The films of Roberto Rossellini:
The Films of Roberto Rossellini traces the career of one of the most influential Italian filmmakers through close analysis of the seven films that mark important turning points in his evolution: The Man with a Cross (1943), Open City (1945), Paisan (1946), The Machine to Kill Bad People (1948–52), V...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
1993
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| Schriftenreihe: | Cambridge film classics
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | The Films of Roberto Rossellini traces the career of one of the most influential Italian filmmakers through close analysis of the seven films that mark important turning points in his evolution: The Man with a Cross (1943), Open City (1945), Paisan (1946), The Machine to Kill Bad People (1948–52), Voyage in Italy (1953), General della Rovere (1959) and The Rise to Power of Louis XIV (1966). Beginning with Rossellini's work within the fascist cinema, it discusses his invention of neorealism, a new cinematic style that resulted in several classics during the immediate postwar period. Almost immediately, however, Rossellini's continually evolving style moved beyond mere social realism to reveal other aspects of the camera's gaze, as is apparent in the films he made with Ingrid Bergman during the 1950s; though unpopular, these works had a tremendous impact on the French New Wave critics and directors. Rossellini's late career marks a return to his nonrealist period, now critically reexamined, in such works as the commercially successful General della Rovere, and his eventual turn to the creation of didactic films for television |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (xiv, 183 pages) |
| ISBN: | 9780511620225 |
| DOI: | 10.1017/CBO9780511620225 |
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Datensatz im Suchindex
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| author_facet | Bondanella, Peter E. 1943- |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
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| dewey-search | 791.43/0233/092 |
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| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| doi_str_mv | 10.1017/CBO9780511620225 |
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| id | DE-604.BV043919544 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:33Z |
| institution | BVB |
| isbn | 9780511620225 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029328627 |
| oclc_num | 967416535 |
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| publishDate | 1993 |
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| publisher | Cambridge University Press |
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| spelling | Bondanella, Peter E. 1943- Verfasser aut The films of Roberto Rossellini Peter Bondanella Cambridge Cambridge University Press 1993 1 online resource (xiv, 183 pages) txt rdacontent c rdamedia cr rdacarrier Cambridge film classics Title from publisher's bibliographic system (viewed on 05 Oct 2015) The Films of Roberto Rossellini traces the career of one of the most influential Italian filmmakers through close analysis of the seven films that mark important turning points in his evolution: The Man with a Cross (1943), Open City (1945), Paisan (1946), The Machine to Kill Bad People (1948–52), Voyage in Italy (1953), General della Rovere (1959) and The Rise to Power of Louis XIV (1966). Beginning with Rossellini's work within the fascist cinema, it discusses his invention of neorealism, a new cinematic style that resulted in several classics during the immediate postwar period. Almost immediately, however, Rossellini's continually evolving style moved beyond mere social realism to reveal other aspects of the camera's gaze, as is apparent in the films he made with Ingrid Bergman during the 1950s; though unpopular, these works had a tremendous impact on the French New Wave critics and directors. Rossellini's late career marks a return to his nonrealist period, now critically reexamined, in such works as the commercially successful General della Rovere, and his eventual turn to the creation of didactic films for television Rossellini, Roberto / 1906-1977 / Criticism and interpretation Rossellini, Roberto 1906-1977 (DE-588)118602934 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Rossellini, Roberto 1906-1977 (DE-588)118602934 p Film (DE-588)4017102-4 s 1\p DE-604 Erscheint auch als Druckausgabe 978-0-521-39236-5 Erscheint auch als Druckausgabe 978-0-521-39866-4 https://doi.org/10.1017/CBO9780511620225 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Bondanella, Peter E. 1943- The films of Roberto Rossellini Rossellini, Roberto / 1906-1977 / Criticism and interpretation Rossellini, Roberto 1906-1977 (DE-588)118602934 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)118602934 (DE-588)4017102-4 |
| title | The films of Roberto Rossellini |
| title_auth | The films of Roberto Rossellini |
| title_exact_search | The films of Roberto Rossellini |
| title_full | The films of Roberto Rossellini Peter Bondanella |
| title_fullStr | The films of Roberto Rossellini Peter Bondanella |
| title_full_unstemmed | The films of Roberto Rossellini Peter Bondanella |
| title_short | The films of Roberto Rossellini |
| title_sort | the films of roberto rossellini |
| topic | Rossellini, Roberto / 1906-1977 / Criticism and interpretation Rossellini, Roberto 1906-1977 (DE-588)118602934 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Rossellini, Roberto / 1906-1977 / Criticism and interpretation Rossellini, Roberto 1906-1977 Film |
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