The monstrous new art: divided forms in the late medieval motet
Late medieval motet texts are brimming with chimeras, centaurs and other strange creatures. In The Monstrous New Art, Anna Zayaruznaya explores the musical ramifications of this menagerie in the works of composers Guillaume de Machaut, Philippe de Vitry, and their contemporaries. Aligning the larger...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2015
|
| Schriftenreihe: | Music in context
|
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | Late medieval motet texts are brimming with chimeras, centaurs and other strange creatures. In The Monstrous New Art, Anna Zayaruznaya explores the musical ramifications of this menagerie in the works of composers Guillaume de Machaut, Philippe de Vitry, and their contemporaries. Aligning the larger forms of motets with the broad sacred and secular themes of their texts, Zayaruznaya shows how monstrous or hybrid exempla are musically sculpted by rhythmic and textural means. These divisive musical procedures point to the contradictory aspects not only of explicitly monstrous bodies, but of such apparently unified entities as the body politic, the courtly lady, and the Holy Trinity. Zayaruznaya casts a new light on medieval modes of musical representation, with profound implications for broader disciplinary narratives about the history of text-music relations, the emergence of musical unity, and the ontology of the musical work |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (xvii, 301 pages) |
| ISBN: | 9781139626293 |
| DOI: | 10.1017/CBO9781139626293 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV043917992 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 161202s2015 |||| o||u| ||||||eng d | ||
| 020 | |a 9781139626293 |c Online |9 978-1-139-62629-3 | ||
| 024 | 7 | |a 10.1017/CBO9781139626293 |2 doi | |
| 035 | |a (ZDB-20-CBO)CR9781139626293 | ||
| 035 | |a (OCoLC)949924465 | ||
| 035 | |a (DE-599)BVBBV043917992 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-473 | ||
| 082 | 0 | |a 782/.260902 |2 23 | |
| 084 | |a LR 54122 |0 (DE-625)109630:13530 |2 rvk | ||
| 100 | 1 | |a Zayaruznaya, Anna |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a The monstrous new art |b divided forms in the late medieval motet |c Anna Zayaruznaya, Yale University |
| 264 | 1 | |a Cambridge |b Cambridge University Press |c 2015 | |
| 300 | |a 1 online resource (xvii, 301 pages) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Music in context | |
| 500 | |a Title from publisher's bibliographic system (viewed on 05 Oct 2015) | ||
| 505 | 8 | |a Songs alive -- How (not) to write a motet : the exemplary In virtute/Decens -- Motet visions of an apocalyptic statue -- Interlude : Nebuchadnezzar's dream -- Ars nova and division | |
| 520 | |a Late medieval motet texts are brimming with chimeras, centaurs and other strange creatures. In The Monstrous New Art, Anna Zayaruznaya explores the musical ramifications of this menagerie in the works of composers Guillaume de Machaut, Philippe de Vitry, and their contemporaries. Aligning the larger forms of motets with the broad sacred and secular themes of their texts, Zayaruznaya shows how monstrous or hybrid exempla are musically sculpted by rhythmic and textural means. These divisive musical procedures point to the contradictory aspects not only of explicitly monstrous bodies, but of such apparently unified entities as the body politic, the courtly lady, and the Holy Trinity. Zayaruznaya casts a new light on medieval modes of musical representation, with profound implications for broader disciplinary narratives about the history of text-music relations, the emergence of musical unity, and the ontology of the musical work | ||
| 600 | 1 | 4 | |a Vitry, Philippe de / 1291-1361 / Motets |
| 600 | 1 | 4 | |a Guillaume / de Machaut / approximately 1300-1377 / Motets |
| 600 | 0 | 7 | |a Philippe |c Meaux, Bischof |d 1291-1361 |0 (DE-588)118805517 |2 gnd |9 rswk-swf |
| 600 | 0 | 7 | |a Guillaume |c de Machaut |d 1300-1377 |0 (DE-588)118699121 |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte 500-1400 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Motets / France / 500-1400 / History and criticism | |
| 650 | 0 | 7 | |a Ars nova |0 (DE-588)4143073-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musikalische Form |0 (DE-588)4040821-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Motette |0 (DE-588)4040357-9 |2 gnd |9 rswk-swf |
| 651 | 4 | |a Frankreich | |
| 651 | 7 | |a Frankreich |0 (DE-588)4018145-5 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Frankreich |0 (DE-588)4018145-5 |D g |
| 689 | 0 | 1 | |a Ars nova |0 (DE-588)4143073-6 |D s |
| 689 | 0 | 2 | |a Motette |0 (DE-588)4040357-9 |D s |
| 689 | 0 | 3 | |a Musikalische Form |0 (DE-588)4040821-8 |D s |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Philippe |c Meaux, Bischof |d 1291-1361 |0 (DE-588)118805517 |D p |
| 689 | 1 | 1 | |a Guillaume |c de Machaut |d 1300-1377 |0 (DE-588)118699121 |D p |
| 689 | 1 | 2 | |a Frankreich |0 (DE-588)4018145-5 |D g |
| 689 | 1 | 3 | |a Motette |0 (DE-588)4040357-9 |D s |
| 689 | 1 | 4 | |a Geschichte 500-1400 |A z |
| 689 | 1 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druckausgabe |z 978-1-107-03966-7 |
| 856 | 4 | 0 | |u https://doi.org/10.1017/CBO9781139626293 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-20-CBO | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029327075 | ||
| 966 | e | |u https://doi.org/10.1017/CBO9781139626293 |l BSB01 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1017/CBO9781139626293 |l UBG01 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804176835756425216 |
|---|---|
| any_adam_object | |
| author | Zayaruznaya, Anna |
| author_facet | Zayaruznaya, Anna |
| author_role | aut |
| author_sort | Zayaruznaya, Anna |
| author_variant | a z az |
| building | Verbundindex |
| bvnumber | BV043917992 |
| classification_rvk | LR 54122 |
| collection | ZDB-20-CBO |
| contents | Songs alive -- How (not) to write a motet : the exemplary In virtute/Decens -- Motet visions of an apocalyptic statue -- Interlude : Nebuchadnezzar's dream -- Ars nova and division |
| ctrlnum | (ZDB-20-CBO)CR9781139626293 (OCoLC)949924465 (DE-599)BVBBV043917992 |
| dewey-full | 782/.260902 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782/.260902 |
| dewey-search | 782/.260902 |
| dewey-sort | 3782 6260902 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9781139626293 |
| era | Geschichte 500-1400 gnd |
| era_facet | Geschichte 500-1400 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03887nmm a2200673zc 4500</leader><controlfield tag="001">BV043917992</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">161202s2015 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781139626293</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-139-62629-3</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/CBO9781139626293</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781139626293</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)949924465</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043917992</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">782/.260902</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 54122</subfield><subfield code="0">(DE-625)109630:13530</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Zayaruznaya, Anna</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The monstrous new art</subfield><subfield code="b">divided forms in the late medieval motet</subfield><subfield code="c">Anna Zayaruznaya, Yale University</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2015</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xvii, 301 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Music in context</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 05 Oct 2015)</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Songs alive -- How (not) to write a motet : the exemplary In virtute/Decens -- Motet visions of an apocalyptic statue -- Interlude : Nebuchadnezzar's dream -- Ars nova and division</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Late medieval motet texts are brimming with chimeras, centaurs and other strange creatures. In The Monstrous New Art, Anna Zayaruznaya explores the musical ramifications of this menagerie in the works of composers Guillaume de Machaut, Philippe de Vitry, and their contemporaries. Aligning the larger forms of motets with the broad sacred and secular themes of their texts, Zayaruznaya shows how monstrous or hybrid exempla are musically sculpted by rhythmic and textural means. These divisive musical procedures point to the contradictory aspects not only of explicitly monstrous bodies, but of such apparently unified entities as the body politic, the courtly lady, and the Holy Trinity. Zayaruznaya casts a new light on medieval modes of musical representation, with profound implications for broader disciplinary narratives about the history of text-music relations, the emergence of musical unity, and the ontology of the musical work</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Vitry, Philippe de / 1291-1361 / Motets</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Guillaume / de Machaut / approximately 1300-1377 / Motets</subfield></datafield><datafield tag="600" ind1="0" ind2="7"><subfield code="a">Philippe</subfield><subfield code="c">Meaux, Bischof</subfield><subfield code="d">1291-1361</subfield><subfield code="0">(DE-588)118805517</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="0" ind2="7"><subfield code="a">Guillaume</subfield><subfield code="c">de Machaut</subfield><subfield code="d">1300-1377</subfield><subfield code="0">(DE-588)118699121</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 500-1400</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motets / France / 500-1400 / History and criticism</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ars nova</subfield><subfield code="0">(DE-588)4143073-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikalische Form</subfield><subfield code="0">(DE-588)4040821-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Motette</subfield><subfield code="0">(DE-588)4040357-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">Frankreich</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Frankreich</subfield><subfield code="0">(DE-588)4018145-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Frankreich</subfield><subfield code="0">(DE-588)4018145-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Ars nova</subfield><subfield code="0">(DE-588)4143073-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Motette</subfield><subfield code="0">(DE-588)4040357-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Musikalische Form</subfield><subfield code="0">(DE-588)4040821-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Philippe</subfield><subfield code="c">Meaux, Bischof</subfield><subfield code="d">1291-1361</subfield><subfield code="0">(DE-588)118805517</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Guillaume</subfield><subfield code="c">de Machaut</subfield><subfield code="d">1300-1377</subfield><subfield code="0">(DE-588)118699121</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Frankreich</subfield><subfield code="0">(DE-588)4018145-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Motette</subfield><subfield code="0">(DE-588)4040357-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="4"><subfield code="a">Geschichte 500-1400</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druckausgabe</subfield><subfield code="z">978-1-107-03966-7</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/CBO9781139626293</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029327075</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/CBO9781139626293</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/CBO9781139626293</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| geographic | Frankreich Frankreich (DE-588)4018145-5 gnd |
| geographic_facet | Frankreich |
| id | DE-604.BV043917992 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:30Z |
| institution | BVB |
| isbn | 9781139626293 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029327075 |
| oclc_num | 949924465 |
| open_access_boolean | |
| owner | DE-12 DE-473 DE-BY-UBG |
| owner_facet | DE-12 DE-473 DE-BY-UBG |
| physical | 1 online resource (xvii, 301 pages) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Cambridge University Press |
| record_format | marc |
| series2 | Music in context |
| spelling | Zayaruznaya, Anna Verfasser aut The monstrous new art divided forms in the late medieval motet Anna Zayaruznaya, Yale University Cambridge Cambridge University Press 2015 1 online resource (xvii, 301 pages) txt rdacontent c rdamedia cr rdacarrier Music in context Title from publisher's bibliographic system (viewed on 05 Oct 2015) Songs alive -- How (not) to write a motet : the exemplary In virtute/Decens -- Motet visions of an apocalyptic statue -- Interlude : Nebuchadnezzar's dream -- Ars nova and division Late medieval motet texts are brimming with chimeras, centaurs and other strange creatures. In The Monstrous New Art, Anna Zayaruznaya explores the musical ramifications of this menagerie in the works of composers Guillaume de Machaut, Philippe de Vitry, and their contemporaries. Aligning the larger forms of motets with the broad sacred and secular themes of their texts, Zayaruznaya shows how monstrous or hybrid exempla are musically sculpted by rhythmic and textural means. These divisive musical procedures point to the contradictory aspects not only of explicitly monstrous bodies, but of such apparently unified entities as the body politic, the courtly lady, and the Holy Trinity. Zayaruznaya casts a new light on medieval modes of musical representation, with profound implications for broader disciplinary narratives about the history of text-music relations, the emergence of musical unity, and the ontology of the musical work Vitry, Philippe de / 1291-1361 / Motets Guillaume / de Machaut / approximately 1300-1377 / Motets Philippe Meaux, Bischof 1291-1361 (DE-588)118805517 gnd rswk-swf Guillaume de Machaut 1300-1377 (DE-588)118699121 gnd rswk-swf Geschichte 500-1400 gnd rswk-swf Motets / France / 500-1400 / History and criticism Ars nova (DE-588)4143073-6 gnd rswk-swf Musikalische Form (DE-588)4040821-8 gnd rswk-swf Motette (DE-588)4040357-9 gnd rswk-swf Frankreich Frankreich (DE-588)4018145-5 gnd rswk-swf Frankreich (DE-588)4018145-5 g Ars nova (DE-588)4143073-6 s Motette (DE-588)4040357-9 s Musikalische Form (DE-588)4040821-8 s DE-604 Philippe Meaux, Bischof 1291-1361 (DE-588)118805517 p Guillaume de Machaut 1300-1377 (DE-588)118699121 p Geschichte 500-1400 z Erscheint auch als Druckausgabe 978-1-107-03966-7 https://doi.org/10.1017/CBO9781139626293 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Zayaruznaya, Anna The monstrous new art divided forms in the late medieval motet Songs alive -- How (not) to write a motet : the exemplary In virtute/Decens -- Motet visions of an apocalyptic statue -- Interlude : Nebuchadnezzar's dream -- Ars nova and division Vitry, Philippe de / 1291-1361 / Motets Guillaume / de Machaut / approximately 1300-1377 / Motets Philippe Meaux, Bischof 1291-1361 (DE-588)118805517 gnd Guillaume de Machaut 1300-1377 (DE-588)118699121 gnd Motets / France / 500-1400 / History and criticism Ars nova (DE-588)4143073-6 gnd Musikalische Form (DE-588)4040821-8 gnd Motette (DE-588)4040357-9 gnd |
| subject_GND | (DE-588)118805517 (DE-588)118699121 (DE-588)4143073-6 (DE-588)4040821-8 (DE-588)4040357-9 (DE-588)4018145-5 |
| title | The monstrous new art divided forms in the late medieval motet |
| title_auth | The monstrous new art divided forms in the late medieval motet |
| title_exact_search | The monstrous new art divided forms in the late medieval motet |
| title_full | The monstrous new art divided forms in the late medieval motet Anna Zayaruznaya, Yale University |
| title_fullStr | The monstrous new art divided forms in the late medieval motet Anna Zayaruznaya, Yale University |
| title_full_unstemmed | The monstrous new art divided forms in the late medieval motet Anna Zayaruznaya, Yale University |
| title_short | The monstrous new art |
| title_sort | the monstrous new art divided forms in the late medieval motet |
| title_sub | divided forms in the late medieval motet |
| topic | Vitry, Philippe de / 1291-1361 / Motets Guillaume / de Machaut / approximately 1300-1377 / Motets Philippe Meaux, Bischof 1291-1361 (DE-588)118805517 gnd Guillaume de Machaut 1300-1377 (DE-588)118699121 gnd Motets / France / 500-1400 / History and criticism Ars nova (DE-588)4143073-6 gnd Musikalische Form (DE-588)4040821-8 gnd Motette (DE-588)4040357-9 gnd |
| topic_facet | Vitry, Philippe de / 1291-1361 / Motets Guillaume / de Machaut / approximately 1300-1377 / Motets Philippe Meaux, Bischof 1291-1361 Guillaume de Machaut 1300-1377 Motets / France / 500-1400 / History and criticism Ars nova Musikalische Form Motette Frankreich |
| url | https://doi.org/10.1017/CBO9781139626293 |
| work_keys_str_mv | AT zayaruznayaanna themonstrousnewartdividedformsinthelatemedievalmotet |