David Damschroder's ongoing reformulation of harmonic theory continues with a dynamic exploration of how Beethoven molded and arranged chords to convey bold conceptions. This book's introductory chapters are organized in the manner of a nineteenth-century Harmonielehre, with individual con...

Ausführliche Beschreibung

Bibliographische Detailangaben

1. Verfasser:	Damschroder, David 1954- (VerfasserIn)
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Cambridge Cambridge University Press 2016
Schlagworte:	Beethoven, Ludwig van / 1770-1827 / Criticism and interpretation Beethoven, Ludwig van > 1770-1827 Harmony Harmonik Komposition > Musik Musikalische Analyse
Online-Zugang:	BSB01 UBG01 Volltext
Zusammenfassung:	David Damschroder's ongoing reformulation of harmonic theory continues with a dynamic exploration of how Beethoven molded and arranged chords to convey bold conceptions. This book's introductory chapters are organized in the manner of a nineteenth-century Harmonielehre, with individual considerations of the tonal system's key features illustrated by easy-to-comprehend block-chord examples derived from Beethoven's piano sonatas. In the masterworks section that follows, Damschroder presents detailed analyses of movements from the symphonies, piano and violin sonatas, and string quartets, and compares his outcomes with those of other analysts, including William E. Caplin, Robert Gauldin, Nicholas Marston, William J. Mitchell, Frank Samarotto, and Janet Schmalfeldt. Expanding upon analytical practices from the eighteenth and nineteenth centuries and strongly influenced by Schenkerian principles, this fresh perspective offers a stark contrast to conventional harmonic analysis – both in terms of how Roman numerals are deployed and how musical processes are described in words
Beschreibung:	Title from publisher's bibliographic system (viewed on 08 Mar 2016)
Beschreibung:	1 online resource (xiii, 292 pages)
ISBN:	9781316471043
DOI:	10.1017/CBO9781316471043