | Romanticism, aesthetics, and nationalism |
| title_exact_search | Romanticism, aesthetics, and nationalism |
| title_full | Romanticism, aesthetics, and nationalism David Aram Kaiser |
| title_fullStr | Romanticism, aesthetics, and nationalism David Aram Kaiser |
| title_full_unstemmed | Romanticism, aesthetics, and nationalism David Aram Kaiser |
| title_short | Romanticism, aesthetics, and nationalism |
| title_sort | romanticism aesthetics and nationalism |
| topic | Literatur Literature / History and criticism Aesthetics, Modern Romanticism Nationalism in literature Politics and literature Ästhetik (DE-588)4000626-8 gnd Nationalismus (DE-588)4041300-7 gnd Literaturtheorie (DE-588)4036031-3 gnd Romantik (DE-588)4050491-8 gnd |
| topic_facet | Literatur Literature / History and criticism Aesthetics, Modern Romanticism Nationalism in literature Politics and literature Ästhetik Nationalismus Literaturtheorie Romantik |
| url | https://doi.org/10.1017/CBO9780511484315 |
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