"Michael Field": poetry, aestheticism and the fin de siècle
'Michael Field' (1884–1914) was the pseudonym of two women, the aunt and niece Katharine Bradley and Edith Cooper, who lived and wrote together as 'lovers'. The large oeuvre contains poems, dramas, and a vast diary. Marion Thain recounts the development of a fascinating and idios...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2007
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| Schriftenreihe: | Cambridge studies in nineteenth-century literature and culture
58 |
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | 'Michael Field' (1884–1914) was the pseudonym of two women, the aunt and niece Katharine Bradley and Edith Cooper, who lived and wrote together as 'lovers'. The large oeuvre contains poems, dramas, and a vast diary. Marion Thain recounts the development of a fascinating and idiosyncratic poetic persona, which became a self-reflexive study in aestheticism. The constructed life and work of 'Michael Field' is used here to deepen and complicate our understanding of many of the most distinctive aesthetic debates of the late nineteenth and early twentieth centuries; a process unified by the recurring engagement with theories of time and history that structures this book. This analysis of poetry, aestheticism and the fin de siècle, through the performance of 'Michael Field', has implications that reach far beyond an understanding of one poet's work. Scholars of both Victorian and modernist literature will learn much from this innovative and compelling study |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (ix, 270 pages) |
| ISBN: | 9780511484933 |
| DOI: | 10.1017/CBO9780511484933 |
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| 505 | 8 | |a Introduction: 'something fierce, subtle, strange, singular'; 1. The diaries and dramas: life writing and the temporal patterns of Aestheticism; 2. Long ago: the male pseudonym, fin-de-siecle sexualities and Sappho's historical leap; 3. Sight and song: Botticelli and ekphrastic paradox; 4. Underneath The Bough: dual authorship and lyric song; 5. Wild honey from various thyme: Apian aestheticism and the lyric book collection; 6. The Catholic poetry: the spiritual and historical 'turn' of the century; Conclusion: modernism and the fin de siecle; Bibliography of material by Katharine Bradley and Edith Cooper; General Bibliography | |
| 520 | |a 'Michael Field' (1884–1914) was the pseudonym of two women, the aunt and niece Katharine Bradley and Edith Cooper, who lived and wrote together as 'lovers'. The large oeuvre contains poems, dramas, and a vast diary. Marion Thain recounts the development of a fascinating and idiosyncratic poetic persona, which became a self-reflexive study in aestheticism. The constructed life and work of 'Michael Field' is used here to deepen and complicate our understanding of many of the most distinctive aesthetic debates of the late nineteenth and early twentieth centuries; a process unified by the recurring engagement with theories of time and history that structures this book. This analysis of poetry, aestheticism and the fin de siècle, through the performance of 'Michael Field', has implications that reach far beyond an understanding of one poet's work. Scholars of both Victorian and modernist literature will learn much from this innovative and compelling study | ||
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Datensatz im Suchindex
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| author | Thain, Marion |
| author_facet | Thain, Marion |
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| author_sort | Thain, Marion |
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| collection | ZDB-20-CBO |
| contents | Introduction: 'something fierce, subtle, strange, singular'; 1. The diaries and dramas: life writing and the temporal patterns of Aestheticism; 2. Long ago: the male pseudonym, fin-de-siecle sexualities and Sappho's historical leap; 3. Sight and song: Botticelli and ekphrastic paradox; 4. Underneath The Bough: dual authorship and lyric song; 5. Wild honey from various thyme: Apian aestheticism and the lyric book collection; 6. The Catholic poetry: the spiritual and historical 'turn' of the century; Conclusion: modernism and the fin de siecle; Bibliography of material by Katharine Bradley and Edith Cooper; General Bibliography |
| ctrlnum | (ZDB-20-CBO)CR9780511484933 (OCoLC)967400792 (DE-599)BVBBV043920626 |
| dewey-full | 821.8 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 821 - English poetry |
| dewey-raw | 821.8 |
| dewey-search | 821.8 |
| dewey-sort | 3821.8 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| doi_str_mv | 10.1017/CBO9780511484933 |
| format | Electronic eBook |
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| indexdate | 2024-07-10T07:38:36Z |
| institution | BVB |
| isbn | 9780511484933 |
| language | English |
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| spelling | Thain, Marion Verfasser aut "Michael Field" poetry, aestheticism and the fin de siècle Marion Thain Cambridge Cambridge University Press 2007 1 online resource (ix, 270 pages) txt rdacontent c rdamedia cr rdacarrier Cambridge studies in nineteenth-century literature and culture 58 Title from publisher's bibliographic system (viewed on 05 Oct 2015) Introduction: 'something fierce, subtle, strange, singular'; 1. The diaries and dramas: life writing and the temporal patterns of Aestheticism; 2. Long ago: the male pseudonym, fin-de-siecle sexualities and Sappho's historical leap; 3. Sight and song: Botticelli and ekphrastic paradox; 4. Underneath The Bough: dual authorship and lyric song; 5. Wild honey from various thyme: Apian aestheticism and the lyric book collection; 6. The Catholic poetry: the spiritual and historical 'turn' of the century; Conclusion: modernism and the fin de siecle; Bibliography of material by Katharine Bradley and Edith Cooper; General Bibliography 'Michael Field' (1884–1914) was the pseudonym of two women, the aunt and niece Katharine Bradley and Edith Cooper, who lived and wrote together as 'lovers'. The large oeuvre contains poems, dramas, and a vast diary. Marion Thain recounts the development of a fascinating and idiosyncratic poetic persona, which became a self-reflexive study in aestheticism. The constructed life and work of 'Michael Field' is used here to deepen and complicate our understanding of many of the most distinctive aesthetic debates of the late nineteenth and early twentieth centuries; a process unified by the recurring engagement with theories of time and history that structures this book. This analysis of poetry, aestheticism and the fin de siècle, through the performance of 'Michael Field', has implications that reach far beyond an understanding of one poet's work. Scholars of both Victorian and modernist literature will learn much from this innovative and compelling study Field, Michael / Criticism and interpretation Bradley, Katharine Harris / 1846-1914 Cooper, Edith Emma / 1862-1913 Field, Michael (DE-588)130836400 gnd rswk-swf Aestheticism (Literature) Field, Michael (DE-588)130836400 p 1\p DE-604 Erscheint auch als Druckausgabe 978-0-521-14773-6 Erscheint auch als Druckausgabe 978-0-521-87418-2 https://doi.org/10.1017/CBO9780511484933 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Thain, Marion "Michael Field" poetry, aestheticism and the fin de siècle Introduction: 'something fierce, subtle, strange, singular'; 1. The diaries and dramas: life writing and the temporal patterns of Aestheticism; 2. Long ago: the male pseudonym, fin-de-siecle sexualities and Sappho's historical leap; 3. Sight and song: Botticelli and ekphrastic paradox; 4. Underneath The Bough: dual authorship and lyric song; 5. Wild honey from various thyme: Apian aestheticism and the lyric book collection; 6. The Catholic poetry: the spiritual and historical 'turn' of the century; Conclusion: modernism and the fin de siecle; Bibliography of material by Katharine Bradley and Edith Cooper; General Bibliography Field, Michael / Criticism and interpretation Bradley, Katharine Harris / 1846-1914 Cooper, Edith Emma / 1862-1913 Field, Michael (DE-588)130836400 gnd Aestheticism (Literature) |
| subject_GND | (DE-588)130836400 |
| title | "Michael Field" poetry, aestheticism and the fin de siècle |
| title_auth | "Michael Field" poetry, aestheticism and the fin de siècle |
| title_exact_search | "Michael Field" poetry, aestheticism and the fin de siècle |
| title_full | "Michael Field" poetry, aestheticism and the fin de siècle Marion Thain |
| title_fullStr | "Michael Field" poetry, aestheticism and the fin de siècle Marion Thain |
| title_full_unstemmed | "Michael Field" poetry, aestheticism and the fin de siècle Marion Thain |
| title_short | "Michael Field" |
| title_sort | michael field poetry aestheticism and the fin de siecle |
| title_sub | poetry, aestheticism and the fin de siècle |
| topic | Field, Michael / Criticism and interpretation Bradley, Katharine Harris / 1846-1914 Cooper, Edith Emma / 1862-1913 Field, Michael (DE-588)130836400 gnd Aestheticism (Literature) |
| topic_facet | Field, Michael / Criticism and interpretation Bradley, Katharine Harris / 1846-1914 Cooper, Edith Emma / 1862-1913 Field, Michael Aestheticism (Literature) |
| url | https://doi.org/10.1017/CBO9780511484933 |
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