A history of pianoforte pedalling:
David Rowland traces the history of piano pedalling from its beginnings in the eighteenth century to its first maturity in the middle of the nineteenth century and beyond. Pedalling technique was a major feature of nineteenth-century piano performance and, coupled with new developments in piano stru...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
1993
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| Schriftenreihe: | Cambridge musical texts and monographs
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | David Rowland traces the history of piano pedalling from its beginnings in the eighteenth century to its first maturity in the middle of the nineteenth century and beyond. Pedalling technique was a major feature of nineteenth-century piano performance and, coupled with new developments in piano structure, inspired many composers to write innovative works for the literature. Rowland examines this through the technique and music of composer-pianists such as Beethoven, Liszt, and Chopin. In addition, he follows the transition from harpsichord and clavichord to piano and outlines the physical properties of the various stops, levers, and pedals available at the different stages of the instrument's development. The book also includes an appendix of translated extracts from three well-known piano-pedalling tutors. It will be of interest to students and scholars of music history and performance practice, as well as to pianists |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (viii, 194 pages) |
| ISBN: | 9780511597251 |
| DOI: | 10.1017/CBO9780511597251 |
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| 505 | 8 | 0 | |g Part I. |g 1 |g 2. Stops, levers and pedals |t The instruments |t The transition from the harpsichord and clavichord to the piano |g Part II. |g 3 |g 4. Early techniques of the pedals as described in tutors |g 5 |g 6 |t Pedalling and the early pianists |t Documentary accounts of early pedalling |t Early pedal markings |t Mozart and his contemporaries |g Part III. |g 7 |g 8 |g 9 |t Pedalling after c.1800 |t The emergence of modern pedalling |t The sustaining pedal after c. 1800 |t Other pedals from c.1800 |t Appendix |t Chapters on pedalling from piano tutors |t J.P. Milchmeyer, Die wahre Art das Pianoforte zu spielen. Chapter 5 (Dresden 1797) |t Louis Adam, Méthode de piano du Conservatoire, Chapter 10: The manner of using the pedals (Paris 1804) ; Daniel Steibelt, Méthode de piano (Paris and Leipig 1809) |
| 520 | |a David Rowland traces the history of piano pedalling from its beginnings in the eighteenth century to its first maturity in the middle of the nineteenth century and beyond. Pedalling technique was a major feature of nineteenth-century piano performance and, coupled with new developments in piano structure, inspired many composers to write innovative works for the literature. Rowland examines this through the technique and music of composer-pianists such as Beethoven, Liszt, and Chopin. In addition, he follows the transition from harpsichord and clavichord to piano and outlines the physical properties of the various stops, levers, and pedals available at the different stages of the instrument's development. The book also includes an appendix of translated extracts from three well-known piano-pedalling tutors. It will be of interest to students and scholars of music history and performance practice, as well as to pianists | ||
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Datensatz im Suchindex
| _version_ | 1804176843220189185 |
|---|---|
| any_adam_object | |
| author | Rowland, David 1957- |
| author_facet | Rowland, David 1957- |
| author_role | aut |
| author_sort | Rowland, David 1957- |
| author_variant | d r dr |
| building | Verbundindex |
| bvnumber | BV043921241 |
| classification_rvk | LR 11750 |
| collection | ZDB-20-CBO |
| contents | The instruments The transition from the harpsichord and clavichord to the piano Pedalling and the early pianists Documentary accounts of early pedalling Early pedal markings Mozart and his contemporaries Pedalling after c.1800 The emergence of modern pedalling The sustaining pedal after c. 1800 Other pedals from c.1800 Appendix Chapters on pedalling from piano tutors J.P. Milchmeyer, Die wahre Art das Pianoforte zu spielen. Chapter 5 (Dresden 1797) Louis Adam, Méthode de piano du Conservatoire, Chapter 10: The manner of using the pedals (Paris 1804) ; Daniel Steibelt, Méthode de piano (Paris and Leipig 1809) |
| ctrlnum | (ZDB-20-CBO)CR9780511597251 (OCoLC)849887604 (DE-599)BVBBV043921241 |
| dewey-full | 786.2/1938/09 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 786 - Keyboard & other instruments |
| dewey-raw | 786.2/1938/09 |
| dewey-search | 786.2/1938/09 |
| dewey-sort | 3786.2 41938 19 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9780511597251 |
| era | Geschichte 1770-1900 gnd |
| era_facet | Geschichte 1770-1900 |
| format | Electronic eBook |
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| id | DE-604.BV043921241 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:37Z |
| institution | BVB |
| isbn | 9780511597251 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029330324 |
| oclc_num | 849887604 |
| open_access_boolean | |
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| owner_facet | DE-12 DE-473 DE-BY-UBG |
| physical | 1 online resource (viii, 194 pages) |
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| publishDate | 1993 |
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| publisher | Cambridge University Press |
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| spelling | Rowland, David 1957- Verfasser aut A history of pianoforte pedalling David Rowland Cambridge Cambridge University Press 1993 1 online resource (viii, 194 pages) txt rdacontent c rdamedia cr rdacarrier Cambridge musical texts and monographs Title from publisher's bibliographic system (viewed on 05 Oct 2015) Part I. 1 2. Stops, levers and pedals The instruments The transition from the harpsichord and clavichord to the piano Part II. 3 4. Early techniques of the pedals as described in tutors 5 6 Pedalling and the early pianists Documentary accounts of early pedalling Early pedal markings Mozart and his contemporaries Part III. 7 8 9 Pedalling after c.1800 The emergence of modern pedalling The sustaining pedal after c. 1800 Other pedals from c.1800 Appendix Chapters on pedalling from piano tutors J.P. Milchmeyer, Die wahre Art das Pianoforte zu spielen. Chapter 5 (Dresden 1797) Louis Adam, Méthode de piano du Conservatoire, Chapter 10: The manner of using the pedals (Paris 1804) ; Daniel Steibelt, Méthode de piano (Paris and Leipig 1809) David Rowland traces the history of piano pedalling from its beginnings in the eighteenth century to its first maturity in the middle of the nineteenth century and beyond. Pedalling technique was a major feature of nineteenth-century piano performance and, coupled with new developments in piano structure, inspired many composers to write innovative works for the literature. Rowland examines this through the technique and music of composer-pianists such as Beethoven, Liszt, and Chopin. In addition, he follows the transition from harpsichord and clavichord to piano and outlines the physical properties of the various stops, levers, and pedals available at the different stages of the instrument's development. The book also includes an appendix of translated extracts from three well-known piano-pedalling tutors. It will be of interest to students and scholars of music history and performance practice, as well as to pianists Geschichte 1770-1900 gnd rswk-swf Geschichte Piano / Pedaling / History Piano / Performance / History Klavierpedal (DE-588)4530634-5 gnd rswk-swf Klavierspiel (DE-588)4030996-4 gnd rswk-swf Klaviertechnik (DE-588)4222405-6 gnd rswk-swf Klavierspiel (DE-588)4030996-4 s Klavierpedal (DE-588)4530634-5 s Geschichte 1770-1900 z 1\p DE-604 Klaviertechnik (DE-588)4222405-6 s 2\p DE-604 Erscheint auch als Druckausgabe 978-0-521-40266-8 Erscheint auch als Druckausgabe 978-0-521-60751-3 https://doi.org/10.1017/CBO9780511597251 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Rowland, David 1957- A history of pianoforte pedalling The instruments The transition from the harpsichord and clavichord to the piano Pedalling and the early pianists Documentary accounts of early pedalling Early pedal markings Mozart and his contemporaries Pedalling after c.1800 The emergence of modern pedalling The sustaining pedal after c. 1800 Other pedals from c.1800 Appendix Chapters on pedalling from piano tutors J.P. Milchmeyer, Die wahre Art das Pianoforte zu spielen. Chapter 5 (Dresden 1797) Louis Adam, Méthode de piano du Conservatoire, Chapter 10: The manner of using the pedals (Paris 1804) ; Daniel Steibelt, Méthode de piano (Paris and Leipig 1809) Geschichte Piano / Pedaling / History Piano / Performance / History Klavierpedal (DE-588)4530634-5 gnd Klavierspiel (DE-588)4030996-4 gnd Klaviertechnik (DE-588)4222405-6 gnd |
| subject_GND | (DE-588)4530634-5 (DE-588)4030996-4 (DE-588)4222405-6 |
| title | A history of pianoforte pedalling |
| title_alt | The instruments The transition from the harpsichord and clavichord to the piano Pedalling and the early pianists Documentary accounts of early pedalling Early pedal markings Mozart and his contemporaries Pedalling after c.1800 The emergence of modern pedalling The sustaining pedal after c. 1800 Other pedals from c.1800 Appendix Chapters on pedalling from piano tutors J.P. Milchmeyer, Die wahre Art das Pianoforte zu spielen. Chapter 5 (Dresden 1797) Louis Adam, Méthode de piano du Conservatoire, Chapter 10: The manner of using the pedals (Paris 1804) ; Daniel Steibelt, Méthode de piano (Paris and Leipig 1809) |
| title_auth | A history of pianoforte pedalling |
| title_exact_search | A history of pianoforte pedalling |
| title_full | A history of pianoforte pedalling David Rowland |
| title_fullStr | A history of pianoforte pedalling David Rowland |
| title_full_unstemmed | A history of pianoforte pedalling David Rowland |
| title_short | A history of pianoforte pedalling |
| title_sort | a history of pianoforte pedalling |
| topic | Geschichte Piano / Pedaling / History Piano / Performance / History Klavierpedal (DE-588)4530634-5 gnd Klavierspiel (DE-588)4030996-4 gnd Klaviertechnik (DE-588)4222405-6 gnd |
| topic_facet | Geschichte Piano / Pedaling / History Piano / Performance / History Klavierpedal Klavierspiel Klaviertechnik |
| url | https://doi.org/10.1017/CBO9780511597251 |
| work_keys_str_mv | AT rowlanddavid ahistoryofpianofortepedalling |