Feminist views on the English stage: women playwrights, 1990-2000
Feminist Views on the English Stage, first published in 2003, is an exciting and insightful study on drama from a feminist perspective, one that challenges an idea of the 1990s as a 'post-feminist' decade and pays attention to women's playwriting marginalized by a 'renaissance...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
2003
|
Schriftenreihe: | Cambridge studies in modern theatre
|
Schlagworte: | |
Online-Zugang: | BSB01 UBG01 Volltext |
Zusammenfassung: | Feminist Views on the English Stage, first published in 2003, is an exciting and insightful study on drama from a feminist perspective, one that challenges an idea of the 1990s as a 'post-feminist' decade and pays attention to women's playwriting marginalized by a 'renaissance' of angry young men. Working through a generational mix of writers, from Sarah Kane, the iconoclastic 'bad girl' of the stage, to the 'canonical' Caryl Churchill, Elaine Aston charts the significant political and aesthetic changes in women's playwriting at the century's end. Aston also explores writing for the 1990s in theatre by Sarah Daniels, Bryony Lavery, Phyllis Nagy, Winsome Pinnock, Rebecca Prichard, Judy Upton and Timberlake Wertenbaker |
Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
Beschreibung: | 1 online resource (x, 237 pages) |
ISBN: | 9780511486005 |
DOI: | 10.1017/CBO9780511486005 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV043919282 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 161202s2003 |||| o||u| ||||||eng d | ||
020 | |a 9780511486005 |c Online |9 978-0-511-48600-5 | ||
024 | 7 | |a 10.1017/CBO9780511486005 |2 doi | |
035 | |a (ZDB-20-CBO)CR9780511486005 | ||
035 | |a (OCoLC)967397985 | ||
035 | |a (DE-599)BVBBV043919282 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-473 | ||
082 | 0 | |a 822/.914099287 |2 21 | |
084 | |a HN 1220 |0 (DE-625)51137: |2 rvk | ||
084 | |a HN 1261 |0 (DE-625)51147: |2 rvk | ||
100 | 1 | |a Aston, Elaine |e Verfasser |4 aut | |
245 | 1 | 0 | |a Feminist views on the English stage |b women playwrights, 1990-2000 |c Elaine Aston |
264 | 1 | |a Cambridge |b Cambridge University Press |c 2003 | |
300 | |a 1 online resource (x, 237 pages) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a Cambridge studies in modern theatre | |
500 | |a Title from publisher's bibliographic system (viewed on 05 Oct 2015) | ||
505 | 8 | |a A feminist view on the 1990s -- Telling feminist tales: Caryl Churchill -- Saying no to daddy: child sexual abuse, the 'Big Hysteria' -- Girl power, the new feminism? -- The 'bad girl of our stage?': Sarah Kane -- Performing identities -- Feminist connections to a multicultural 'scene' -- Feminism past, and future?: Timberlake Wertenbaker -- Tales for the twenty-first century: final reflections | |
520 | |a Feminist Views on the English Stage, first published in 2003, is an exciting and insightful study on drama from a feminist perspective, one that challenges an idea of the 1990s as a 'post-feminist' decade and pays attention to women's playwriting marginalized by a 'renaissance' of angry young men. Working through a generational mix of writers, from Sarah Kane, the iconoclastic 'bad girl' of the stage, to the 'canonical' Caryl Churchill, Elaine Aston charts the significant political and aesthetic changes in women's playwriting at the century's end. Aston also explores writing for the 1990s in theatre by Sarah Daniels, Bryony Lavery, Phyllis Nagy, Winsome Pinnock, Rebecca Prichard, Judy Upton and Timberlake Wertenbaker | ||
648 | 4 | |a Geschichte 1900-2000 | |
648 | 7 | |a Geschichte 1990-2000 |2 gnd |9 rswk-swf | |
650 | 4 | |a Geschichte | |
650 | 4 | |a Feminist drama, English / History and criticism | |
650 | 4 | |a Feminism and literature / Great Britain / History / 20th century | |
650 | 4 | |a Women and literature / Great Britain / History / 20th century | |
650 | 4 | |a English drama / Women authors / History and criticism | |
650 | 4 | |a English drama / 20th century / History and criticism | |
650 | 0 | 7 | |a Dramatikerin |0 (DE-588)4123077-2 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Frauendrama |0 (DE-588)4155230-1 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Feminismus |0 (DE-588)4222126-2 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Englisch |0 (DE-588)4014777-0 |2 gnd |9 rswk-swf |
651 | 4 | |a Großbritannien | |
651 | 7 | |a Großbritannien |0 (DE-588)4022153-2 |2 gnd |9 rswk-swf | |
689 | 0 | 0 | |a Englisch |0 (DE-588)4014777-0 |D s |
689 | 0 | 1 | |a Frauendrama |0 (DE-588)4155230-1 |D s |
689 | 0 | 2 | |a Großbritannien |0 (DE-588)4022153-2 |D g |
689 | 0 | 3 | |a Dramatikerin |0 (DE-588)4123077-2 |D s |
689 | 0 | 4 | |a Feminismus |0 (DE-588)4222126-2 |D s |
689 | 0 | 5 | |a Geschichte 1990-2000 |A z |
689 | 0 | |8 1\p |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Druckausgabe |z 978-0-521-80003-7 |
776 | 0 | 8 | |i Erscheint auch als |n Druckausgabe |z 978-0-521-80467-7 |
856 | 4 | 0 | |u https://doi.org/10.1017/CBO9780511486005 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-20-CBO | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-029328364 | ||
883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
966 | e | |u https://doi.org/10.1017/CBO9780511486005 |l BSB01 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1017/CBO9780511486005 |l UBG01 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804176838620086272 |
---|---|
any_adam_object | |
author | Aston, Elaine |
author_facet | Aston, Elaine |
author_role | aut |
author_sort | Aston, Elaine |
author_variant | e a ea |
building | Verbundindex |
bvnumber | BV043919282 |
classification_rvk | HN 1220 HN 1261 |
collection | ZDB-20-CBO |
contents | A feminist view on the 1990s -- Telling feminist tales: Caryl Churchill -- Saying no to daddy: child sexual abuse, the 'Big Hysteria' -- Girl power, the new feminism? -- The 'bad girl of our stage?': Sarah Kane -- Performing identities -- Feminist connections to a multicultural 'scene' -- Feminism past, and future?: Timberlake Wertenbaker -- Tales for the twenty-first century: final reflections |
ctrlnum | (ZDB-20-CBO)CR9780511486005 (OCoLC)967397985 (DE-599)BVBBV043919282 |
dewey-full | 822/.914099287 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 822 - English drama |
dewey-raw | 822/.914099287 |
dewey-search | 822/.914099287 |
dewey-sort | 3822 9914099287 |
dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik |
doi_str_mv | 10.1017/CBO9780511486005 |
era | Geschichte 1900-2000 Geschichte 1990-2000 gnd |
era_facet | Geschichte 1900-2000 Geschichte 1990-2000 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04002nmm a2200697zc 4500</leader><controlfield tag="001">BV043919282</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">161202s2003 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780511486005</subfield><subfield code="c">Online</subfield><subfield code="9">978-0-511-48600-5</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/CBO9780511486005</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9780511486005</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)967397985</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043919282</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">822/.914099287</subfield><subfield code="2">21</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HN 1220</subfield><subfield code="0">(DE-625)51137:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HN 1261</subfield><subfield code="0">(DE-625)51147:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Aston, Elaine</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Feminist views on the English stage</subfield><subfield code="b">women playwrights, 1990-2000</subfield><subfield code="c">Elaine Aston</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2003</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (x, 237 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Cambridge studies in modern theatre</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 05 Oct 2015)</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">A feminist view on the 1990s -- Telling feminist tales: Caryl Churchill -- Saying no to daddy: child sexual abuse, the 'Big Hysteria' -- Girl power, the new feminism? -- The 'bad girl of our stage?': Sarah Kane -- Performing identities -- Feminist connections to a multicultural 'scene' -- Feminism past, and future?: Timberlake Wertenbaker -- Tales for the twenty-first century: final reflections</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Feminist Views on the English Stage, first published in 2003, is an exciting and insightful study on drama from a feminist perspective, one that challenges an idea of the 1990s as a 'post-feminist' decade and pays attention to women's playwriting marginalized by a 'renaissance' of angry young men. Working through a generational mix of writers, from Sarah Kane, the iconoclastic 'bad girl' of the stage, to the 'canonical' Caryl Churchill, Elaine Aston charts the significant political and aesthetic changes in women's playwriting at the century's end. Aston also explores writing for the 1990s in theatre by Sarah Daniels, Bryony Lavery, Phyllis Nagy, Winsome Pinnock, Rebecca Prichard, Judy Upton and Timberlake Wertenbaker</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1900-2000</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1990-2000</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Feminist drama, English / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Feminism and literature / Great Britain / History / 20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Women and literature / Great Britain / History / 20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English drama / Women authors / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English drama / 20th century / History and criticism</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Dramatikerin</subfield><subfield code="0">(DE-588)4123077-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Frauendrama</subfield><subfield code="0">(DE-588)4155230-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Feminismus</subfield><subfield code="0">(DE-588)4222126-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">Großbritannien</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Großbritannien</subfield><subfield code="0">(DE-588)4022153-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Frauendrama</subfield><subfield code="0">(DE-588)4155230-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Großbritannien</subfield><subfield code="0">(DE-588)4022153-2</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Dramatikerin</subfield><subfield code="0">(DE-588)4123077-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Feminismus</subfield><subfield code="0">(DE-588)4222126-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Geschichte 1990-2000</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druckausgabe</subfield><subfield code="z">978-0-521-80003-7</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druckausgabe</subfield><subfield code="z">978-0-521-80467-7</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/CBO9780511486005</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029328364</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/CBO9780511486005</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/CBO9780511486005</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
geographic | Großbritannien Großbritannien (DE-588)4022153-2 gnd |
geographic_facet | Großbritannien |
id | DE-604.BV043919282 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:38:33Z |
institution | BVB |
isbn | 9780511486005 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029328364 |
oclc_num | 967397985 |
open_access_boolean | |
owner | DE-12 DE-473 DE-BY-UBG |
owner_facet | DE-12 DE-473 DE-BY-UBG |
physical | 1 online resource (x, 237 pages) |
psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
publishDate | 2003 |
publishDateSearch | 2003 |
publishDateSort | 2003 |
publisher | Cambridge University Press |
record_format | marc |
series2 | Cambridge studies in modern theatre |
spelling | Aston, Elaine Verfasser aut Feminist views on the English stage women playwrights, 1990-2000 Elaine Aston Cambridge Cambridge University Press 2003 1 online resource (x, 237 pages) txt rdacontent c rdamedia cr rdacarrier Cambridge studies in modern theatre Title from publisher's bibliographic system (viewed on 05 Oct 2015) A feminist view on the 1990s -- Telling feminist tales: Caryl Churchill -- Saying no to daddy: child sexual abuse, the 'Big Hysteria' -- Girl power, the new feminism? -- The 'bad girl of our stage?': Sarah Kane -- Performing identities -- Feminist connections to a multicultural 'scene' -- Feminism past, and future?: Timberlake Wertenbaker -- Tales for the twenty-first century: final reflections Feminist Views on the English Stage, first published in 2003, is an exciting and insightful study on drama from a feminist perspective, one that challenges an idea of the 1990s as a 'post-feminist' decade and pays attention to women's playwriting marginalized by a 'renaissance' of angry young men. Working through a generational mix of writers, from Sarah Kane, the iconoclastic 'bad girl' of the stage, to the 'canonical' Caryl Churchill, Elaine Aston charts the significant political and aesthetic changes in women's playwriting at the century's end. Aston also explores writing for the 1990s in theatre by Sarah Daniels, Bryony Lavery, Phyllis Nagy, Winsome Pinnock, Rebecca Prichard, Judy Upton and Timberlake Wertenbaker Geschichte 1900-2000 Geschichte 1990-2000 gnd rswk-swf Geschichte Feminist drama, English / History and criticism Feminism and literature / Great Britain / History / 20th century Women and literature / Great Britain / History / 20th century English drama / Women authors / History and criticism English drama / 20th century / History and criticism Dramatikerin (DE-588)4123077-2 gnd rswk-swf Frauendrama (DE-588)4155230-1 gnd rswk-swf Feminismus (DE-588)4222126-2 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Großbritannien Großbritannien (DE-588)4022153-2 gnd rswk-swf Englisch (DE-588)4014777-0 s Frauendrama (DE-588)4155230-1 s Großbritannien (DE-588)4022153-2 g Dramatikerin (DE-588)4123077-2 s Feminismus (DE-588)4222126-2 s Geschichte 1990-2000 z 1\p DE-604 Erscheint auch als Druckausgabe 978-0-521-80003-7 Erscheint auch als Druckausgabe 978-0-521-80467-7 https://doi.org/10.1017/CBO9780511486005 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Aston, Elaine Feminist views on the English stage women playwrights, 1990-2000 A feminist view on the 1990s -- Telling feminist tales: Caryl Churchill -- Saying no to daddy: child sexual abuse, the 'Big Hysteria' -- Girl power, the new feminism? -- The 'bad girl of our stage?': Sarah Kane -- Performing identities -- Feminist connections to a multicultural 'scene' -- Feminism past, and future?: Timberlake Wertenbaker -- Tales for the twenty-first century: final reflections Geschichte Feminist drama, English / History and criticism Feminism and literature / Great Britain / History / 20th century Women and literature / Great Britain / History / 20th century English drama / Women authors / History and criticism English drama / 20th century / History and criticism Dramatikerin (DE-588)4123077-2 gnd Frauendrama (DE-588)4155230-1 gnd Feminismus (DE-588)4222126-2 gnd Englisch (DE-588)4014777-0 gnd |
subject_GND | (DE-588)4123077-2 (DE-588)4155230-1 (DE-588)4222126-2 (DE-588)4014777-0 (DE-588)4022153-2 |
title | Feminist views on the English stage women playwrights, 1990-2000 |
title_auth | Feminist views on the English stage women playwrights, 1990-2000 |
title_exact_search | Feminist views on the English stage women playwrights, 1990-2000 |
title_full | Feminist views on the English stage women playwrights, 1990-2000 Elaine Aston |
title_fullStr | Feminist views on the English stage women playwrights, 1990-2000 Elaine Aston |
title_full_unstemmed | Feminist views on the English stage women playwrights, 1990-2000 Elaine Aston |
title_short | Feminist views on the English stage |
title_sort | feminist views on the english stage women playwrights 1990 2000 |
title_sub | women playwrights, 1990-2000 |
topic | Geschichte Feminist drama, English / History and criticism Feminism and literature / Great Britain / History / 20th century Women and literature / Great Britain / History / 20th century English drama / Women authors / History and criticism English drama / 20th century / History and criticism Dramatikerin (DE-588)4123077-2 gnd Frauendrama (DE-588)4155230-1 gnd Feminismus (DE-588)4222126-2 gnd Englisch (DE-588)4014777-0 gnd |
topic_facet | Geschichte Feminist drama, English / History and criticism Feminism and literature / Great Britain / History / 20th century Women and literature / Great Britain / History / 20th century English drama / Women authors / History and criticism English drama / 20th century / History and criticism Dramatikerin Frauendrama Feminismus Englisch Großbritannien |
url | https://doi.org/10.1017/CBO9780511486005 |
work_keys_str_mv | AT astonelaine feministviewsontheenglishstagewomenplaywrights19902000 |