John Huston's filmmaking:
John Huston's Filmmaking offers an analysis of the life and work of one of the greatest American independent filmmakers. Always visually exciting, Huston's films sensitively portray humankind in all its incarnations, chronicling the attempts by protagonists to conceive and articulate their...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
1997
|
| Schriftenreihe: | Cambridge studies in film
|
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | John Huston's Filmmaking offers an analysis of the life and work of one of the greatest American independent filmmakers. Always visually exciting, Huston's films sensitively portray humankind in all its incarnations, chronicling the attempts by protagonists to conceive and articulate their identities. Fundamental questions of selfhood, happiness and love are intimately connected to the idea of home, which for the filmmaker also signified a congenial place among other people in the world. In this study, Lesley Brill shows Huston's films to be far more than formulaic adventures of masculine failure, arguing instead that they demonstrate the close connection between humanity, the natural world, and divinity |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (xii, 269 pages) |
| ISBN: | 9780511624339 |
| DOI: | 10.1017/CBO9780511624339 |
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| 520 | |a John Huston's Filmmaking offers an analysis of the life and work of one of the greatest American independent filmmakers. Always visually exciting, Huston's films sensitively portray humankind in all its incarnations, chronicling the attempts by protagonists to conceive and articulate their identities. Fundamental questions of selfhood, happiness and love are intimately connected to the idea of home, which for the filmmaker also signified a congenial place among other people in the world. In this study, Lesley Brill shows Huston's films to be far more than formulaic adventures of masculine failure, arguing instead that they demonstrate the close connection between humanity, the natural world, and divinity | ||
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Datensatz im Suchindex
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| any_adam_object | |
| author | Brill, Lesley 1943- |
| author_facet | Brill, Lesley 1943- |
| author_role | aut |
| author_sort | Brill, Lesley 1943- |
| author_variant | l b lb |
| building | Verbundindex |
| bvnumber | BV043919509 |
| classification_rvk | AP 51400 |
| collection | ZDB-20-CBO |
| contents | The Treasure of the Sierra Madre (1948) The Man Who Would Be King (1975) Hustonian Themes in an Atypical Genre: The African Queen (1951) Misfits (1961) and the Idea of John Huston's Films "No Betrayal of Despair": The Night of the Iguana (1964) Let There Be Light (1946, released 1980) Heavens Knows, Mr. Allison (1957) Theater, Identity, and Reality in The Maltese Falcon (1941) Reflections in a Golden Eye (1967) Freud (1961) Fat City (1972): "Maybe We're All Happy" The Dead (1987) An Open Book (1980): "Sufficiently Absurd" Filmography: Films Directed by John Huston |
| ctrlnum | (ZDB-20-CBO)CR9780511624339 (OCoLC)967398162 (DE-599)BVBBV043919509 |
| dewey-full | 791.43/0233/092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/0233/092 |
| dewey-search | 791.43/0233/092 |
| dewey-sort | 3791.43 3233 292 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| doi_str_mv | 10.1017/CBO9780511624339 |
| format | Electronic eBook |
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| id | DE-604.BV043919509 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:33Z |
| institution | BVB |
| isbn | 9780511624339 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029328592 |
| oclc_num | 967398162 |
| open_access_boolean | |
| owner | DE-12 DE-473 DE-BY-UBG |
| owner_facet | DE-12 DE-473 DE-BY-UBG |
| physical | 1 online resource (xii, 269 pages) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
| publishDate | 1997 |
| publishDateSearch | 1997 |
| publishDateSort | 1997 |
| publisher | Cambridge University Press |
| record_format | marc |
| series2 | Cambridge studies in film |
| spelling | Brill, Lesley 1943- Verfasser aut John Huston's filmmaking Lesley Brill Cambridge Cambridge University Press 1997 1 online resource (xii, 269 pages) txt rdacontent c rdamedia cr rdacarrier Cambridge studies in film Title from publisher's bibliographic system (viewed on 05 Oct 2015) 1 The Treasure of the Sierra Madre (1948) 2 The Man Who Would Be King (1975) 3 Hustonian Themes in an Atypical Genre: The African Queen (1951) 4 Misfits (1961) and the Idea of John Huston's Films 5 "No Betrayal of Despair": The Night of the Iguana (1964) 6 Let There Be Light (1946, released 1980) 7 Heavens Knows, Mr. Allison (1957) 8 Theater, Identity, and Reality in The Maltese Falcon (1941) 9 Reflections in a Golden Eye (1967) 10 Freud (1961) 11 Fat City (1972): "Maybe We're All Happy" 12 The Dead (1987) 13 An Open Book (1980): "Sufficiently Absurd" Filmography: Films Directed by John Huston John Huston's Filmmaking offers an analysis of the life and work of one of the greatest American independent filmmakers. Always visually exciting, Huston's films sensitively portray humankind in all its incarnations, chronicling the attempts by protagonists to conceive and articulate their identities. Fundamental questions of selfhood, happiness and love are intimately connected to the idea of home, which for the filmmaker also signified a congenial place among other people in the world. In this study, Lesley Brill shows Huston's films to be far more than formulaic adventures of masculine failure, arguing instead that they demonstrate the close connection between humanity, the natural world, and divinity Huston, John / 1906-1987 / Criticism and interpretation Huston, John 1906-1987 (DE-588)118555014 gnd rswk-swf Filmregie (DE-588)4129888-3 gnd rswk-swf Huston, John 1906-1987 (DE-588)118555014 p Filmregie (DE-588)4129888-3 s 1\p DE-604 Erscheint auch als Druckausgabe 978-0-521-58359-6 Erscheint auch als Druckausgabe 978-0-521-58670-2 https://doi.org/10.1017/CBO9780511624339 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Brill, Lesley 1943- John Huston's filmmaking The Treasure of the Sierra Madre (1948) The Man Who Would Be King (1975) Hustonian Themes in an Atypical Genre: The African Queen (1951) Misfits (1961) and the Idea of John Huston's Films "No Betrayal of Despair": The Night of the Iguana (1964) Let There Be Light (1946, released 1980) Heavens Knows, Mr. Allison (1957) Theater, Identity, and Reality in The Maltese Falcon (1941) Reflections in a Golden Eye (1967) Freud (1961) Fat City (1972): "Maybe We're All Happy" The Dead (1987) An Open Book (1980): "Sufficiently Absurd" Filmography: Films Directed by John Huston Huston, John / 1906-1987 / Criticism and interpretation Huston, John 1906-1987 (DE-588)118555014 gnd Filmregie (DE-588)4129888-3 gnd |
| subject_GND | (DE-588)118555014 (DE-588)4129888-3 |
| title | John Huston's filmmaking |
| title_alt | The Treasure of the Sierra Madre (1948) The Man Who Would Be King (1975) Hustonian Themes in an Atypical Genre: The African Queen (1951) Misfits (1961) and the Idea of John Huston's Films "No Betrayal of Despair": The Night of the Iguana (1964) Let There Be Light (1946, released 1980) Heavens Knows, Mr. Allison (1957) Theater, Identity, and Reality in The Maltese Falcon (1941) Reflections in a Golden Eye (1967) Freud (1961) Fat City (1972): "Maybe We're All Happy" The Dead (1987) An Open Book (1980): "Sufficiently Absurd" Filmography: Films Directed by John Huston |
| title_auth | John Huston's filmmaking |
| title_exact_search | John Huston's filmmaking |
| title_full | John Huston's filmmaking Lesley Brill |
| title_fullStr | John Huston's filmmaking Lesley Brill |
| title_full_unstemmed | John Huston's filmmaking Lesley Brill |
| title_short | John Huston's filmmaking |
| title_sort | john huston s filmmaking |
| topic | Huston, John / 1906-1987 / Criticism and interpretation Huston, John 1906-1987 (DE-588)118555014 gnd Filmregie (DE-588)4129888-3 gnd |
| topic_facet | Huston, John / 1906-1987 / Criticism and interpretation Huston, John 1906-1987 Filmregie |
| url | https://doi.org/10.1017/CBO9780511624339 |
| work_keys_str_mv | AT brilllesley johnhustonsfilmmaking |