Romantics and modernists in British cinema:
In a fresh and invigorating look at British cinema that considers film as an art form among other arts, John Orr takes a critical look at the intriguing relationship between romanticism and modernism that has been much neglected in the study of UK cinema and downplayed in the development of Western...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
2010
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | In a fresh and invigorating look at British cinema that considers film as an art form among other arts, John Orr takes a critical look at the intriguing relationship between romanticism and modernism that has been much neglected in the study of UK cinema and downplayed in the development of Western cinema. Encompassing a broad selection of films, film-makers and debates, this book brings a fresh perspective to how scholars might understand and interrogate the major traditions that have shaped British cinema history. Covering the period between 1929 and the present, this book examines outstanding directors such as Alfred Hitchcock, David Lean, Carol Reed, Nicholas Roeg, Terence Davies and Bill Douglas, and articulates two genres vital to British cinema - the fugitive film and the trauma film - which bridge the gap between romantic and modern forms. Two detailed chapters also assess the powerful impact of major expatriate directors like Losey, Antonioni, Polanski, Kubrick and Skolimowski on modernism in the 1960s and 1970s. Detailed critical readings explore Blackmail, The Lady Vanishes, Black Narcissus, Odd Man Out, The Passionate Friends, The Innocents, Lawrence of Arabia, The Servant, Blow-Up, A Clockwork Orange, Don't Look Now, The Wicker Man, Moonlighting, the Bill Douglas trilogy and The Long Day Closes. The book concludes with an analysis of the persistence of romantic and modernist forms in the 21st century in two recent prize-winning features, Control and Hunger |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 02 Oct 2015) |
| Beschreibung: | 1 online resource (vi, 195 pages) |
| ISBN: | 9780748642304 |
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| 505 | 8 | |a Romantics versus modernists? -- 1929 : romantics and modernists on the cusp of sound -- Running man : Hitchcock's fugitives and The Bourne ultimatum -- Running man 2 : Carol Reed and his contemporaries -- David Lean : the troubled romantic and the end of empire -- Trauma film from romantic to modern : A matter of life and death to Don't look now -- Joseph Losey and Michelangelo Antonioni : the expatriate eye and the parallax view -- Expatriate eye 2: Stanley Kubrick and Jerzy Skolimowski -- Terence Davies and Bill Douglas : the poetics of memory -- Into the new country | |
| 520 | |a In a fresh and invigorating look at British cinema that considers film as an art form among other arts, John Orr takes a critical look at the intriguing relationship between romanticism and modernism that has been much neglected in the study of UK cinema and downplayed in the development of Western cinema. Encompassing a broad selection of films, film-makers and debates, this book brings a fresh perspective to how scholars might understand and interrogate the major traditions that have shaped British cinema history. Covering the period between 1929 and the present, this book examines outstanding directors such as Alfred Hitchcock, David Lean, Carol Reed, Nicholas Roeg, Terence Davies and Bill Douglas, and articulates two genres vital to British cinema - the fugitive film and the trauma film - which bridge the gap between romantic and modern forms. Two detailed chapters also assess the powerful impact of major expatriate directors like Losey, Antonioni, Polanski, Kubrick and Skolimowski on modernism in the 1960s and 1970s. Detailed critical readings explore Blackmail, The Lady Vanishes, Black Narcissus, Odd Man Out, The Passionate Friends, The Innocents, Lawrence of Arabia, The Servant, Blow-Up, A Clockwork Orange, Don't Look Now, The Wicker Man, Moonlighting, the Bill Douglas trilogy and The Long Day Closes. The book concludes with an analysis of the persistence of romantic and modernist forms in the 21st century in two recent prize-winning features, Control and Hunger | ||
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Datensatz im Suchindex
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| contents | Romantics versus modernists? -- 1929 : romantics and modernists on the cusp of sound -- Running man : Hitchcock's fugitives and The Bourne ultimatum -- Running man 2 : Carol Reed and his contemporaries -- David Lean : the troubled romantic and the end of empire -- Trauma film from romantic to modern : A matter of life and death to Don't look now -- Joseph Losey and Michelangelo Antonioni : the expatriate eye and the parallax view -- Expatriate eye 2: Stanley Kubrick and Jerzy Skolimowski -- Terence Davies and Bill Douglas : the poetics of memory -- Into the new country |
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| dewey-search | 791.430941 |
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| discipline | Allgemeines |
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| isbn | 9780748642304 |
| language | English |
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| spelling | Orr, John 1943- Verfasser aut Romantics and modernists in British cinema John Orr Romantics & Modernists in British Cinema Edinburgh Edinburgh University Press 2010 1 online resource (vi, 195 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) Romantics versus modernists? -- 1929 : romantics and modernists on the cusp of sound -- Running man : Hitchcock's fugitives and The Bourne ultimatum -- Running man 2 : Carol Reed and his contemporaries -- David Lean : the troubled romantic and the end of empire -- Trauma film from romantic to modern : A matter of life and death to Don't look now -- Joseph Losey and Michelangelo Antonioni : the expatriate eye and the parallax view -- Expatriate eye 2: Stanley Kubrick and Jerzy Skolimowski -- Terence Davies and Bill Douglas : the poetics of memory -- Into the new country In a fresh and invigorating look at British cinema that considers film as an art form among other arts, John Orr takes a critical look at the intriguing relationship between romanticism and modernism that has been much neglected in the study of UK cinema and downplayed in the development of Western cinema. Encompassing a broad selection of films, film-makers and debates, this book brings a fresh perspective to how scholars might understand and interrogate the major traditions that have shaped British cinema history. Covering the period between 1929 and the present, this book examines outstanding directors such as Alfred Hitchcock, David Lean, Carol Reed, Nicholas Roeg, Terence Davies and Bill Douglas, and articulates two genres vital to British cinema - the fugitive film and the trauma film - which bridge the gap between romantic and modern forms. Two detailed chapters also assess the powerful impact of major expatriate directors like Losey, Antonioni, Polanski, Kubrick and Skolimowski on modernism in the 1960s and 1970s. Detailed critical readings explore Blackmail, The Lady Vanishes, Black Narcissus, Odd Man Out, The Passionate Friends, The Innocents, Lawrence of Arabia, The Servant, Blow-Up, A Clockwork Orange, Don't Look Now, The Wicker Man, Moonlighting, the Bill Douglas trilogy and The Long Day Closes. The book concludes with an analysis of the persistence of romantic and modernist forms in the 21st century in two recent prize-winning features, Control and Hunger Geschichte gnd rswk-swf Film Geschichte Ästhetik Motion pictures / Great Britain / History Art and motion pictures / Great Britain Romanticism / Great Britain Modernism (Aesthetics) / Great Britain Motion pictures / Aesthetics Film (DE-588)4017102-4 gnd rswk-swf Großbritannien Großbritannien (DE-588)4022153-2 gnd rswk-swf Großbritannien (DE-588)4022153-2 g Film (DE-588)4017102-4 s Geschichte z 1\p DE-604 Erscheint auch als Druckausgabe 978-0-7486-4014-0 Erscheint auch als Druckausgabe 978-0-7486-4937-2 http://www.cambridge.org/core/product/identifier/9780748642304/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Orr, John 1943- Romantics and modernists in British cinema Romantics versus modernists? -- 1929 : romantics and modernists on the cusp of sound -- Running man : Hitchcock's fugitives and The Bourne ultimatum -- Running man 2 : Carol Reed and his contemporaries -- David Lean : the troubled romantic and the end of empire -- Trauma film from romantic to modern : A matter of life and death to Don't look now -- Joseph Losey and Michelangelo Antonioni : the expatriate eye and the parallax view -- Expatriate eye 2: Stanley Kubrick and Jerzy Skolimowski -- Terence Davies and Bill Douglas : the poetics of memory -- Into the new country Film Geschichte Ästhetik Motion pictures / Great Britain / History Art and motion pictures / Great Britain Romanticism / Great Britain Modernism (Aesthetics) / Great Britain Motion pictures / Aesthetics Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4022153-2 |
| title | Romantics and modernists in British cinema |
| title_alt | Romantics & Modernists in British Cinema |
| title_auth | Romantics and modernists in British cinema |
| title_exact_search | Romantics and modernists in British cinema |
| title_full | Romantics and modernists in British cinema John Orr |
| title_fullStr | Romantics and modernists in British cinema John Orr |
| title_full_unstemmed | Romantics and modernists in British cinema John Orr |
| title_short | Romantics and modernists in British cinema |
| title_sort | romantics and modernists in british cinema |
| topic | Film Geschichte Ästhetik Motion pictures / Great Britain / History Art and motion pictures / Great Britain Romanticism / Great Britain Modernism (Aesthetics) / Great Britain Motion pictures / Aesthetics Film (DE-588)4017102-4 gnd |
| topic_facet | Film Geschichte Ästhetik Motion pictures / Great Britain / History Art and motion pictures / Great Britain Romanticism / Great Britain Modernism (Aesthetics) / Great Britain Motion pictures / Aesthetics Großbritannien |
| url | http://www.cambridge.org/core/product/identifier/9780748642304/type/BOOK |
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