Music and the exotic from the Renaissance to Mozart:
During the years 1500–1800, European performing arts reveled in a kaleidoscope of Otherness: Middle-Eastern harem women, fortune-telling Spanish 'Gypsies', Incan priests, Barbary pirates, moresca dancers, and more. In this prequel to his 2009 book Musical Exoticism, Ralph P. Locke explores...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2015
|
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 UPA01 Volltext |
| Zusammenfassung: | During the years 1500–1800, European performing arts reveled in a kaleidoscope of Otherness: Middle-Eastern harem women, fortune-telling Spanish 'Gypsies', Incan priests, Barbary pirates, moresca dancers, and more. In this prequel to his 2009 book Musical Exoticism, Ralph P. Locke explores how exotic locales and their inhabitants were characterized in musical genres ranging from instrumental pieces and popular songs to oratorios, ballets, and operas. Locke's study offers new insights into much-loved masterworks by composers such as Cavalli, Lully, Purcell, Rameau, Handel, Vivaldi, Gluck, and Mozart. In these works, evocations of ethnic and cultural Otherness often mingle attraction with envy or fear, and some pieces were understood at the time as commenting on conditions in Europe itself. Locke's accessible study, which includes numerous musical examples and rare illustrations, will be of interest to anyone who is intrigued by the relationship between music and cultural history and by the challenges of cross-cultural (mis)understanding |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (xxii, 449 pages) |
| ISBN: | 9780511998157 |
| DOI: | 10.1017/CBO9780511998157 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV043917934 | ||
| 003 | DE-604 | ||
| 005 | 20190411 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 161202s2015 |||| o||u| ||||||eng d | ||
| 020 | |a 9780511998157 |c Online |9 978-0-511-99815-7 | ||
| 024 | 7 | |a 10.1017/CBO9780511998157 |2 doi | |
| 035 | |a (ZDB-20-CBO)CR9780511998157 | ||
| 035 | |a (OCoLC)936548893 | ||
| 035 | |a (DE-599)BVBBV043917934 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-473 |a DE-739 | ||
| 082 | 0 | |a 780.9/03 |2 23 | |
| 084 | |a LR 56800 |0 (DE-625)109811:13528 |2 rvk | ||
| 084 | |a LR 56820 |0 (DE-625)109812:13528 |2 rvk | ||
| 100 | 1 | |a Locke, Ralph P. |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Music and the exotic from the Renaissance to Mozart |c Ralph P. Locke |
| 246 | 1 | 3 | |a Music & the Exotic from the Renaissance to Mozart |
| 264 | 1 | |a Cambridge |b Cambridge University Press |c 2015 | |
| 300 | |a 1 online resource (xxii, 449 pages) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Title from publisher's bibliographic system (viewed on 05 Oct 2015) | ||
| 505 | 8 | |a Part I. Introduction : a rich and complex heritage. Images and principles ; Exotic in style? : paradigms and interpretations -- Part II. The West and its others. The early cultural background ; Encounters -- Part III. Songs and dance-types. Popular songs ; Dances and instrumental styles from (or "from") elsewhere -- Part IV. Exotic portrayals on stage, in concert, in church. Courtly ballets ; Distinctive developments in Venice and other Italian cities and courts ; Oratorio and other religious genres ; Early opera and partly sung stage works ; French and Italian serious opera, especially Lully and Handel ; Eighteenth-century comic operas and short danced works -- Obsession with the Middle East : from the Parisian fairs to Mozart | |
| 520 | |a During the years 1500–1800, European performing arts reveled in a kaleidoscope of Otherness: Middle-Eastern harem women, fortune-telling Spanish 'Gypsies', Incan priests, Barbary pirates, moresca dancers, and more. In this prequel to his 2009 book Musical Exoticism, Ralph P. Locke explores how exotic locales and their inhabitants were characterized in musical genres ranging from instrumental pieces and popular songs to oratorios, ballets, and operas. Locke's study offers new insights into much-loved masterworks by composers such as Cavalli, Lully, Purcell, Rameau, Handel, Vivaldi, Gluck, and Mozart. In these works, evocations of ethnic and cultural Otherness often mingle attraction with envy or fear, and some pieces were understood at the time as commenting on conditions in Europe itself. Locke's accessible study, which includes numerous musical examples and rare illustrations, will be of interest to anyone who is intrigued by the relationship between music and cultural history and by the challenges of cross-cultural (mis)understanding | ||
| 648 | 4 | |a Geschichte 1700-1800 | |
| 648 | 4 | |a Geschichte 1600-1700 | |
| 648 | 4 | |a Geschichte 1500-1600 | |
| 648 | 7 | |a Geschichte 1500-1800 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Music / History and criticism / 16th century | |
| 650 | 4 | |a Music / History and criticism / 17th century | |
| 650 | 4 | |a Music / History and criticism / 18th century | |
| 650 | 4 | |a Exoticism in music | |
| 650 | 4 | |a Exoticism in opera | |
| 650 | 0 | 7 | |a Exotismus |0 (DE-588)4015993-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Oper |0 (DE-588)4043582-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Exotik |0 (DE-588)4153341-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musik |0 (DE-588)4040802-4 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Musik |0 (DE-588)4040802-4 |D s |
| 689 | 0 | 1 | |a Oper |0 (DE-588)4043582-9 |D s |
| 689 | 0 | 2 | |a Exotismus |0 (DE-588)4015993-0 |D s |
| 689 | 0 | 3 | |a Geschichte 1500-1800 |A z |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Musik |0 (DE-588)4040802-4 |D s |
| 689 | 1 | 1 | |a Exotik |0 (DE-588)4153341-0 |D s |
| 689 | 1 | 2 | |a Geschichte 1500-1800 |A z |
| 689 | 1 | |8 1\p |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druckausgabe |z 978-1-107-01237-0 |
| 856 | 4 | 0 | |u https://doi.org/10.1017/CBO9780511998157 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-20-CBO | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029327017 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 966 | e | |u https://doi.org/10.1017/CBO9780511998157 |l BSB01 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1017/CBO9780511998157 |l UBG01 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1017/CBO9780511998157 |l UPA01 |p ZDB-20-CBO |q UPA_PDA_CBO_Kauf |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804176835628498944 |
|---|---|
| any_adam_object | |
| author | Locke, Ralph P. |
| author_facet | Locke, Ralph P. |
| author_role | aut |
| author_sort | Locke, Ralph P. |
| author_variant | r p l rp rpl |
| building | Verbundindex |
| bvnumber | BV043917934 |
| classification_rvk | LR 56800 LR 56820 |
| collection | ZDB-20-CBO |
| contents | Part I. Introduction : a rich and complex heritage. Images and principles ; Exotic in style? : paradigms and interpretations -- Part II. The West and its others. The early cultural background ; Encounters -- Part III. Songs and dance-types. Popular songs ; Dances and instrumental styles from (or "from") elsewhere -- Part IV. Exotic portrayals on stage, in concert, in church. Courtly ballets ; Distinctive developments in Venice and other Italian cities and courts ; Oratorio and other religious genres ; Early opera and partly sung stage works ; French and Italian serious opera, especially Lully and Handel ; Eighteenth-century comic operas and short danced works -- Obsession with the Middle East : from the Parisian fairs to Mozart |
| ctrlnum | (ZDB-20-CBO)CR9780511998157 (OCoLC)936548893 (DE-599)BVBBV043917934 |
| dewey-full | 780.9/03 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.9/03 |
| dewey-search | 780.9/03 |
| dewey-sort | 3780.9 13 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9780511998157 |
| era | Geschichte 1700-1800 Geschichte 1600-1700 Geschichte 1500-1600 Geschichte 1500-1800 gnd |
| era_facet | Geschichte 1700-1800 Geschichte 1600-1700 Geschichte 1500-1600 Geschichte 1500-1800 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04617nmm a2200721zc 4500</leader><controlfield tag="001">BV043917934</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20190411 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">161202s2015 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780511998157</subfield><subfield code="c">Online</subfield><subfield code="9">978-0-511-99815-7</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/CBO9780511998157</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9780511998157</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)936548893</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043917934</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">780.9/03</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 56800</subfield><subfield code="0">(DE-625)109811:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 56820</subfield><subfield code="0">(DE-625)109812:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Locke, Ralph P.</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Music and the exotic from the Renaissance to Mozart</subfield><subfield code="c">Ralph P. Locke</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Music & the Exotic from the Renaissance to Mozart</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2015</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xxii, 449 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 05 Oct 2015)</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Part I. Introduction : a rich and complex heritage. Images and principles ; Exotic in style? : paradigms and interpretations -- Part II. The West and its others. The early cultural background ; Encounters -- Part III. Songs and dance-types. Popular songs ; Dances and instrumental styles from (or "from") elsewhere -- Part IV. Exotic portrayals on stage, in concert, in church. Courtly ballets ; Distinctive developments in Venice and other Italian cities and courts ; Oratorio and other religious genres ; Early opera and partly sung stage works ; French and Italian serious opera, especially Lully and Handel ; Eighteenth-century comic operas and short danced works -- Obsession with the Middle East : from the Parisian fairs to Mozart</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">During the years 1500–1800, European performing arts reveled in a kaleidoscope of Otherness: Middle-Eastern harem women, fortune-telling Spanish 'Gypsies', Incan priests, Barbary pirates, moresca dancers, and more. In this prequel to his 2009 book Musical Exoticism, Ralph P. Locke explores how exotic locales and their inhabitants were characterized in musical genres ranging from instrumental pieces and popular songs to oratorios, ballets, and operas. Locke's study offers new insights into much-loved masterworks by composers such as Cavalli, Lully, Purcell, Rameau, Handel, Vivaldi, Gluck, and Mozart. In these works, evocations of ethnic and cultural Otherness often mingle attraction with envy or fear, and some pieces were understood at the time as commenting on conditions in Europe itself. Locke's accessible study, which includes numerous musical examples and rare illustrations, will be of interest to anyone who is intrigued by the relationship between music and cultural history and by the challenges of cross-cultural (mis)understanding</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1700-1800</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1600-1700</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1500-1600</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1500-1800</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music / History and criticism / 16th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music / History and criticism / 17th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music / History and criticism / 18th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Exoticism in music</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Exoticism in opera</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Exotismus</subfield><subfield code="0">(DE-588)4015993-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Oper</subfield><subfield code="0">(DE-588)4043582-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Exotik</subfield><subfield code="0">(DE-588)4153341-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Oper</subfield><subfield code="0">(DE-588)4043582-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Exotismus</subfield><subfield code="0">(DE-588)4015993-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1500-1800</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Exotik</subfield><subfield code="0">(DE-588)4153341-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Geschichte 1500-1800</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druckausgabe</subfield><subfield code="z">978-1-107-01237-0</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/CBO9780511998157</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029327017</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/CBO9780511998157</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/CBO9780511998157</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/CBO9780511998157</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UPA_PDA_CBO_Kauf</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV043917934 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:30Z |
| institution | BVB |
| isbn | 9780511998157 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029327017 |
| oclc_num | 936548893 |
| open_access_boolean | |
| owner | DE-12 DE-473 DE-BY-UBG DE-739 |
| owner_facet | DE-12 DE-473 DE-BY-UBG DE-739 |
| physical | 1 online resource (xxii, 449 pages) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO ZDB-20-CBO UPA_PDA_CBO_Kauf |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Cambridge University Press |
| record_format | marc |
| spelling | Locke, Ralph P. Verfasser aut Music and the exotic from the Renaissance to Mozart Ralph P. Locke Music & the Exotic from the Renaissance to Mozart Cambridge Cambridge University Press 2015 1 online resource (xxii, 449 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) Part I. Introduction : a rich and complex heritage. Images and principles ; Exotic in style? : paradigms and interpretations -- Part II. The West and its others. The early cultural background ; Encounters -- Part III. Songs and dance-types. Popular songs ; Dances and instrumental styles from (or "from") elsewhere -- Part IV. Exotic portrayals on stage, in concert, in church. Courtly ballets ; Distinctive developments in Venice and other Italian cities and courts ; Oratorio and other religious genres ; Early opera and partly sung stage works ; French and Italian serious opera, especially Lully and Handel ; Eighteenth-century comic operas and short danced works -- Obsession with the Middle East : from the Parisian fairs to Mozart During the years 1500–1800, European performing arts reveled in a kaleidoscope of Otherness: Middle-Eastern harem women, fortune-telling Spanish 'Gypsies', Incan priests, Barbary pirates, moresca dancers, and more. In this prequel to his 2009 book Musical Exoticism, Ralph P. Locke explores how exotic locales and their inhabitants were characterized in musical genres ranging from instrumental pieces and popular songs to oratorios, ballets, and operas. Locke's study offers new insights into much-loved masterworks by composers such as Cavalli, Lully, Purcell, Rameau, Handel, Vivaldi, Gluck, and Mozart. In these works, evocations of ethnic and cultural Otherness often mingle attraction with envy or fear, and some pieces were understood at the time as commenting on conditions in Europe itself. Locke's accessible study, which includes numerous musical examples and rare illustrations, will be of interest to anyone who is intrigued by the relationship between music and cultural history and by the challenges of cross-cultural (mis)understanding Geschichte 1700-1800 Geschichte 1600-1700 Geschichte 1500-1600 Geschichte 1500-1800 gnd rswk-swf Musik Music / History and criticism / 16th century Music / History and criticism / 17th century Music / History and criticism / 18th century Exoticism in music Exoticism in opera Exotismus (DE-588)4015993-0 gnd rswk-swf Oper (DE-588)4043582-9 gnd rswk-swf Exotik (DE-588)4153341-0 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Musik (DE-588)4040802-4 s Oper (DE-588)4043582-9 s Exotismus (DE-588)4015993-0 s Geschichte 1500-1800 z DE-604 Exotik (DE-588)4153341-0 s 1\p DE-604 Erscheint auch als Druckausgabe 978-1-107-01237-0 https://doi.org/10.1017/CBO9780511998157 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Locke, Ralph P. Music and the exotic from the Renaissance to Mozart Part I. Introduction : a rich and complex heritage. Images and principles ; Exotic in style? : paradigms and interpretations -- Part II. The West and its others. The early cultural background ; Encounters -- Part III. Songs and dance-types. Popular songs ; Dances and instrumental styles from (or "from") elsewhere -- Part IV. Exotic portrayals on stage, in concert, in church. Courtly ballets ; Distinctive developments in Venice and other Italian cities and courts ; Oratorio and other religious genres ; Early opera and partly sung stage works ; French and Italian serious opera, especially Lully and Handel ; Eighteenth-century comic operas and short danced works -- Obsession with the Middle East : from the Parisian fairs to Mozart Musik Music / History and criticism / 16th century Music / History and criticism / 17th century Music / History and criticism / 18th century Exoticism in music Exoticism in opera Exotismus (DE-588)4015993-0 gnd Oper (DE-588)4043582-9 gnd Exotik (DE-588)4153341-0 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4015993-0 (DE-588)4043582-9 (DE-588)4153341-0 (DE-588)4040802-4 |
| title | Music and the exotic from the Renaissance to Mozart |
| title_alt | Music & the Exotic from the Renaissance to Mozart |
| title_auth | Music and the exotic from the Renaissance to Mozart |
| title_exact_search | Music and the exotic from the Renaissance to Mozart |
| title_full | Music and the exotic from the Renaissance to Mozart Ralph P. Locke |
| title_fullStr | Music and the exotic from the Renaissance to Mozart Ralph P. Locke |
| title_full_unstemmed | Music and the exotic from the Renaissance to Mozart Ralph P. Locke |
| title_short | Music and the exotic from the Renaissance to Mozart |
| title_sort | music and the exotic from the renaissance to mozart |
| topic | Musik Music / History and criticism / 16th century Music / History and criticism / 17th century Music / History and criticism / 18th century Exoticism in music Exoticism in opera Exotismus (DE-588)4015993-0 gnd Oper (DE-588)4043582-9 gnd Exotik (DE-588)4153341-0 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Musik Music / History and criticism / 16th century Music / History and criticism / 17th century Music / History and criticism / 18th century Exoticism in music Exoticism in opera Exotismus Oper Exotik |
| url | https://doi.org/10.1017/CBO9780511998157 |
| work_keys_str_mv | AT lockeralphp musicandtheexoticfromtherenaissancetomozart AT lockeralphp musictheexoticfromtherenaissancetomozart |