Schumann, Fantasie, op. 17:
Schumann's Fantasie, Op. 17 is one of the finest examples of Romantic piano music. In a rounded picture of this major keyboard work, Nicholas Marston traces the fascinating history of its composition, drawing on many of Schumann's letters to Clara Wieck and to his publisher. Examining the...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
1992
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| Schriftenreihe: | Cambridge music handbooks
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | Schumann's Fantasie, Op. 17 is one of the finest examples of Romantic piano music. In a rounded picture of this major keyboard work, Nicholas Marston traces the fascinating history of its composition, drawing on many of Schumann's letters to Clara Wieck and to his publisher. Examining the few surviving sketches: to whom was the work really dedicated? Was the celebrated opening movement perhaps intended as an independent composition? Schumann's own critical writings provide vital insights into his ideas on genre and the relationship between the Fantasie and the many generic and descriptive titles which the composer gave the work before publication. Dr Marston also considers the role of allusion and quotation in the work, preparing the way for an analytical study of each of the movements. The book concludes with an overview of the reception and performance of the Fantasie from 1839 onwards. Every aspect of the work is covered, providing the performer, the listener or the student with an understanding not only of the Fantasie, but of Schumann himself as a composer |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (xv, 115 pages) |
| ISBN: | 9780511620140 |
| DOI: | 10.1017/CBO9780511620140 |
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Datensatz im Suchindex
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| author | Marston, Nicholas |
| author_facet | Marston, Nicholas |
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| dewey-full | 786.2/189 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 786 - Keyboard & other instruments |
| dewey-raw | 786.2/189 |
| dewey-search | 786.2/189 |
| dewey-sort | 3786.2 3189 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9780511620140 |
| format | Electronic eBook |
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| id | DE-604.BV043919547 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:33Z |
| institution | BVB |
| isbn | 9780511620140 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029328630 |
| oclc_num | 850001794 |
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| physical | 1 online resource (xv, 115 pages) |
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| publishDate | 1992 |
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| spelling | Marston, Nicholas Verfasser aut Schumann, Fantasie, op. 17 Nicholas Marston Cambridge Cambridge University Press 1992 1 online resource (xv, 115 pages) txt rdacontent c rdamedia cr rdacarrier Cambridge music handbooks Title from publisher's bibliographic system (viewed on 05 Oct 2015) Schumann's Fantasie, Op. 17 is one of the finest examples of Romantic piano music. In a rounded picture of this major keyboard work, Nicholas Marston traces the fascinating history of its composition, drawing on many of Schumann's letters to Clara Wieck and to his publisher. Examining the few surviving sketches: to whom was the work really dedicated? Was the celebrated opening movement perhaps intended as an independent composition? Schumann's own critical writings provide vital insights into his ideas on genre and the relationship between the Fantasie and the many generic and descriptive titles which the composer gave the work before publication. Dr Marston also considers the role of allusion and quotation in the work, preparing the way for an analytical study of each of the movements. The book concludes with an overview of the reception and performance of the Fantasie from 1839 onwards. Every aspect of the work is covered, providing the performer, the listener or the student with an understanding not only of the Fantasie, but of Schumann himself as a composer Schumann, Robert / 1810-1856 / Fantasien / piano / op. 17 / C major Schumann, Robert 1810-1856 Fantasien op. 17 (DE-588)300144709 gnd rswk-swf Schumann, Robert 1810-1856 Fantasien op. 17 (DE-588)300144709 u 1\p DE-604 Erscheint auch als Druckausgabe 978-0-521-39284-6 Erscheint auch als Druckausgabe 978-0-521-39892-3 https://doi.org/10.1017/CBO9780511620140 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Marston, Nicholas Schumann, Fantasie, op. 17 Schumann, Robert / 1810-1856 / Fantasien / piano / op. 17 / C major Schumann, Robert 1810-1856 Fantasien op. 17 (DE-588)300144709 gnd |
| subject_GND | (DE-588)300144709 |
| title | Schumann, Fantasie, op. 17 |
| title_auth | Schumann, Fantasie, op. 17 |
| title_exact_search | Schumann, Fantasie, op. 17 |
| title_full | Schumann, Fantasie, op. 17 Nicholas Marston |
| title_fullStr | Schumann, Fantasie, op. 17 Nicholas Marston |
| title_full_unstemmed | Schumann, Fantasie, op. 17 Nicholas Marston |
| title_short | Schumann, Fantasie, op. 17 |
| title_sort | schumann fantasie op 17 |
| topic | Schumann, Robert / 1810-1856 / Fantasien / piano / op. 17 / C major Schumann, Robert 1810-1856 Fantasien op. 17 (DE-588)300144709 gnd |
| topic_facet | Schumann, Robert / 1810-1856 / Fantasien / piano / op. 17 / C major Schumann, Robert 1810-1856 Fantasien op. 17 |
| url | https://doi.org/10.1017/CBO9780511620140 |
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