Tippett studies:
Michael Tippett (1905–98) was one of the major figures of British music in this century. This volume of essays provides the first substantial writing on the composer for over a decade and includes the work of established scholars as well as several new voices. Essays encompass a range of genres and...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
1999
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| Schriftenreihe: | Cambridge composer studies
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | Michael Tippett (1905–98) was one of the major figures of British music in this century. This volume of essays provides the first substantial writing on the composer for over a decade and includes the work of established scholars as well as several new voices. Essays encompass a range of genres and style periods, but a number of recurring themes may be detected. Broadly speaking, the book moves between technical discussion focused on individual works and wider questions of context - the 'external' factors that shaped the composer's musical production such as his relationship to the past, his fascination with ancient Greece and his pursuit of the transcendent. What emerges from this book is a rich portrait of a composer whose work reflects the century's triumphs and tragedies with particular intensity and who, at the end of his composing career, was increasingly acknowledged by younger composers as a major influence and example |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (xv, 232 pages) |
| ISBN: | 9780511481994 |
| DOI: | 10.1017/CBO9780511481994 |
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| 505 | 8 | 0 | |g 1 |t "Only half rebelling" : tonal strategies, folksong and "Englishness" in Tippett's Concerto for Double String Orchestra |r David Clarke |g 2 |t From pastiche to free composition : R.O. Morris, Tippett and the development of pitch resources in the Fantasia Concertante on a Theme of Corelli |r Anthony Pople |g 3 |t "Is there a choice at all?" : King Priam and motives for analysis |r Arnold Whittall |g 4 |t Tippett's Second Symphony, Stravinsky and the language of neoclassicism : towards a critical framework |r Kenneth Gloag |g 5 |t Tippett, sequence and metaphor |r Christopher Mark |g 6. Tonal elements and their significance in Tippett's Sonata No. 3 for piano |r Alastair Borthwick |g 7 |t "Significant gestures to the past" : formal processes and visionary moments in Tippett's Triple Concerto |r Stephen Collisson |g 8 |t Tippett's King Priam and "the tragic vision" |r Rowena Pollard ; David Clarke |g 9. Tippett at the millennium : a personal memoir |r Wilfrid Mellers |g 10. Decline or renewal in late Tippett? : The Fifth String Quartet in perspective |r Peter Wright |
| 520 | |a Michael Tippett (1905–98) was one of the major figures of British music in this century. This volume of essays provides the first substantial writing on the composer for over a decade and includes the work of established scholars as well as several new voices. Essays encompass a range of genres and style periods, but a number of recurring themes may be detected. Broadly speaking, the book moves between technical discussion focused on individual works and wider questions of context - the 'external' factors that shaped the composer's musical production such as his relationship to the past, his fascination with ancient Greece and his pursuit of the transcendent. What emerges from this book is a rich portrait of a composer whose work reflects the century's triumphs and tragedies with particular intensity and who, at the end of his composing career, was increasingly acknowledged by younger composers as a major influence and example | ||
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Datensatz im Suchindex
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|---|---|
| any_adam_object | |
| author2 | Clarke, David |
| author2_role | edt |
| author2_variant | d c dc |
| author_additional | David Clarke Anthony Pople Arnold Whittall Kenneth Gloag Christopher Mark Alastair Borthwick Stephen Collisson Rowena Pollard ; David Clarke Wilfrid Mellers Peter Wright |
| author_facet | Clarke, David |
| building | Verbundindex |
| bvnumber | BV043920285 |
| classification_rvk | LP 95080 |
| collection | ZDB-20-CBO |
| contents | "Only half rebelling" : tonal strategies, folksong and "Englishness" in Tippett's Concerto for Double String Orchestra From pastiche to free composition : R.O. Morris, Tippett and the development of pitch resources in the Fantasia Concertante on a Theme of Corelli "Is there a choice at all?" : King Priam and motives for analysis Tippett's Second Symphony, Stravinsky and the language of neoclassicism : towards a critical framework Tippett, sequence and metaphor "Significant gestures to the past" : formal processes and visionary moments in Tippett's Triple Concerto Tippett's King Priam and "the tragic vision" |
| ctrlnum | (ZDB-20-CBO)CR9780511481994 (OCoLC)992844796 (DE-599)BVBBV043920285 |
| dewey-full | 780/.92 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780/.92 |
| dewey-search | 780/.92 |
| dewey-sort | 3780 292 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9780511481994 |
| format | Electronic eBook |
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| genre_facet | Konferenzschrift 1995 Newcastle Neusüdwales |
| id | DE-604.BV043920285 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:35Z |
| institution | BVB |
| isbn | 9780511481994 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029329367 |
| oclc_num | 992844796 |
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| physical | 1 online resource (xv, 232 pages) |
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| publishDate | 1999 |
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| spelling | Tippett studies edited by David Clarke Cambridge Cambridge University Press 1999 1 online resource (xv, 232 pages) txt rdacontent c rdamedia cr rdacarrier Cambridge composer studies Title from publisher's bibliographic system (viewed on 05 Oct 2015) 1 "Only half rebelling" : tonal strategies, folksong and "Englishness" in Tippett's Concerto for Double String Orchestra David Clarke 2 From pastiche to free composition : R.O. Morris, Tippett and the development of pitch resources in the Fantasia Concertante on a Theme of Corelli Anthony Pople 3 "Is there a choice at all?" : King Priam and motives for analysis Arnold Whittall 4 Tippett's Second Symphony, Stravinsky and the language of neoclassicism : towards a critical framework Kenneth Gloag 5 Tippett, sequence and metaphor Christopher Mark 6. Tonal elements and their significance in Tippett's Sonata No. 3 for piano Alastair Borthwick 7 "Significant gestures to the past" : formal processes and visionary moments in Tippett's Triple Concerto Stephen Collisson 8 Tippett's King Priam and "the tragic vision" Rowena Pollard ; David Clarke 9. Tippett at the millennium : a personal memoir Wilfrid Mellers 10. Decline or renewal in late Tippett? : The Fifth String Quartet in perspective Peter Wright Michael Tippett (1905–98) was one of the major figures of British music in this century. This volume of essays provides the first substantial writing on the composer for over a decade and includes the work of established scholars as well as several new voices. Essays encompass a range of genres and style periods, but a number of recurring themes may be detected. Broadly speaking, the book moves between technical discussion focused on individual works and wider questions of context - the 'external' factors that shaped the composer's musical production such as his relationship to the past, his fascination with ancient Greece and his pursuit of the transcendent. What emerges from this book is a rich portrait of a composer whose work reflects the century's triumphs and tragedies with particular intensity and who, at the end of his composing career, was increasingly acknowledged by younger composers as a major influence and example Tippett, Michael / 1905-1998 / Criticism and interpretation Tippett, Michael 1905-1998 (DE-588)118802348 gnd rswk-swf 1\p (DE-588)1071861417 Konferenzschrift 1995 Newcastle Neusüdwales gnd-content Tippett, Michael 1905-1998 (DE-588)118802348 p 2\p DE-604 Clarke, David edt Erscheint auch als Druckausgabe 978-0-521-02683-3 Erscheint auch als Druckausgabe 978-0-521-59205-5 https://doi.org/10.1017/CBO9780511481994 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Tippett studies "Only half rebelling" : tonal strategies, folksong and "Englishness" in Tippett's Concerto for Double String Orchestra From pastiche to free composition : R.O. Morris, Tippett and the development of pitch resources in the Fantasia Concertante on a Theme of Corelli "Is there a choice at all?" : King Priam and motives for analysis Tippett's Second Symphony, Stravinsky and the language of neoclassicism : towards a critical framework Tippett, sequence and metaphor "Significant gestures to the past" : formal processes and visionary moments in Tippett's Triple Concerto Tippett's King Priam and "the tragic vision" Tippett, Michael / 1905-1998 / Criticism and interpretation Tippett, Michael 1905-1998 (DE-588)118802348 gnd |
| subject_GND | (DE-588)118802348 (DE-588)1071861417 |
| title | Tippett studies |
| title_alt | "Only half rebelling" : tonal strategies, folksong and "Englishness" in Tippett's Concerto for Double String Orchestra From pastiche to free composition : R.O. Morris, Tippett and the development of pitch resources in the Fantasia Concertante on a Theme of Corelli "Is there a choice at all?" : King Priam and motives for analysis Tippett's Second Symphony, Stravinsky and the language of neoclassicism : towards a critical framework Tippett, sequence and metaphor "Significant gestures to the past" : formal processes and visionary moments in Tippett's Triple Concerto Tippett's King Priam and "the tragic vision" |
| title_auth | Tippett studies |
| title_exact_search | Tippett studies |
| title_full | Tippett studies edited by David Clarke |
| title_fullStr | Tippett studies edited by David Clarke |
| title_full_unstemmed | Tippett studies edited by David Clarke |
| title_short | Tippett studies |
| title_sort | tippett studies |
| topic | Tippett, Michael / 1905-1998 / Criticism and interpretation Tippett, Michael 1905-1998 (DE-588)118802348 gnd |
| topic_facet | Tippett, Michael / 1905-1998 / Criticism and interpretation Tippett, Michael 1905-1998 Konferenzschrift 1995 Newcastle Neusüdwales |
| url | https://doi.org/10.1017/CBO9780511481994 |
| work_keys_str_mv | AT clarkedavid tippettstudies |