The historical experience in German drama: from Gryphius to Brecht
In what is still the standard survey of German historical drama, 'Das deutsche Geschichtsdrama' (1952), Friedrich Sengle understands "historical drama" as that in which objective history is blended with an 'idea' that is the basis of its dramatic coherence and force. Th...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Suffolk
Boydell & Brewer
2003
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| Zusammenfassung: | In what is still the standard survey of German historical drama, 'Das deutsche Geschichtsdrama' (1952), Friedrich Sengle understands "historical drama" as that in which objective history is blended with an 'idea' that is the basis of its dramatic coherence and force. This idea inevitably becomes the engine of a dramatic action, inclining the theatergoer to become wholly engaged with dramatic characters in a dramatic present, rather than with 'real' figures in a historical past. Such plays (for instance Schiller's 'Maria Stuart') may remain broadly 'true to history,' but the 'experience' they afford is often not historical; that is, it may be emotionally and intellectually compelling, but it will not be historical in the sense of causing us, in our present, to become engaged with our relationship with past figures and events and their continued relevance for us. Alan Menhennet identifies and analyzes examples of German drama that are historical in the stricter sense: not only in terms of the provenance of the material, but also in that, while remaining dramatic in nature, they do convey a historical experience. By means of a critical survey extending from the seventeenth century to the twentieth, in the contexts of literary history, the philosophy of history, and German history from the Thirty Years' War to the Second World War, Menhennet provides a complement to Sengle's still-valuable study. Major figures treated include Gryphius, Lessing, Schiller, Goethe, Grillparzer, Hebbel, Schnitzler, and Brecht. There is no competing work in English. Alan Menhennet is Professor Emeritus of German at the University of Newcastle, Newcastle-upon-Tyne, UK. He is author of 'Grimmelshausen the Storyteller' (Camden House, 1997) |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 02 Oct 2015) |
| Beschreibung: | 1 online resource (186 pages) |
| ISBN: | 9781571136091 |
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| 520 | |a In what is still the standard survey of German historical drama, 'Das deutsche Geschichtsdrama' (1952), Friedrich Sengle understands "historical drama" as that in which objective history is blended with an 'idea' that is the basis of its dramatic coherence and force. This idea inevitably becomes the engine of a dramatic action, inclining the theatergoer to become wholly engaged with dramatic characters in a dramatic present, rather than with 'real' figures in a historical past. Such plays (for instance Schiller's 'Maria Stuart') may remain broadly 'true to history,' but the 'experience' they afford is often not historical; that is, it may be emotionally and intellectually compelling, but it will not be historical in the sense of causing us, in our present, to become engaged with our relationship with past figures and events and their continued relevance for us. Alan Menhennet identifies and analyzes examples of German drama that are historical in the stricter sense: not only in terms of the provenance of the material, but also in that, while remaining dramatic in nature, they do convey a historical experience. By means of a critical survey extending from the seventeenth century to the twentieth, in the contexts of literary history, the philosophy of history, and German history from the Thirty Years' War to the Second World War, Menhennet provides a complement to Sengle's still-valuable study. Major figures treated include Gryphius, Lessing, Schiller, Goethe, Grillparzer, Hebbel, Schnitzler, and Brecht. There is no competing work in English. Alan Menhennet is Professor Emeritus of German at the University of Newcastle, Newcastle-upon-Tyne, UK. He is author of 'Grimmelshausen the Storyteller' (Camden House, 1997) | ||
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| author | Menhennet, Alan |
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| contents | Historical Drama of the German Baroque: Andreas Gryphius Age of Enlightenment: Aufklarung Weimar Classicism: Friedrich Schiller Herder, Goethe and the Romantic Tendency: Gotz von Berlichingen Emergence of Austria: Franz Grillparzer "Non-Austrian" Historical Drama: C. F. Hebbel Modern Age: Schnitzler and Brecht |
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| dewey-full | 832/.051409 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 832 - German drama |
| dewey-raw | 832/.051409 |
| dewey-search | 832/.051409 |
| dewey-sort | 3832 551409 |
| dewey-tens | 830 - Literatures of Germanic languages |
| discipline | Germanistik / Niederlandistik / Skandinavistik |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:29Z |
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| isbn | 9781571136091 |
| language | English |
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| spelling | Menhennet, Alan Verfasser aut The historical experience in German drama from Gryphius to Brecht Alan Menhennet Suffolk Boydell & Brewer 2003 1 online resource (186 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) 1 Historical Drama of the German Baroque: Andreas Gryphius 2 Age of Enlightenment: Aufklarung 3 Weimar Classicism: Friedrich Schiller 4 Herder, Goethe and the Romantic Tendency: Gotz von Berlichingen 5 Emergence of Austria: Franz Grillparzer 6 "Non-Austrian" Historical Drama: C. F. Hebbel 7 Modern Age: Schnitzler and Brecht In what is still the standard survey of German historical drama, 'Das deutsche Geschichtsdrama' (1952), Friedrich Sengle understands "historical drama" as that in which objective history is blended with an 'idea' that is the basis of its dramatic coherence and force. This idea inevitably becomes the engine of a dramatic action, inclining the theatergoer to become wholly engaged with dramatic characters in a dramatic present, rather than with 'real' figures in a historical past. Such plays (for instance Schiller's 'Maria Stuart') may remain broadly 'true to history,' but the 'experience' they afford is often not historical; that is, it may be emotionally and intellectually compelling, but it will not be historical in the sense of causing us, in our present, to become engaged with our relationship with past figures and events and their continued relevance for us. Alan Menhennet identifies and analyzes examples of German drama that are historical in the stricter sense: not only in terms of the provenance of the material, but also in that, while remaining dramatic in nature, they do convey a historical experience. By means of a critical survey extending from the seventeenth century to the twentieth, in the contexts of literary history, the philosophy of history, and German history from the Thirty Years' War to the Second World War, Menhennet provides a complement to Sengle's still-valuable study. Major figures treated include Gryphius, Lessing, Schiller, Goethe, Grillparzer, Hebbel, Schnitzler, and Brecht. There is no competing work in English. Alan Menhennet is Professor Emeritus of German at the University of Newcastle, Newcastle-upon-Tyne, UK. He is author of 'Grimmelshausen the Storyteller' (Camden House, 1997) Historical drama, German / History and criticism Deutsch (DE-588)4113292-0 gnd rswk-swf Geschichte (DE-588)4020517-4 gnd rswk-swf Historisches Drama (DE-588)4025133-0 gnd rswk-swf Deutsch (DE-588)4113292-0 s Historisches Drama (DE-588)4025133-0 s Geschichte (DE-588)4020517-4 s 1\p DE-604 Erscheint auch als Druckausgabe 978-1-57113-255-0 http://www.cambridge.org/core/product/identifier/9781571136091/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Menhennet, Alan The historical experience in German drama from Gryphius to Brecht Historical Drama of the German Baroque: Andreas Gryphius Age of Enlightenment: Aufklarung Weimar Classicism: Friedrich Schiller Herder, Goethe and the Romantic Tendency: Gotz von Berlichingen Emergence of Austria: Franz Grillparzer "Non-Austrian" Historical Drama: C. F. Hebbel Modern Age: Schnitzler and Brecht Historical drama, German / History and criticism Deutsch (DE-588)4113292-0 gnd Geschichte (DE-588)4020517-4 gnd Historisches Drama (DE-588)4025133-0 gnd |
| subject_GND | (DE-588)4113292-0 (DE-588)4020517-4 (DE-588)4025133-0 |
| title | The historical experience in German drama from Gryphius to Brecht |
| title_alt | Historical Drama of the German Baroque: Andreas Gryphius Age of Enlightenment: Aufklarung Weimar Classicism: Friedrich Schiller Herder, Goethe and the Romantic Tendency: Gotz von Berlichingen Emergence of Austria: Franz Grillparzer "Non-Austrian" Historical Drama: C. F. Hebbel Modern Age: Schnitzler and Brecht |
| title_auth | The historical experience in German drama from Gryphius to Brecht |
| title_exact_search | The historical experience in German drama from Gryphius to Brecht |
| title_full | The historical experience in German drama from Gryphius to Brecht Alan Menhennet |
| title_fullStr | The historical experience in German drama from Gryphius to Brecht Alan Menhennet |
| title_full_unstemmed | The historical experience in German drama from Gryphius to Brecht Alan Menhennet |
| title_short | The historical experience in German drama |
| title_sort | the historical experience in german drama from gryphius to brecht |
| title_sub | from Gryphius to Brecht |
| topic | Historical drama, German / History and criticism Deutsch (DE-588)4113292-0 gnd Geschichte (DE-588)4020517-4 gnd Historisches Drama (DE-588)4025133-0 gnd |
| topic_facet | Historical drama, German / History and criticism Deutsch Geschichte Historisches Drama |
| url | http://www.cambridge.org/core/product/identifier/9781571136091/type/BOOK |
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