The cinema of Satyajit Ray: between tradition and modernity
Satyajit Ray is India's greatest filmmaker and his importance in the international world of cinema has long been recognised. Darius Cooper's study of Ray is the first to examine his rich and varied work from a social and historical perspective, and to situate it within Indian aesthetics. P...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
2000
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Schriftenreihe: | Cambridge studies in film
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Schlagworte: | |
Online-Zugang: | BSB01 UBG01 Volltext |
Zusammenfassung: | Satyajit Ray is India's greatest filmmaker and his importance in the international world of cinema has long been recognised. Darius Cooper's study of Ray is the first to examine his rich and varied work from a social and historical perspective, and to situate it within Indian aesthetics. Providing analyses of selected films, including those that comprise The Apu Trilogy, Chess Players, and Jalsaghhar, among others, Cooper outlines Western influences on Ray's work, such as the plight of women functioning within a patriarchal society, Ray's political vision of the 'doubly colonised', and his attack and critique of the Bengali/Indian middle class of today. The most comprehensive treatment of Ray's work, The Cinema of Satyajit Ray makes accessible the oeuvre of one of the most prolific and creative filmmakers of the twentieth century |
Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
Beschreibung: | 1 online resource (xii, 260 pages) |
ISBN: | 9781139173148 |
DOI: | 10.1017/CBO9781139173148 |
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Datensatz im Suchindex
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any_adam_object | |
author | Cooper, Darius 1949- |
author_facet | Cooper, Darius 1949- |
author_role | aut |
author_sort | Cooper, Darius 1949- |
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dewey-ones | 791 - Public performances |
dewey-raw | 791.43/0233/092 |
dewey-search | 791.43/0233/092 |
dewey-sort | 3791.43 3233 292 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
doi_str_mv | 10.1017/CBO9781139173148 |
format | Electronic eBook |
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indexdate | 2024-07-10T07:38:33Z |
institution | BVB |
isbn | 9781139173148 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029328665 |
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physical | 1 online resource (xii, 260 pages) |
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spelling | Cooper, Darius 1949- Verfasser aut The cinema of Satyajit Ray between tradition and modernity Darius Cooper Cambridge Cambridge University Press 2000 1 online resource (xii, 260 pages) txt rdacontent c rdamedia cr rdacarrier Cambridge studies in film Title from publisher's bibliographic system (viewed on 05 Oct 2015) Satyajit Ray is India's greatest filmmaker and his importance in the international world of cinema has long been recognised. Darius Cooper's study of Ray is the first to examine his rich and varied work from a social and historical perspective, and to situate it within Indian aesthetics. Providing analyses of selected films, including those that comprise The Apu Trilogy, Chess Players, and Jalsaghhar, among others, Cooper outlines Western influences on Ray's work, such as the plight of women functioning within a patriarchal society, Ray's political vision of the 'doubly colonised', and his attack and critique of the Bengali/Indian middle class of today. The most comprehensive treatment of Ray's work, The Cinema of Satyajit Ray makes accessible the oeuvre of one of the most prolific and creative filmmakers of the twentieth century Ray, Satyajit / 1921-1992 / Criticism and interpretation Ray, Satyajit 1921-1992 (DE-588)11926529X gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Ray, Satyajit 1921-1992 (DE-588)11926529X p Film (DE-588)4017102-4 s 1\p DE-604 Erscheint auch als Druckausgabe 978-0-521-62026-0 Erscheint auch als Druckausgabe 978-0-521-62980-5 https://doi.org/10.1017/CBO9781139173148 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Cooper, Darius 1949- The cinema of Satyajit Ray between tradition and modernity Ray, Satyajit / 1921-1992 / Criticism and interpretation Ray, Satyajit 1921-1992 (DE-588)11926529X gnd Film (DE-588)4017102-4 gnd |
subject_GND | (DE-588)11926529X (DE-588)4017102-4 |
title | The cinema of Satyajit Ray between tradition and modernity |
title_auth | The cinema of Satyajit Ray between tradition and modernity |
title_exact_search | The cinema of Satyajit Ray between tradition and modernity |
title_full | The cinema of Satyajit Ray between tradition and modernity Darius Cooper |
title_fullStr | The cinema of Satyajit Ray between tradition and modernity Darius Cooper |
title_full_unstemmed | The cinema of Satyajit Ray between tradition and modernity Darius Cooper |
title_short | The cinema of Satyajit Ray |
title_sort | the cinema of satyajit ray between tradition and modernity |
title_sub | between tradition and modernity |
topic | Ray, Satyajit / 1921-1992 / Criticism and interpretation Ray, Satyajit 1921-1992 (DE-588)11926529X gnd Film (DE-588)4017102-4 gnd |
topic_facet | Ray, Satyajit / 1921-1992 / Criticism and interpretation Ray, Satyajit 1921-1992 Film |
url | https://doi.org/10.1017/CBO9781139173148 |
work_keys_str_mv | AT cooperdarius thecinemaofsatyajitraybetweentraditionandmodernity |