Political Beethoven:
Musicians, music lovers and music critics have typically considered Beethoven's overtly political music as an aberration; at best, it is merely notorious, at worst, it is denigrated and ignored. In Political Beethoven Nicholas Mathew returns to the musical and social contexts of the composer�...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2013
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| Schriftenreihe: | New perspectives in music history and criticism
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| Schlagworte: | |
| Online-Zugang: | BSB01 FUBA1 UBG01 Volltext |
| Zusammenfassung: | Musicians, music lovers and music critics have typically considered Beethoven's overtly political music as an aberration; at best, it is merely notorious, at worst, it is denigrated and ignored. In Political Beethoven Nicholas Mathew returns to the musical and social contexts of the composer's political music throughout his career - from the early marches and anti-French war songs of the 1790s to the grand orchestral and choral works for the Congress of Vienna - to argue that this marginalized functional art has much to teach us about the lofty Beethovenian sounds that came to define serious music in the nineteenth century. Beethoven's much-maligned political compositions, Mathew shows, lead us into the intricate political and aesthetic contexts that shaped all of his oeuvre, thus revealing the stylistic, ideological and psycho-social mechanisms that gave Beethoven's music such a powerful voice - a voice susceptible to repeated political appropriation, even to the present day |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 Online-Ressource (xvii, 273 Seiten) |
| ISBN: | 9780511794483 |
| DOI: | 10.1017/CBO9780511794483 |
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| 520 | |a Musicians, music lovers and music critics have typically considered Beethoven's overtly political music as an aberration; at best, it is merely notorious, at worst, it is denigrated and ignored. In Political Beethoven Nicholas Mathew returns to the musical and social contexts of the composer's political music throughout his career - from the early marches and anti-French war songs of the 1790s to the grand orchestral and choral works for the Congress of Vienna - to argue that this marginalized functional art has much to teach us about the lofty Beethovenian sounds that came to define serious music in the nineteenth century. Beethoven's much-maligned political compositions, Mathew shows, lead us into the intricate political and aesthetic contexts that shaped all of his oeuvre, thus revealing the stylistic, ideological and psycho-social mechanisms that gave Beethoven's music such a powerful voice - a voice susceptible to repeated political appropriation, even to the present day | ||
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Datensatz im Suchindex
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| author | Mathew, Nicholas 1977- |
| author_GND | (DE-588)1065062737 |
| author_facet | Mathew, Nicholas 1977- |
| author_role | aut |
| author_sort | Mathew, Nicholas 1977- |
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| contents | Introduction: political collaborations -- Music between myth and history -- Beethoven's moments -- The sounds of power and the power of sound -- The inner public -- After the war |
| ctrlnum | (ZDB-20-CBO)CR9780511794483 (OCoLC)967406877 (DE-599)BVBBV043921279 |
| dewey-full | 780.92 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.92 |
| dewey-search | 780.92 |
| dewey-sort | 3780.92 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9780511794483 |
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| id | DE-604.BV043921279 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:37Z |
| institution | BVB |
| isbn | 9780511794483 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029330362 |
| oclc_num | 967406877 |
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| owner | DE-12 DE-473 DE-BY-UBG DE-188 |
| owner_facet | DE-12 DE-473 DE-BY-UBG DE-188 |
| physical | 1 Online-Ressource (xvii, 273 Seiten) |
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| publishDate | 2013 |
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| series2 | New perspectives in music history and criticism |
| spelling | Mathew, Nicholas 1977- Verfasser (DE-588)1065062737 aut Political Beethoven Nicholas Mathew Cambridge Cambridge University Press 2013 1 Online-Ressource (xvii, 273 Seiten) txt rdacontent c rdamedia cr rdacarrier New perspectives in music history and criticism Title from publisher's bibliographic system (viewed on 05 Oct 2015) Introduction: political collaborations -- Music between myth and history -- Beethoven's moments -- The sounds of power and the power of sound -- The inner public -- After the war Musicians, music lovers and music critics have typically considered Beethoven's overtly political music as an aberration; at best, it is merely notorious, at worst, it is denigrated and ignored. In Political Beethoven Nicholas Mathew returns to the musical and social contexts of the composer's political music throughout his career - from the early marches and anti-French war songs of the 1790s to the grand orchestral and choral works for the Congress of Vienna - to argue that this marginalized functional art has much to teach us about the lofty Beethovenian sounds that came to define serious music in the nineteenth century. Beethoven's much-maligned political compositions, Mathew shows, lead us into the intricate political and aesthetic contexts that shaped all of his oeuvre, thus revealing the stylistic, ideological and psycho-social mechanisms that gave Beethoven's music such a powerful voice - a voice susceptible to repeated political appropriation, even to the present day Beethoven, Ludwig van / 1770-1827 / Criticism and interpretation Beethoven, Ludwig van / 1770-1827 / Appreciation Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd rswk-swf Geschichte Musik Politik Music / Political aspects / History Komposition Musik (DE-588)4133320-2 gnd rswk-swf Politische Ästhetik (DE-588)4123962-3 gnd rswk-swf Sozialgeschichte (DE-588)4055772-8 gnd rswk-swf Beethoven, Ludwig van 1770-1827 (DE-588)118508288 p Komposition Musik (DE-588)4133320-2 s Politische Ästhetik (DE-588)4123962-3 s Sozialgeschichte (DE-588)4055772-8 s 1\p DE-604 Erscheint auch als Druck-Ausgabe, Paperback 978-1-107-00589-1 (DE-604)BV040611935 https://doi.org/10.1017/CBO9780511794483 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Mathew, Nicholas 1977- Political Beethoven Introduction: political collaborations -- Music between myth and history -- Beethoven's moments -- The sounds of power and the power of sound -- The inner public -- After the war Beethoven, Ludwig van / 1770-1827 / Criticism and interpretation Beethoven, Ludwig van / 1770-1827 / Appreciation Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd Geschichte Musik Politik Music / Political aspects / History Komposition Musik (DE-588)4133320-2 gnd Politische Ästhetik (DE-588)4123962-3 gnd Sozialgeschichte (DE-588)4055772-8 gnd |
| subject_GND | (DE-588)118508288 (DE-588)4133320-2 (DE-588)4123962-3 (DE-588)4055772-8 |
| title | Political Beethoven |
| title_auth | Political Beethoven |
| title_exact_search | Political Beethoven |
| title_full | Political Beethoven Nicholas Mathew |
| title_fullStr | Political Beethoven Nicholas Mathew |
| title_full_unstemmed | Political Beethoven Nicholas Mathew |
| title_short | Political Beethoven |
| title_sort | political beethoven |
| topic | Beethoven, Ludwig van / 1770-1827 / Criticism and interpretation Beethoven, Ludwig van / 1770-1827 / Appreciation Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd Geschichte Musik Politik Music / Political aspects / History Komposition Musik (DE-588)4133320-2 gnd Politische Ästhetik (DE-588)4123962-3 gnd Sozialgeschichte (DE-588)4055772-8 gnd |
| topic_facet | Beethoven, Ludwig van / 1770-1827 / Criticism and interpretation Beethoven, Ludwig van / 1770-1827 / Appreciation Beethoven, Ludwig van 1770-1827 Geschichte Musik Politik Music / Political aspects / History Komposition Musik Politische Ästhetik Sozialgeschichte |
| url | https://doi.org/10.1017/CBO9780511794483 |
| work_keys_str_mv | AT mathewnicholas politicalbeethoven |