Harmony in Chopin:
Chopin's oeuvre holds a secure place in the repertoire, beloved by audiences, performers, and aesthetes. In Harmony in Chopin, David Damschroder offers a new way to examine and understand Chopin's compositional style, integrating Schenkerian structural analyses with an innovative perspecti...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2015
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | Chopin's oeuvre holds a secure place in the repertoire, beloved by audiences, performers, and aesthetes. In Harmony in Chopin, David Damschroder offers a new way to examine and understand Chopin's compositional style, integrating Schenkerian structural analyses with an innovative perspective on harmony and further developing ideas and methods put forward in his earlier books Thinking about Harmony, Harmony in Schubert, and Harmony in Haydn and Mozart. Reinvigorating and enhancing some of the central components of analytical practice, this study explores notions such as assertion, chordal evolution (surge), collision, dominant emulation, unfurling, and wobble through analyses of all forty-three Mazurkas Chopin published during his lifetime. Damschroder also integrates analyses of eight major works by Chopin with detailed commentary on the contrasting perspectives of other prominent Chopin analysts. This provocative and richly detailed book will help transform readers' own analytical approaches |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (xii, 300 pages) |
| ISBN: | 9781316258095 |
| DOI: | 10.1017/CBO9781316258095 |
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| 505 | 8 | |a Methodological orientation : the mazurkas. The architecture of a tonic pillar : twenty-seven regular tonic pillars from the mazurkas ; Between the tonic pillars : tonal trajectories in twenty-seven mazurkas ; Irregular pillars in the mazurkas : alternatives to the perfect authentic cadence -- Masterpieces. Etude in C minor, op. 10, no. 12 in response to Graham H. Phipps ; Nocturne in C♯ minor (op. 27, no. 1) in response to Felix Salzer ; Preludes in E major and E minor (op. 28, nos. 9 and 4) in response to Fred Lerdahl ; Prelude in G minor (op. 28, no. 22) in response to Alison Hood ; Prelude in C♯ minor (op. 45) in response to Jean-Jacques Eigeldinger and to Charles J. Smith ; Ballade in F minor (op. 52) in response to Edward Laufer ; Barcarolle in F♯ major (op. 60) in response to John Rink | |
| 520 | |a Chopin's oeuvre holds a secure place in the repertoire, beloved by audiences, performers, and aesthetes. In Harmony in Chopin, David Damschroder offers a new way to examine and understand Chopin's compositional style, integrating Schenkerian structural analyses with an innovative perspective on harmony and further developing ideas and methods put forward in his earlier books Thinking about Harmony, Harmony in Schubert, and Harmony in Haydn and Mozart. Reinvigorating and enhancing some of the central components of analytical practice, this study explores notions such as assertion, chordal evolution (surge), collision, dominant emulation, unfurling, and wobble through analyses of all forty-three Mazurkas Chopin published during his lifetime. Damschroder also integrates analyses of eight major works by Chopin with detailed commentary on the contrasting perspectives of other prominent Chopin analysts. This provocative and richly detailed book will help transform readers' own analytical approaches | ||
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Datensatz im Suchindex
| _version_ | 1804176835771105280 |
|---|---|
| any_adam_object | |
| author | Damschroder, David 1954- |
| author_GND | (DE-588)142371327 |
| author_facet | Damschroder, David 1954- |
| author_role | aut |
| author_sort | Damschroder, David 1954- |
| author_variant | d d dd |
| building | Verbundindex |
| bvnumber | BV043918007 |
| classification_rvk | LP 63570 |
| collection | ZDB-20-CBO |
| contents | Methodological orientation : the mazurkas. The architecture of a tonic pillar : twenty-seven regular tonic pillars from the mazurkas ; Between the tonic pillars : tonal trajectories in twenty-seven mazurkas ; Irregular pillars in the mazurkas : alternatives to the perfect authentic cadence -- Masterpieces. Etude in C minor, op. 10, no. 12 in response to Graham H. Phipps ; Nocturne in C♯ minor (op. 27, no. 1) in response to Felix Salzer ; Preludes in E major and E minor (op. 28, nos. 9 and 4) in response to Fred Lerdahl ; Prelude in G minor (op. 28, no. 22) in response to Alison Hood ; Prelude in C♯ minor (op. 45) in response to Jean-Jacques Eigeldinger and to Charles J. Smith ; Ballade in F minor (op. 52) in response to Edward Laufer ; Barcarolle in F♯ major (op. 60) in response to John Rink |
| ctrlnum | (ZDB-20-CBO)CR9781316258095 (OCoLC)949924186 (DE-599)BVBBV043918007 |
| dewey-full | 786.2092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 786 - Keyboard & other instruments |
| dewey-raw | 786.2092 |
| dewey-search | 786.2092 |
| dewey-sort | 3786.2092 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9781316258095 |
| format | Electronic eBook |
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| id | DE-604.BV043918007 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:30Z |
| institution | BVB |
| isbn | 9781316258095 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029327090 |
| oclc_num | 949924186 |
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| owner_facet | DE-12 DE-473 DE-BY-UBG |
| physical | 1 online resource (xii, 300 pages) |
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| publishDate | 2015 |
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| publisher | Cambridge University Press |
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| spelling | Damschroder, David 1954- Verfasser (DE-588)142371327 aut Harmony in Chopin David Damschroder, the University of Minnesota Cambridge Cambridge University Press 2015 1 online resource (xii, 300 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) Methodological orientation : the mazurkas. The architecture of a tonic pillar : twenty-seven regular tonic pillars from the mazurkas ; Between the tonic pillars : tonal trajectories in twenty-seven mazurkas ; Irregular pillars in the mazurkas : alternatives to the perfect authentic cadence -- Masterpieces. Etude in C minor, op. 10, no. 12 in response to Graham H. Phipps ; Nocturne in C♯ minor (op. 27, no. 1) in response to Felix Salzer ; Preludes in E major and E minor (op. 28, nos. 9 and 4) in response to Fred Lerdahl ; Prelude in G minor (op. 28, no. 22) in response to Alison Hood ; Prelude in C♯ minor (op. 45) in response to Jean-Jacques Eigeldinger and to Charles J. Smith ; Ballade in F minor (op. 52) in response to Edward Laufer ; Barcarolle in F♯ major (op. 60) in response to John Rink Chopin's oeuvre holds a secure place in the repertoire, beloved by audiences, performers, and aesthetes. In Harmony in Chopin, David Damschroder offers a new way to examine and understand Chopin's compositional style, integrating Schenkerian structural analyses with an innovative perspective on harmony and further developing ideas and methods put forward in his earlier books Thinking about Harmony, Harmony in Schubert, and Harmony in Haydn and Mozart. Reinvigorating and enhancing some of the central components of analytical practice, this study explores notions such as assertion, chordal evolution (surge), collision, dominant emulation, unfurling, and wobble through analyses of all forty-three Mazurkas Chopin published during his lifetime. Damschroder also integrates analyses of eight major works by Chopin with detailed commentary on the contrasting perspectives of other prominent Chopin analysts. This provocative and richly detailed book will help transform readers' own analytical approaches Chopin, Frédéric / 1810-1849 / Criticism and interpretation Chopin, Frédéric 1810-1849 (DE-588)118520539 gnd rswk-swf Harmony Klaviermusik (DE-588)4030993-9 gnd rswk-swf Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf Harmonie (DE-588)4127802-1 gnd rswk-swf Chopin, Frédéric 1810-1849 (DE-588)118520539 p Klaviermusik (DE-588)4030993-9 s Harmonie (DE-588)4127802-1 s Musikalische Analyse (DE-588)4040814-0 s DE-604 Erscheint auch als Druckausgabe 978-1-107-10857-8 Erscheint auch als Druckausgabe 978-1-107-51956-5 https://doi.org/10.1017/CBO9781316258095 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Damschroder, David 1954- Harmony in Chopin Methodological orientation : the mazurkas. The architecture of a tonic pillar : twenty-seven regular tonic pillars from the mazurkas ; Between the tonic pillars : tonal trajectories in twenty-seven mazurkas ; Irregular pillars in the mazurkas : alternatives to the perfect authentic cadence -- Masterpieces. Etude in C minor, op. 10, no. 12 in response to Graham H. Phipps ; Nocturne in C♯ minor (op. 27, no. 1) in response to Felix Salzer ; Preludes in E major and E minor (op. 28, nos. 9 and 4) in response to Fred Lerdahl ; Prelude in G minor (op. 28, no. 22) in response to Alison Hood ; Prelude in C♯ minor (op. 45) in response to Jean-Jacques Eigeldinger and to Charles J. Smith ; Ballade in F minor (op. 52) in response to Edward Laufer ; Barcarolle in F♯ major (op. 60) in response to John Rink Chopin, Frédéric / 1810-1849 / Criticism and interpretation Chopin, Frédéric 1810-1849 (DE-588)118520539 gnd Harmony Klaviermusik (DE-588)4030993-9 gnd Musikalische Analyse (DE-588)4040814-0 gnd Harmonie (DE-588)4127802-1 gnd |
| subject_GND | (DE-588)118520539 (DE-588)4030993-9 (DE-588)4040814-0 (DE-588)4127802-1 |
| title | Harmony in Chopin |
| title_auth | Harmony in Chopin |
| title_exact_search | Harmony in Chopin |
| title_full | Harmony in Chopin David Damschroder, the University of Minnesota |
| title_fullStr | Harmony in Chopin David Damschroder, the University of Minnesota |
| title_full_unstemmed | Harmony in Chopin David Damschroder, the University of Minnesota |
| title_short | Harmony in Chopin |
| title_sort | harmony in chopin |
| topic | Chopin, Frédéric / 1810-1849 / Criticism and interpretation Chopin, Frédéric 1810-1849 (DE-588)118520539 gnd Harmony Klaviermusik (DE-588)4030993-9 gnd Musikalische Analyse (DE-588)4040814-0 gnd Harmonie (DE-588)4127802-1 gnd |
| topic_facet | Chopin, Frédéric / 1810-1849 / Criticism and interpretation Chopin, Frédéric 1810-1849 Harmony Klaviermusik Musikalische Analyse Harmonie |
| url | https://doi.org/10.1017/CBO9781316258095 |
| work_keys_str_mv | AT damschroderdavid harmonyinchopin |