The invention of "folk music" and "art music": emerging categories from Ossian to Wagner
We tend to take for granted the labels we put to different forms of music. This study considers the origins and implications of the way in which we categorize music. Whereas earlier ways of classifying music were based on its different functions, for the past two hundred years we have been obsessed...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2007
|
| Schriftenreihe: | New perspectives in music history and criticism
16 |
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 UBR01 Volltext |
| Zusammenfassung: | We tend to take for granted the labels we put to different forms of music. This study considers the origins and implications of the way in which we categorize music. Whereas earlier ways of classifying music were based on its different functions, for the past two hundred years we have been obsessed with creativity and musical origins, and classify music along these lines. Matthew Gelbart argues that folk music and art music became meaningful concepts only in the late eighteenth and early nineteenth centuries, and only in relation to each other. He examines how cultural nationalism served as the earliest impetus in classifying music by origins, and how the notions of folk music and art music followed - in conjunction with changing conceptions of nature, and changing ideas about human creativity. Through tracing the history of these musical categories, the book confronts our assumptions about different kinds of music |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (xii, 287 pages) |
| ISBN: | 9780511481918 |
| DOI: | 10.1017/CBO9780511481918 |
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| 520 | |a We tend to take for granted the labels we put to different forms of music. This study considers the origins and implications of the way in which we categorize music. Whereas earlier ways of classifying music were based on its different functions, for the past two hundred years we have been obsessed with creativity and musical origins, and classify music along these lines. Matthew Gelbart argues that folk music and art music became meaningful concepts only in the late eighteenth and early nineteenth centuries, and only in relation to each other. He examines how cultural nationalism served as the earliest impetus in classifying music by origins, and how the notions of folk music and art music followed - in conjunction with changing conceptions of nature, and changing ideas about human creativity. Through tracing the history of these musical categories, the book confronts our assumptions about different kinds of music | ||
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Datensatz im Suchindex
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| author | Gelbart, Matthew |
| author_facet | Gelbart, Matthew |
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| contents | Introduction; 1. Function to origin: national identity and national genius emerge, c. 1700-1780; 2. From pastoral to picturesque: nature, art, and genre in the later eighteenth century; 3. Genius versus Art in the creative process: 'national' and 'cultivated' music as categories, 1760-1800; 4. The invention of folk modality, 1775-1840; 5. 'Folk' and 'tradition': authenticity as musical idiom from the late eighteenth century onward; 6. Organic 'art music' and individual original genius: aestheticizing the folk collective; 7. Local nation and universal folk: the legacy of geography in musical categories; 8. Folk and art music in the modern western world |
| ctrlnum | (ZDB-20-CBO)CR9780511481918 (OCoLC)850771888 (DE-599)BVBBV043920824 |
| dewey-full | 786.2 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 786 - Keyboard & other instruments |
| dewey-raw | 786.2 |
| dewey-search | 786.2 |
| dewey-sort | 3786.2 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9780511481918 |
| era | Geschichte 1700-1800 Geschichte 1800-1900 Geschichte 1700-1900 gnd |
| era_facet | Geschichte 1700-1800 Geschichte 1800-1900 Geschichte 1700-1900 |
| format | Electronic eBook |
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| spelling | Gelbart, Matthew Verfasser aut The invention of "folk music" and "art music" emerging categories from Ossian to Wagner Matthew Gelbart The Invention of 'Folk Music' & 'Art Music' Cambridge Cambridge University Press 2007 1 online resource (xii, 287 pages) txt rdacontent c rdamedia cr rdacarrier New perspectives in music history and criticism 16 Title from publisher's bibliographic system (viewed on 05 Oct 2015) Introduction; 1. Function to origin: national identity and national genius emerge, c. 1700-1780; 2. From pastoral to picturesque: nature, art, and genre in the later eighteenth century; 3. Genius versus Art in the creative process: 'national' and 'cultivated' music as categories, 1760-1800; 4. The invention of folk modality, 1775-1840; 5. 'Folk' and 'tradition': authenticity as musical idiom from the late eighteenth century onward; 6. Organic 'art music' and individual original genius: aestheticizing the folk collective; 7. Local nation and universal folk: the legacy of geography in musical categories; 8. Folk and art music in the modern western world We tend to take for granted the labels we put to different forms of music. This study considers the origins and implications of the way in which we categorize music. Whereas earlier ways of classifying music were based on its different functions, for the past two hundred years we have been obsessed with creativity and musical origins, and classify music along these lines. Matthew Gelbart argues that folk music and art music became meaningful concepts only in the late eighteenth and early nineteenth centuries, and only in relation to each other. He examines how cultural nationalism served as the earliest impetus in classifying music by origins, and how the notions of folk music and art music followed - in conjunction with changing conceptions of nature, and changing ideas about human creativity. Through tracing the history of these musical categories, the book confronts our assumptions about different kinds of music Geschichte 1700-1800 Geschichte 1800-1900 Geschichte 1700-1900 gnd rswk-swf Musik Folk music / History and criticism Music / Europe / 18th century / History and criticism Music / Europe / 19th century / History and criticism Music / Historiography Volksmusik (DE-588)4063854-6 gnd rswk-swf Kunstmusik (DE-588)4385558-1 gnd rswk-swf Musikästhetik (DE-588)4040808-5 gnd rswk-swf Europa Europa (DE-588)4015701-5 gnd rswk-swf Europa (DE-588)4015701-5 g Volksmusik (DE-588)4063854-6 s Kunstmusik (DE-588)4385558-1 s Geschichte 1700-1900 z 1\p DE-604 Musikästhetik (DE-588)4040808-5 s 2\p DE-604 Erscheint auch als Druckausgabe 978-0-521-17834-1 Erscheint auch als Druckausgabe 978-0-521-86303-2 https://doi.org/10.1017/CBO9780511481918 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Gelbart, Matthew The invention of "folk music" and "art music" emerging categories from Ossian to Wagner Introduction; 1. Function to origin: national identity and national genius emerge, c. 1700-1780; 2. From pastoral to picturesque: nature, art, and genre in the later eighteenth century; 3. Genius versus Art in the creative process: 'national' and 'cultivated' music as categories, 1760-1800; 4. The invention of folk modality, 1775-1840; 5. 'Folk' and 'tradition': authenticity as musical idiom from the late eighteenth century onward; 6. Organic 'art music' and individual original genius: aestheticizing the folk collective; 7. Local nation and universal folk: the legacy of geography in musical categories; 8. Folk and art music in the modern western world Musik Folk music / History and criticism Music / Europe / 18th century / History and criticism Music / Europe / 19th century / History and criticism Music / Historiography Volksmusik (DE-588)4063854-6 gnd Kunstmusik (DE-588)4385558-1 gnd Musikästhetik (DE-588)4040808-5 gnd |
| subject_GND | (DE-588)4063854-6 (DE-588)4385558-1 (DE-588)4040808-5 (DE-588)4015701-5 |
| title | The invention of "folk music" and "art music" emerging categories from Ossian to Wagner |
| title_alt | The Invention of 'Folk Music' & 'Art Music' |
| title_auth | The invention of "folk music" and "art music" emerging categories from Ossian to Wagner |
| title_exact_search | The invention of "folk music" and "art music" emerging categories from Ossian to Wagner |
| title_full | The invention of "folk music" and "art music" emerging categories from Ossian to Wagner Matthew Gelbart |
| title_fullStr | The invention of "folk music" and "art music" emerging categories from Ossian to Wagner Matthew Gelbart |
| title_full_unstemmed | The invention of "folk music" and "art music" emerging categories from Ossian to Wagner Matthew Gelbart |
| title_short | The invention of "folk music" and "art music" |
| title_sort | the invention of folk music and art music emerging categories from ossian to wagner |
| title_sub | emerging categories from Ossian to Wagner |
| topic | Musik Folk music / History and criticism Music / Europe / 18th century / History and criticism Music / Europe / 19th century / History and criticism Music / Historiography Volksmusik (DE-588)4063854-6 gnd Kunstmusik (DE-588)4385558-1 gnd Musikästhetik (DE-588)4040808-5 gnd |
| topic_facet | Musik Folk music / History and criticism Music / Europe / 18th century / History and criticism Music / Europe / 19th century / History and criticism Music / Historiography Volksmusik Kunstmusik Musikästhetik Europa |
| url | https://doi.org/10.1017/CBO9780511481918 |
| work_keys_str_mv | AT gelbartmatthew theinventionoffolkmusicandartmusicemergingcategoriesfromossiantowagner AT gelbartmatthew theinventionoffolkmusicartmusic |