The cinema of Satyajit Ray: between tradition and modernity

Satyajit Ray is India's greatest filmmaker and his importance in the international world of cinema has long been recognised. Darius Cooper's study of Ray is the first to examine his rich and varied work from a social and historical perspective, and to situate it within Indian aesthetics. P...

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Bibliographische Detailangaben
1. Verfasser: Cooper, Darius 1949- (VerfasserIn)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: Cambridge Cambridge University Press 2000
Schriftenreihe:Cambridge studies in film
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Zusammenfassung:Satyajit Ray is India's greatest filmmaker and his importance in the international world of cinema has long been recognised. Darius Cooper's study of Ray is the first to examine his rich and varied work from a social and historical perspective, and to situate it within Indian aesthetics. Providing analyses of selected films, including those that comprise The Apu Trilogy, Chess Players, and Jalsaghhar, among others, Cooper outlines Western influences on Ray's work, such as the plight of women functioning within a patriarchal society, Ray's political vision of the 'doubly colonised', and his attack and critique of the Bengali/Indian middle class of today. The most comprehensive treatment of Ray's work, The Cinema of Satyajit Ray makes accessible the oeuvre of one of the most prolific and creative filmmakers of the twentieth century
Beschreibung:Title from publisher's bibliographic system (viewed on 05 Oct 2015)
Beschreibung:1 online resource (xii, 260 pages)
ISBN:9781139173148
DOI:10.1017/CBO9781139173148

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