The last Soviet avant-garde: OBERIU--fact, fiction, metafiction
This is a comprehensive study of a group of avant-garde Soviet writers active in Leningrad in the 1920s and 1930s who styled themselves OBERIU, 'The Association for Real Art'. Graham Roberts re-examines commonly held assumptions about OBERIU, its identity as a group, its aesthetics and its...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
1997
|
| Schriftenreihe: | Cambridge studies in Russian literature
|
| Schlagworte: | |
| Online-Zugang: | DE-12 DE-473 Volltext |
| Zusammenfassung: | This is a comprehensive study of a group of avant-garde Soviet writers active in Leningrad in the 1920s and 1930s who styled themselves OBERIU, 'The Association for Real Art'. Graham Roberts re-examines commonly held assumptions about OBERIU, its identity as a group, its aesthetics and its place within the Russian and European literary traditions. He focuses on the prose and drama of group members Daniil Kharms, Aleksandr Vvedensky, and Konstantin Vaginov; he also considers work by Nikolay Zabolotsky and Igor Bakhterev, as well as the group's most important 'fellow-traveller', Nikolay Oleinikov. He places OBERIU in the context of the aesthetic theories of the Russian formalists and the Bakhtin circle. Roberts concludes by showing how the self-conscious literature of OBERIU - its metafiction - occupies an important transitional space between modernism and postmodernism |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (xiii, 274 pages) |
| ISBN: | 9780511519628 |
| DOI: | 10.1017/CBO9780511519628 |
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| contents | The art of public speaking: Russian modernism and the avant-garde -- Literature as system: Russian formalism and the Bakhtin circle -- OBERIU--Nikolay Zabolotsky, Nikolay Oleinikov, and Igorʹ Bakhterev -- Carnivalizing the author? Daniil Kharms -- Writing for a miracle: Kharms's the old woman as menippean satire -- What a time to tell a story: Aleksandr Vvedensky -- Dialogues of the dead: Vvedensky's Minin and Pozharsky -- The artist as hermit: Konstantin Vaginov -- The author loses his voice: the novels of Konstantin Vaginov -- Addressing the reader: Russian modernism and the avant-garde -- Text as dialogue: from Russian formalism to the Bakhtin circle -- OBERIU and the reader: Zabolotsky, Oleinikov, Bakhterev -- Stop reading sense: the prose of Daniil Kharms Picture this: Christmas at the Ivanovs' by Aleksandr Vvedensky -- The reader in the text: the labours and days of Svistonov by Konstantin Vaginov -- From realism to 'real' art: Russian modernism and the avant-garde -- Neighbouring worlds, imaginary realities: the chinari -- OBERIU: the association for real art -- From the authority of language to the languages of authority: Daniil Kharms -- Language games and power play: Elizaveta Bam -- Time, death, God, and Vvedensky -- The poverty of language: Vvedensky's a certain quantity of conversations -- Worlds beyond words: Konstantin Vaginov -- Art as play: Konstantin Vaginov's Bambocciade |
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| dewey-ones | 891 - East Indo-European and Celtic literatures |
| dewey-raw | 891.7090042 |
| dewey-search | 891.7090042 |
| dewey-sort | 3891.7090042 |
| dewey-tens | 890 - Literatures of other languages |
| discipline | Slavistik |
| doi_str_mv | 10.1017/CBO9780511519628 |
| era | Geschichte 1900-2000 Geschichte 1926-1930 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1926-1930 |
| format | Electronic eBook |
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| series2 | Cambridge studies in Russian literature |
| spelling | Roberts, Graham 1957- Verfasser aut The last Soviet avant-garde OBERIU--fact, fiction, metafiction Graham Roberts Cambridge Cambridge University Press 1997 1 online resource (xiii, 274 pages) txt rdacontent c rdamedia cr rdacarrier Cambridge studies in Russian literature Title from publisher's bibliographic system (viewed on 05 Oct 2015) The art of public speaking: Russian modernism and the avant-garde -- Literature as system: Russian formalism and the Bakhtin circle -- OBERIU--Nikolay Zabolotsky, Nikolay Oleinikov, and Igorʹ Bakhterev -- Carnivalizing the author? Daniil Kharms -- Writing for a miracle: Kharms's the old woman as menippean satire -- What a time to tell a story: Aleksandr Vvedensky -- Dialogues of the dead: Vvedensky's Minin and Pozharsky -- The artist as hermit: Konstantin Vaginov -- The author loses his voice: the novels of Konstantin Vaginov -- Addressing the reader: Russian modernism and the avant-garde -- Text as dialogue: from Russian formalism to the Bakhtin circle -- OBERIU and the reader: Zabolotsky, Oleinikov, Bakhterev -- Stop reading sense: the prose of Daniil Kharms Picture this: Christmas at the Ivanovs' by Aleksandr Vvedensky -- The reader in the text: the labours and days of Svistonov by Konstantin Vaginov -- From realism to 'real' art: Russian modernism and the avant-garde -- Neighbouring worlds, imaginary realities: the chinari -- OBERIU: the association for real art -- From the authority of language to the languages of authority: Daniil Kharms -- Language games and power play: Elizaveta Bam -- Time, death, God, and Vvedensky -- The poverty of language: Vvedensky's a certain quantity of conversations -- Worlds beyond words: Konstantin Vaginov -- Art as play: Konstantin Vaginov's Bambocciade This is a comprehensive study of a group of avant-garde Soviet writers active in Leningrad in the 1920s and 1930s who styled themselves OBERIU, 'The Association for Real Art'. Graham Roberts re-examines commonly held assumptions about OBERIU, its identity as a group, its aesthetics and its place within the Russian and European literary traditions. He focuses on the prose and drama of group members Daniil Kharms, Aleksandr Vvedensky, and Konstantin Vaginov; he also considers work by Nikolay Zabolotsky and Igor Bakhterev, as well as the group's most important 'fellow-traveller', Nikolay Oleinikov. He places OBERIU in the context of the aesthetic theories of the Russian formalists and the Bakhtin circle. Roberts concludes by showing how the self-conscious literature of OBERIU - its metafiction - occupies an important transitional space between modernism and postmodernism Obėriu Obėriu (DE-588)4254343-5 gnd rswk-swf Geschichte 1900-2000 Geschichte 1926-1930 gnd rswk-swf Literature, Experimental / Soviet Union Russian literature / 20th century / History and criticism Literatur (DE-588)4035964-5 gnd rswk-swf Sowjetunion Sankt Petersburg (DE-588)4267026-3 gnd rswk-swf 1\p (DE-588)4113937-9 Hochschulschrift gnd-content Sankt Petersburg (DE-588)4267026-3 g Literatur (DE-588)4035964-5 s Geschichte 1926-1930 z 2\p DE-604 Obėriu (DE-588)4254343-5 b 3\p DE-604 Erscheint auch als Druckausgabe 978-0-521-02834-9 Erscheint auch als Druckausgabe 978-0-521-48283-7 https://doi.org/10.1017/CBO9780511519628 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Roberts, Graham 1957- The last Soviet avant-garde OBERIU--fact, fiction, metafiction The art of public speaking: Russian modernism and the avant-garde -- Literature as system: Russian formalism and the Bakhtin circle -- OBERIU--Nikolay Zabolotsky, Nikolay Oleinikov, and Igorʹ Bakhterev -- Carnivalizing the author? Daniil Kharms -- Writing for a miracle: Kharms's the old woman as menippean satire -- What a time to tell a story: Aleksandr Vvedensky -- Dialogues of the dead: Vvedensky's Minin and Pozharsky -- The artist as hermit: Konstantin Vaginov -- The author loses his voice: the novels of Konstantin Vaginov -- Addressing the reader: Russian modernism and the avant-garde -- Text as dialogue: from Russian formalism to the Bakhtin circle -- OBERIU and the reader: Zabolotsky, Oleinikov, Bakhterev -- Stop reading sense: the prose of Daniil Kharms Picture this: Christmas at the Ivanovs' by Aleksandr Vvedensky -- The reader in the text: the labours and days of Svistonov by Konstantin Vaginov -- From realism to 'real' art: Russian modernism and the avant-garde -- Neighbouring worlds, imaginary realities: the chinari -- OBERIU: the association for real art -- From the authority of language to the languages of authority: Daniil Kharms -- Language games and power play: Elizaveta Bam -- Time, death, God, and Vvedensky -- The poverty of language: Vvedensky's a certain quantity of conversations -- Worlds beyond words: Konstantin Vaginov -- Art as play: Konstantin Vaginov's Bambocciade Obėriu Obėriu (DE-588)4254343-5 gnd Literature, Experimental / Soviet Union Russian literature / 20th century / History and criticism Literatur (DE-588)4035964-5 gnd |
| subject_GND | (DE-588)4254343-5 (DE-588)4035964-5 (DE-588)4267026-3 (DE-588)4113937-9 |
| title | The last Soviet avant-garde OBERIU--fact, fiction, metafiction |
| title_auth | The last Soviet avant-garde OBERIU--fact, fiction, metafiction |
| title_exact_search | The last Soviet avant-garde OBERIU--fact, fiction, metafiction |
| title_full | The last Soviet avant-garde OBERIU--fact, fiction, metafiction Graham Roberts |
| title_fullStr | The last Soviet avant-garde OBERIU--fact, fiction, metafiction Graham Roberts |
| title_full_unstemmed | The last Soviet avant-garde OBERIU--fact, fiction, metafiction Graham Roberts |
| title_short | The last Soviet avant-garde |
| title_sort | the last soviet avant garde oberiu fact fiction metafiction |
| title_sub | OBERIU--fact, fiction, metafiction |
| topic | Obėriu Obėriu (DE-588)4254343-5 gnd Literature, Experimental / Soviet Union Russian literature / 20th century / History and criticism Literatur (DE-588)4035964-5 gnd |
| topic_facet | Obėriu Literature, Experimental / Soviet Union Russian literature / 20th century / History and criticism Literatur Sowjetunion Sankt Petersburg Hochschulschrift |
| url | https://doi.org/10.1017/CBO9780511519628 |
| work_keys_str_mv | AT robertsgraham thelastsovietavantgardeoberiufactfictionmetafiction |