Francis Ford Coppola's Godfather trilogy:
The Godfather trilogy is among the most significant works of Hollywood cinema of the last quarter century. They provide a richly complex look at a whole segment of American life and culture spanning almost the whole century. In six essays, written especially for this volume, The Godfather trilogy is...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
2000
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Schriftenreihe: | Cambridge University Press film handbooks series
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Schlagworte: | |
Online-Zugang: | BSB01 UBG01 Volltext |
Zusammenfassung: | The Godfather trilogy is among the most significant works of Hollywood cinema of the last quarter century. They provide a richly complex look at a whole segment of American life and culture spanning almost the whole century. In six essays, written especially for this volume, The Godfather trilogy is re-examined from a variety of perspectives. Providing analyses on the form and significance of Coppola's achievement, they demonstrate how the filmmaker revised the conventions of the American crime film in the Viet Nam era, his treatment of the capitalism of the criminal underworld and its inherent violence, the power struggles within Hollywood over the film, and the contribution of opera to the epic force and cinematic style of Coppola's vision of an American criminal dynasty. The Godfather articulates the themes, styles, mythologies, performances, and underlying cultural values that have made the film a modern classic |
Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
Beschreibung: | 1 online resource (xiv, 191 pages) |
ISBN: | 9781139172912 |
DOI: | 10.1017/CBO9781139172912 |
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505 | 8 | |a Fearful A-symmetries : violence as history in the Godfather films / Nick Browne -- If history has taught us anything ... Francis Coppola, Paramount Studios, and The godfather parts I, II, and III / Jon Lewis -- The godfather and the mythology of Mafia / Alessandro Camon -- The representation of ethnicity in The godfather / Vera Dika -- Ideology and genre in the Godfather films / Glenn Man -- Family ceremonies : or, opera, in The Godfather trilogy / Naomi Greene | |
520 | |a The Godfather trilogy is among the most significant works of Hollywood cinema of the last quarter century. They provide a richly complex look at a whole segment of American life and culture spanning almost the whole century. In six essays, written especially for this volume, The Godfather trilogy is re-examined from a variety of perspectives. Providing analyses on the form and significance of Coppola's achievement, they demonstrate how the filmmaker revised the conventions of the American crime film in the Viet Nam era, his treatment of the capitalism of the criminal underworld and its inherent violence, the power struggles within Hollywood over the film, and the contribution of opera to the epic force and cinematic style of Coppola's vision of an American criminal dynasty. The Godfather articulates the themes, styles, mythologies, performances, and underlying cultural values that have made the film a modern classic | ||
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Datensatz im Suchindex
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author2 | Browne, Nick |
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author_facet | Browne, Nick |
building | Verbundindex |
bvnumber | BV043919875 |
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contents | Fearful A-symmetries : violence as history in the Godfather films / Nick Browne -- If history has taught us anything ... Francis Coppola, Paramount Studios, and The godfather parts I, II, and III / Jon Lewis -- The godfather and the mythology of Mafia / Alessandro Camon -- The representation of ethnicity in The godfather / Vera Dika -- Ideology and genre in the Godfather films / Glenn Man -- Family ceremonies : or, opera, in The Godfather trilogy / Naomi Greene |
ctrlnum | (ZDB-20-CBO)CR9781139172912 (OCoLC)967401190 (DE-599)BVBBV043919875 |
dewey-full | 791.43/75 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.43/75 |
dewey-search | 791.43/75 |
dewey-sort | 3791.43 275 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
doi_str_mv | 10.1017/CBO9781139172912 |
format | Electronic eBook |
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institution | BVB |
isbn | 9781139172912 |
language | English |
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spelling | Francis Ford Coppola's Godfather trilogy edited by Nick Browne Cambridge Cambridge University Press 2000 1 online resource (xiv, 191 pages) txt rdacontent c rdamedia cr rdacarrier Cambridge University Press film handbooks series Title from publisher's bibliographic system (viewed on 05 Oct 2015) Fearful A-symmetries : violence as history in the Godfather films / Nick Browne -- If history has taught us anything ... Francis Coppola, Paramount Studios, and The godfather parts I, II, and III / Jon Lewis -- The godfather and the mythology of Mafia / Alessandro Camon -- The representation of ethnicity in The godfather / Vera Dika -- Ideology and genre in the Godfather films / Glenn Man -- Family ceremonies : or, opera, in The Godfather trilogy / Naomi Greene The Godfather trilogy is among the most significant works of Hollywood cinema of the last quarter century. They provide a richly complex look at a whole segment of American life and culture spanning almost the whole century. In six essays, written especially for this volume, The Godfather trilogy is re-examined from a variety of perspectives. Providing analyses on the form and significance of Coppola's achievement, they demonstrate how the filmmaker revised the conventions of the American crime film in the Viet Nam era, his treatment of the capitalism of the criminal underworld and its inherent violence, the power struggles within Hollywood over the film, and the contribution of opera to the epic force and cinematic style of Coppola's vision of an American criminal dynasty. The Godfather articulates the themes, styles, mythologies, performances, and underlying cultural values that have made the film a modern classic The godfather Film (DE-588)4133657-4 gnd rswk-swf Godfather films / History and criticism Corleone family (Fictitious characters) The godfather Film (DE-588)4133657-4 u 1\p DE-604 Browne, Nick edt Erscheint auch als Druckausgabe 978-0-521-55084-0 Erscheint auch als Druckausgabe 978-0-521-55950-8 https://doi.org/10.1017/CBO9781139172912 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Francis Ford Coppola's Godfather trilogy Fearful A-symmetries : violence as history in the Godfather films / Nick Browne -- If history has taught us anything ... Francis Coppola, Paramount Studios, and The godfather parts I, II, and III / Jon Lewis -- The godfather and the mythology of Mafia / Alessandro Camon -- The representation of ethnicity in The godfather / Vera Dika -- Ideology and genre in the Godfather films / Glenn Man -- Family ceremonies : or, opera, in The Godfather trilogy / Naomi Greene The godfather Film (DE-588)4133657-4 gnd Godfather films / History and criticism Corleone family (Fictitious characters) |
subject_GND | (DE-588)4133657-4 |
title | Francis Ford Coppola's Godfather trilogy |
title_auth | Francis Ford Coppola's Godfather trilogy |
title_exact_search | Francis Ford Coppola's Godfather trilogy |
title_full | Francis Ford Coppola's Godfather trilogy edited by Nick Browne |
title_fullStr | Francis Ford Coppola's Godfather trilogy edited by Nick Browne |
title_full_unstemmed | Francis Ford Coppola's Godfather trilogy edited by Nick Browne |
title_short | Francis Ford Coppola's Godfather trilogy |
title_sort | francis ford coppola s godfather trilogy |
topic | The godfather Film (DE-588)4133657-4 gnd Godfather films / History and criticism Corleone family (Fictitious characters) |
topic_facet | The godfather Film Godfather films / History and criticism Corleone family (Fictitious characters) |
url | https://doi.org/10.1017/CBO9781139172912 |
work_keys_str_mv | AT brownenick francisfordcoppolasgodfathertrilogy |