Richard Wagner's Beethoven (1870):
Despite the enormous and accelerating worldwide interest in Wagner leading to the bicentenary of his birth in 2013, his prose writings have received scant scholarly attention. Wagner's book-length essay on Beethoven, written to celebrate the centenary of Beethoven's birth in 1870, is reall...
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2014
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| Zusammenfassung: | Despite the enormous and accelerating worldwide interest in Wagner leading to the bicentenary of his birth in 2013, his prose writings have received scant scholarly attention. Wagner's book-length essay on Beethoven, written to celebrate the centenary of Beethoven's birth in 1870, is really about Wagner himself rather than Beethoven. It is generally regarded as the principal aesthetic statement of the composer's later years, representing a reassessment ofthe ideas of the earlier Zurich writings, especially Oper und Drama, in the light of the experience gained through the composition of Tristan und Isolde, Die Meistersinger von Nürnberg and the greater part of Der Ring des Nibelungen. It contains Wagner's most complete exegesis of his understanding of Schopenhauer's philosophy and its perceived influence on the compositional practice of his later works. The essay also influenced the young Nietzsche. It is an essential text in the teaching of not only Wagnerian thought but also late nineteenth-century musical aesthetics in general. Until now the English reader with no access to the German original has been obliged to work from two Victorian translations. This brand new edition gives the German original and the newly translated English text on facing pages. It comes along with a substantial introduction placing the essay not onlywithin the wider historical and intellectual context of Wagner's later thought but also in the political context of the establishment of the German Empire in the 1870s. The translation is annotated throughout with a full bibliography. Richard Wagner's Beethoven will be indispensable reading for historians and musicologists as well as those interested in Wagner's philosophy and the aesthetics of music. ROGER ALLEN is Fellow and Tutor in Music at St Peter's College, Oxford |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 02 Oct 2015) |
| Beschreibung: | 1 online resource (xiv, 214 pages) |
| ISBN: | 9781782043843 9781843839583 |
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| 520 | |a Despite the enormous and accelerating worldwide interest in Wagner leading to the bicentenary of his birth in 2013, his prose writings have received scant scholarly attention. Wagner's book-length essay on Beethoven, written to celebrate the centenary of Beethoven's birth in 1870, is really about Wagner himself rather than Beethoven. It is generally regarded as the principal aesthetic statement of the composer's later years, representing a reassessment ofthe ideas of the earlier Zurich writings, especially Oper und Drama, in the light of the experience gained through the composition of Tristan und Isolde, Die Meistersinger von Nürnberg and the greater part of Der Ring des Nibelungen. It contains Wagner's most complete exegesis of his understanding of Schopenhauer's philosophy and its perceived influence on the compositional practice of his later works. The essay also influenced the young Nietzsche. It is an essential text in the teaching of not only Wagnerian thought but also late nineteenth-century musical aesthetics in general. Until now the English reader with no access to the German original has been obliged to work from two Victorian translations. This brand new edition gives the German original and the newly translated English text on facing pages. It comes along with a substantial introduction placing the essay not onlywithin the wider historical and intellectual context of Wagner's later thought but also in the political context of the establishment of the German Empire in the 1870s. The translation is annotated throughout with a full bibliography. Richard Wagner's Beethoven will be indispensable reading for historians and musicologists as well as those interested in Wagner's philosophy and the aesthetics of music. ROGER ALLEN is Fellow and Tutor in Music at St Peter's College, Oxford | ||
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Datensatz im Suchindex
| _version_ | 1804176834181464064 |
|---|---|
| adam_text | CONTENTS
IX PREFACE AND ACKNOWLEDGEMENTS
XIII A NOTE ON THE TRANSLATION AND SOURCES
XV LIST OF ABBREVIATIONS
I INTRODUCTION
29 RICHARD WAGNER S BEETHOVEN (GERMAN TEXT AND
ENGLISH TRANSLATION)
201 APPENDIX: BEETHOVEN U[ND] D[IE] DEUTSCHE
NATION (GERMAN TEXT)
203 SELECT BIBLIOGRAPHY
211 INDEX
HTTP://D-NB.INFO/1067605835
|
| any_adam_object | 1 |
| author | Wagner, Richard 1813-1883 |
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| dewey-full | 780.1 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.1 |
| dewey-search | 780.1 |
| dewey-sort | 3780.1 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte 1700-1800 Geschichte 1800-1900 |
| era_facet | Geschichte 1700-1800 Geschichte 1800-1900 |
| format | Electronic eBook |
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| spelling | Wagner, Richard 1813-1883 Verfasser aut Richard Wagner's Beethoven (1870) newly translated and with an introduction by Roger Allen Suffolk Boydell & Brewer 2014 1 online resource (xiv, 214 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) Despite the enormous and accelerating worldwide interest in Wagner leading to the bicentenary of his birth in 2013, his prose writings have received scant scholarly attention. Wagner's book-length essay on Beethoven, written to celebrate the centenary of Beethoven's birth in 1870, is really about Wagner himself rather than Beethoven. It is generally regarded as the principal aesthetic statement of the composer's later years, representing a reassessment ofthe ideas of the earlier Zurich writings, especially Oper und Drama, in the light of the experience gained through the composition of Tristan und Isolde, Die Meistersinger von Nürnberg and the greater part of Der Ring des Nibelungen. It contains Wagner's most complete exegesis of his understanding of Schopenhauer's philosophy and its perceived influence on the compositional practice of his later works. The essay also influenced the young Nietzsche. It is an essential text in the teaching of not only Wagnerian thought but also late nineteenth-century musical aesthetics in general. Until now the English reader with no access to the German original has been obliged to work from two Victorian translations. This brand new edition gives the German original and the newly translated English text on facing pages. It comes along with a substantial introduction placing the essay not onlywithin the wider historical and intellectual context of Wagner's later thought but also in the political context of the establishment of the German Empire in the 1870s. The translation is annotated throughout with a full bibliography. Richard Wagner's Beethoven will be indispensable reading for historians and musicologists as well as those interested in Wagner's philosophy and the aesthetics of music. ROGER ALLEN is Fellow and Tutor in Music at St Peter's College, Oxford Beethoven, Ludwig van / 1770-1827 / Criticism and interpretation Geschichte 1700-1800 Geschichte 1800-1900 Opera / 18th century / History and criticism Aesthetics, German / 19th century 1\p (DE-588)1071854844 Fiktionale Darstellung gnd-content Allen, Roger trl Wagner, Richard 1813-1883 Sonstige oth Wagner, Richard 1813-1883XXlEnglish Sonstige oth http://www.cambridge.org/core/product/identifier/9781782043843/type/BOOK Verlag URL des Erstveröffentlichers Volltext DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029326278&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Wagner, Richard 1813-1883 Richard Wagner's Beethoven (1870) Beethoven, Ludwig van / 1770-1827 / Criticism and interpretation Opera / 18th century / History and criticism Aesthetics, German / 19th century |
| subject_GND | (DE-588)1071854844 |
| title | Richard Wagner's Beethoven (1870) |
| title_auth | Richard Wagner's Beethoven (1870) |
| title_exact_search | Richard Wagner's Beethoven (1870) |
| title_full | Richard Wagner's Beethoven (1870) newly translated and with an introduction by Roger Allen |
| title_fullStr | Richard Wagner's Beethoven (1870) newly translated and with an introduction by Roger Allen |
| title_full_unstemmed | Richard Wagner's Beethoven (1870) newly translated and with an introduction by Roger Allen |
| title_short | Richard Wagner's Beethoven (1870) |
| title_sort | richard wagner s beethoven 1870 |
| topic | Beethoven, Ludwig van / 1770-1827 / Criticism and interpretation Opera / 18th century / History and criticism Aesthetics, German / 19th century |
| topic_facet | Beethoven, Ludwig van / 1770-1827 / Criticism and interpretation Opera / 18th century / History and criticism Aesthetics, German / 19th century Fiktionale Darstellung |
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