Program music:
Program music was one of the most flexible and contentious novelties of the long nineteenth century, covering a diverse range that included the overtures of Beethoven and Mendelssohn, the literary music of Berlioz and Schumann, Liszt's symphonic poems, the tone poems of Strauss and Sibelius, an...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2015
|
| Schriftenreihe: | Cambridge introductions to music
|
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 UBR01 Volltext |
| Zusammenfassung: | Program music was one of the most flexible and contentious novelties of the long nineteenth century, covering a diverse range that included the overtures of Beethoven and Mendelssohn, the literary music of Berlioz and Schumann, Liszt's symphonic poems, the tone poems of Strauss and Sibelius, and compositions by groups of composers in Russia, Bohemia, the United States, and France. In this accessible Introduction, Jonathan Kregor explores program music's ideas and repertoire, discussing both well-known and less familiar pieces by an array of nineteenth- and twentieth-century composers. Setting program music in the context of the intellectual debates of the period, Kregor presents the criticism of writers like A. B. Marx and Hanslick to reveal program music's growth, dissemination, and reception. This comprehensive overview features numerous illustrations and music examples and provides detailed case studies of battle music, Shakespeare settings, and Goethe's Faust |
| Beschreibung: | 1 Online-Ressource (xvii, 322 Seiten) |
| ISBN: | 9781139506397 |
| DOI: | 10.1017/CBO9781139506397 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV043917924 | ||
| 003 | DE-604 | ||
| 005 | 20210916 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 161202s2015 |||| o||u| ||||||eng d | ||
| 020 | |a 9781139506397 |c Online |9 978-1-139-50639-7 | ||
| 024 | 7 | |a 10.1017/CBO9781139506397 |2 doi | |
| 035 | |a (ZDB-20-CBO)CR9781139506397 | ||
| 035 | |a (OCoLC)949923505 | ||
| 035 | |a (DE-599)BVBBV043917924 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-473 |a DE-355 | ||
| 082 | 0 | |a 781.5/6 |2 23 | |
| 084 | |a LR 54320 |0 (DE-625)109665:13528 |2 rvk | ||
| 100 | 1 | |a Kregor, Jonathan |d 1978- |e Verfasser |0 (DE-588)143214055 |4 aut | |
| 245 | 1 | 0 | |a Program music |c Jonathan Kregor |
| 264 | 1 | |a Cambridge |b Cambridge University Press |c 2015 | |
| 300 | |a 1 Online-Ressource (xvii, 322 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Cambridge introductions to music | |
| 505 | 8 | |a Characters, topics, and the programmatic battlefield -- Expression, musical painting, and the concert overture -- Berlioz and Schumann on music and literature -- Liszt and the symphonic poem -- The New German School and Beyond -- Excursus : Faust --Programmatic paths around the fin-de-siecle : Mahler and Strauss -- Programming the nation -- "Ars Gallica." | |
| 520 | |a Program music was one of the most flexible and contentious novelties of the long nineteenth century, covering a diverse range that included the overtures of Beethoven and Mendelssohn, the literary music of Berlioz and Schumann, Liszt's symphonic poems, the tone poems of Strauss and Sibelius, and compositions by groups of composers in Russia, Bohemia, the United States, and France. In this accessible Introduction, Jonathan Kregor explores program music's ideas and repertoire, discussing both well-known and less familiar pieces by an array of nineteenth- and twentieth-century composers. Setting program music in the context of the intellectual debates of the period, Kregor presents the criticism of writers like A. B. Marx and Hanslick to reveal program music's growth, dissemination, and reception. This comprehensive overview features numerous illustrations and music examples and provides detailed case studies of battle music, Shakespeare settings, and Goethe's Faust | ||
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Program music | |
| 650 | 0 | 7 | |a Programmmusik |0 (DE-588)4140180-3 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Programmmusik |0 (DE-588)4140180-3 |D s |
| 689 | 0 | 1 | |a Geschichte |A z |
| 689 | 0 | |8 1\p |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardcover |z 978-1-107-03252-1 |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Paperback |z 978-1-107-65725-0 |
| 856 | 4 | 0 | |u https://doi.org/10.1017/CBO9781139506397 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-20-CBO | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029327007 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 966 | e | |u https://doi.org/10.1017/CBO9781139506397 |l BSB01 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1017/CBO9781139506397 |l UBG01 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1017/CBO9781139506397 |l UBR01 |p ZDB-20-CBO |q UBR Sammelbestellung 2021 |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804176835605430272 |
|---|---|
| any_adam_object | |
| author | Kregor, Jonathan 1978- |
| author_GND | (DE-588)143214055 |
| author_facet | Kregor, Jonathan 1978- |
| author_role | aut |
| author_sort | Kregor, Jonathan 1978- |
| author_variant | j k jk |
| building | Verbundindex |
| bvnumber | BV043917924 |
| classification_rvk | LR 54320 |
| collection | ZDB-20-CBO |
| contents | Characters, topics, and the programmatic battlefield -- Expression, musical painting, and the concert overture -- Berlioz and Schumann on music and literature -- Liszt and the symphonic poem -- The New German School and Beyond -- Excursus : Faust --Programmatic paths around the fin-de-siecle : Mahler and Strauss -- Programming the nation -- "Ars Gallica." |
| ctrlnum | (ZDB-20-CBO)CR9781139506397 (OCoLC)949923505 (DE-599)BVBBV043917924 |
| dewey-full | 781.5/6 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.5/6 |
| dewey-search | 781.5/6 |
| dewey-sort | 3781.5 16 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9781139506397 |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03325nmm a2200505zc 4500</leader><controlfield tag="001">BV043917924</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20210916 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">161202s2015 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781139506397</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-139-50639-7</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/CBO9781139506397</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781139506397</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)949923505</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043917924</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-355</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">781.5/6</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 54320</subfield><subfield code="0">(DE-625)109665:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Kregor, Jonathan</subfield><subfield code="d">1978-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)143214055</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Program music</subfield><subfield code="c">Jonathan Kregor</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2015</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xvii, 322 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Cambridge introductions to music</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Characters, topics, and the programmatic battlefield -- Expression, musical painting, and the concert overture -- Berlioz and Schumann on music and literature -- Liszt and the symphonic poem -- The New German School and Beyond -- Excursus : Faust --Programmatic paths around the fin-de-siecle : Mahler and Strauss -- Programming the nation -- "Ars Gallica."</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Program music was one of the most flexible and contentious novelties of the long nineteenth century, covering a diverse range that included the overtures of Beethoven and Mendelssohn, the literary music of Berlioz and Schumann, Liszt's symphonic poems, the tone poems of Strauss and Sibelius, and compositions by groups of composers in Russia, Bohemia, the United States, and France. In this accessible Introduction, Jonathan Kregor explores program music's ideas and repertoire, discussing both well-known and less familiar pieces by an array of nineteenth- and twentieth-century composers. Setting program music in the context of the intellectual debates of the period, Kregor presents the criticism of writers like A. B. Marx and Hanslick to reveal program music's growth, dissemination, and reception. This comprehensive overview features numerous illustrations and music examples and provides detailed case studies of battle music, Shakespeare settings, and Goethe's Faust</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Program music</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Programmmusik</subfield><subfield code="0">(DE-588)4140180-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Programmmusik</subfield><subfield code="0">(DE-588)4140180-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-1-107-03252-1</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Paperback</subfield><subfield code="z">978-1-107-65725-0</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/CBO9781139506397</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029327007</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/CBO9781139506397</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/CBO9781139506397</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/CBO9781139506397</subfield><subfield code="l">UBR01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBR Sammelbestellung 2021</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV043917924 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:30Z |
| institution | BVB |
| isbn | 9781139506397 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029327007 |
| oclc_num | 949923505 |
| open_access_boolean | |
| owner | DE-12 DE-473 DE-BY-UBG DE-355 DE-BY-UBR |
| owner_facet | DE-12 DE-473 DE-BY-UBG DE-355 DE-BY-UBR |
| physical | 1 Online-Ressource (xvii, 322 Seiten) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO ZDB-20-CBO UBR Sammelbestellung 2021 |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Cambridge University Press |
| record_format | marc |
| series2 | Cambridge introductions to music |
| spelling | Kregor, Jonathan 1978- Verfasser (DE-588)143214055 aut Program music Jonathan Kregor Cambridge Cambridge University Press 2015 1 Online-Ressource (xvii, 322 Seiten) txt rdacontent c rdamedia cr rdacarrier Cambridge introductions to music Characters, topics, and the programmatic battlefield -- Expression, musical painting, and the concert overture -- Berlioz and Schumann on music and literature -- Liszt and the symphonic poem -- The New German School and Beyond -- Excursus : Faust --Programmatic paths around the fin-de-siecle : Mahler and Strauss -- Programming the nation -- "Ars Gallica." Program music was one of the most flexible and contentious novelties of the long nineteenth century, covering a diverse range that included the overtures of Beethoven and Mendelssohn, the literary music of Berlioz and Schumann, Liszt's symphonic poems, the tone poems of Strauss and Sibelius, and compositions by groups of composers in Russia, Bohemia, the United States, and France. In this accessible Introduction, Jonathan Kregor explores program music's ideas and repertoire, discussing both well-known and less familiar pieces by an array of nineteenth- and twentieth-century composers. Setting program music in the context of the intellectual debates of the period, Kregor presents the criticism of writers like A. B. Marx and Hanslick to reveal program music's growth, dissemination, and reception. This comprehensive overview features numerous illustrations and music examples and provides detailed case studies of battle music, Shakespeare settings, and Goethe's Faust Geschichte gnd rswk-swf Program music Programmmusik (DE-588)4140180-3 gnd rswk-swf Programmmusik (DE-588)4140180-3 s Geschichte z 1\p DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-107-03252-1 Erscheint auch als Druck-Ausgabe, Paperback 978-1-107-65725-0 https://doi.org/10.1017/CBO9781139506397 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Kregor, Jonathan 1978- Program music Characters, topics, and the programmatic battlefield -- Expression, musical painting, and the concert overture -- Berlioz and Schumann on music and literature -- Liszt and the symphonic poem -- The New German School and Beyond -- Excursus : Faust --Programmatic paths around the fin-de-siecle : Mahler and Strauss -- Programming the nation -- "Ars Gallica." Program music Programmmusik (DE-588)4140180-3 gnd |
| subject_GND | (DE-588)4140180-3 |
| title | Program music |
| title_auth | Program music |
| title_exact_search | Program music |
| title_full | Program music Jonathan Kregor |
| title_fullStr | Program music Jonathan Kregor |
| title_full_unstemmed | Program music Jonathan Kregor |
| title_short | Program music |
| title_sort | program music |
| topic | Program music Programmmusik (DE-588)4140180-3 gnd |
| topic_facet | Program music Programmmusik |
| url | https://doi.org/10.1017/CBO9781139506397 |
| work_keys_str_mv | AT kregorjonathan programmusic |