The music and thought of Michael Tippett: modern times and metaphysics
Tippett is often cast as a composer with a strong visionary streak, but what does that mean for a twentieth-century artist? In this multi-faceted study, David Clarke explores Tippett's complex creative imagination - its dialogue between a romantic's aspirations to the ideal and absolute, a...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2001
|
| Schriftenreihe: | Music in the twentieth century
15 |
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | Tippett is often cast as a composer with a strong visionary streak, but what does that mean for a twentieth-century artist? In this multi-faceted study, David Clarke explores Tippett's complex creative imagination - its dialogue between a romantic's aspirations to the ideal and absolute, and a modernist's sceptical realism. He shows how the musical formations of works such as The Midsummer Marriage, King Priam, and The Vision of Saint Augustine resonate with the aesthetic and theoretical ideas of key figures in modern Western culture - some known to have been influential to the composer (such as Jung, Wagner and Yeats), others not usually associated with him (such as Kant, Nietzsche and Adorno). Analyses of late works such as the Triple Concerto and Byzantium also speculate on Tippett's sexuality as a (literally) critical element in his creative and political consciousness |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (xi, 343 pages) |
| ISBN: | 9780511549670 |
| DOI: | 10.1017/CBO9780511549670 |
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| 505 | 8 | 0 | |t Tippett and the 'world vision' of modernity |t The significance of the concept 'image' in Tippett's musical thought : a perspective from Jung |t Back to Nietzsche? : transformations of the Dionysiac in The midsummer marriage and King Priam |t Metaphysics in a cold climate : The vision of Saint Augustine |t 'Shall we...? Affirm!' : the ironic and the sublime in The mask of time |t The meaning of 'lateness' : mediations of work, self and society in Tippett's Triple concerto |t The golden bird and the porcelain bowl : Byzantium and the politics of artefacts |
| 520 | |a Tippett is often cast as a composer with a strong visionary streak, but what does that mean for a twentieth-century artist? In this multi-faceted study, David Clarke explores Tippett's complex creative imagination - its dialogue between a romantic's aspirations to the ideal and absolute, and a modernist's sceptical realism. He shows how the musical formations of works such as The Midsummer Marriage, King Priam, and The Vision of Saint Augustine resonate with the aesthetic and theoretical ideas of key figures in modern Western culture - some known to have been influential to the composer (such as Jung, Wagner and Yeats), others not usually associated with him (such as Kant, Nietzsche and Adorno). Analyses of late works such as the Triple Concerto and Byzantium also speculate on Tippett's sexuality as a (literally) critical element in his creative and political consciousness | ||
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Datensatz im Suchindex
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| any_adam_object | |
| author | Clarke, David |
| author_facet | Clarke, David |
| author_role | aut |
| author_sort | Clarke, David |
| author_variant | d c dc |
| building | Verbundindex |
| bvnumber | BV043920117 |
| classification_rvk | LP 95080 |
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| contents | Tippett and the 'world vision' of modernity The significance of the concept 'image' in Tippett's musical thought : a perspective from Jung Back to Nietzsche? : transformations of the Dionysiac in The midsummer marriage and King Priam Metaphysics in a cold climate : The vision of Saint Augustine 'Shall we...? Affirm!' : the ironic and the sublime in The mask of time The meaning of 'lateness' : mediations of work, self and society in Tippett's Triple concerto The golden bird and the porcelain bowl : Byzantium and the politics of artefacts |
| ctrlnum | (ZDB-20-CBO)CR9780511549670 (OCoLC)849876269 (DE-599)BVBBV043920117 |
| dewey-full | 780/.92 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780/.92 |
| dewey-search | 780/.92 |
| dewey-sort | 3780 292 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9780511549670 |
| format | Electronic eBook |
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| isbn | 9780511549670 |
| language | English |
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| spelling | Clarke, David Verfasser aut The music and thought of Michael Tippett modern times and metaphysics David Clarke The Music & Thought of Michael Tippett Cambridge Cambridge University Press 2001 1 online resource (xi, 343 pages) txt rdacontent c rdamedia cr rdacarrier Music in the twentieth century 15 Title from publisher's bibliographic system (viewed on 05 Oct 2015) Tippett and the 'world vision' of modernity The significance of the concept 'image' in Tippett's musical thought : a perspective from Jung Back to Nietzsche? : transformations of the Dionysiac in The midsummer marriage and King Priam Metaphysics in a cold climate : The vision of Saint Augustine 'Shall we...? Affirm!' : the ironic and the sublime in The mask of time The meaning of 'lateness' : mediations of work, self and society in Tippett's Triple concerto The golden bird and the porcelain bowl : Byzantium and the politics of artefacts Tippett is often cast as a composer with a strong visionary streak, but what does that mean for a twentieth-century artist? In this multi-faceted study, David Clarke explores Tippett's complex creative imagination - its dialogue between a romantic's aspirations to the ideal and absolute, and a modernist's sceptical realism. He shows how the musical formations of works such as The Midsummer Marriage, King Priam, and The Vision of Saint Augustine resonate with the aesthetic and theoretical ideas of key figures in modern Western culture - some known to have been influential to the composer (such as Jung, Wagner and Yeats), others not usually associated with him (such as Kant, Nietzsche and Adorno). Analyses of late works such as the Triple Concerto and Byzantium also speculate on Tippett's sexuality as a (literally) critical element in his creative and political consciousness Tippett, Michael / 1905-1998 / Criticism and interpretation Tippett, Michael 1905-1998 (DE-588)118802348 gnd rswk-swf Tippett, Michael 1905-1998 (DE-588)118802348 p 1\p DE-604 Erscheint auch als Druckausgabe 978-0-521-02884-4 Erscheint auch als Druckausgabe 978-0-521-58292-6 https://doi.org/10.1017/CBO9780511549670 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Clarke, David The music and thought of Michael Tippett modern times and metaphysics Tippett and the 'world vision' of modernity The significance of the concept 'image' in Tippett's musical thought : a perspective from Jung Back to Nietzsche? : transformations of the Dionysiac in The midsummer marriage and King Priam Metaphysics in a cold climate : The vision of Saint Augustine 'Shall we...? Affirm!' : the ironic and the sublime in The mask of time The meaning of 'lateness' : mediations of work, self and society in Tippett's Triple concerto The golden bird and the porcelain bowl : Byzantium and the politics of artefacts Tippett, Michael / 1905-1998 / Criticism and interpretation Tippett, Michael 1905-1998 (DE-588)118802348 gnd |
| subject_GND | (DE-588)118802348 |
| title | The music and thought of Michael Tippett modern times and metaphysics |
| title_alt | The Music & Thought of Michael Tippett Tippett and the 'world vision' of modernity The significance of the concept 'image' in Tippett's musical thought : a perspective from Jung Back to Nietzsche? : transformations of the Dionysiac in The midsummer marriage and King Priam Metaphysics in a cold climate : The vision of Saint Augustine 'Shall we...? Affirm!' : the ironic and the sublime in The mask of time The meaning of 'lateness' : mediations of work, self and society in Tippett's Triple concerto The golden bird and the porcelain bowl : Byzantium and the politics of artefacts |
| title_auth | The music and thought of Michael Tippett modern times and metaphysics |
| title_exact_search | The music and thought of Michael Tippett modern times and metaphysics |
| title_full | The music and thought of Michael Tippett modern times and metaphysics David Clarke |
| title_fullStr | The music and thought of Michael Tippett modern times and metaphysics David Clarke |
| title_full_unstemmed | The music and thought of Michael Tippett modern times and metaphysics David Clarke |
| title_short | The music and thought of Michael Tippett |
| title_sort | the music and thought of michael tippett modern times and metaphysics |
| title_sub | modern times and metaphysics |
| topic | Tippett, Michael / 1905-1998 / Criticism and interpretation Tippett, Michael 1905-1998 (DE-588)118802348 gnd |
| topic_facet | Tippett, Michael / 1905-1998 / Criticism and interpretation Tippett, Michael 1905-1998 |
| url | https://doi.org/10.1017/CBO9780511549670 |
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