Post-Beur cinema: North African émigré and Maghrebi-French filmmaking in France since 2000
Since the early 1980s and the arrival of Beur cinema filmmakers of Maghrebi origin have made a key contribution to French cinema's representation of issues such as immigration, integration and national identity. However, they have done so mostly from a position on the margins of the industry. I...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
2013
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 UBR01 UPA01 Volltext |
| Zusammenfassung: | Since the early 1980s and the arrival of Beur cinema filmmakers of Maghrebi origin have made a key contribution to French cinema's representation of issues such as immigration, integration and national identity. However, they have done so mostly from a position on the margins of the industry. In contrast, since the early 2000s, Maghrebi-French and North African émigré filmmakers have occupied an increasingly prominent position on both sides of the camera, announcing their presence on French screens in a wider range of genres and styles than ever before. This greater visibility and move to the mainstream has not, however, automatically meant that these films have lost any of the social or political relevance. Indeed in the 2000s many of these films have increasingly questioned the boundaries between national, transnational and diasporic cinema, whilst simultaneously demanding, either implicitly or explicitly, a reconsideration of the very difference that has traditionally been seen as a barrier to the successful integration of North African immigrants and their descendants into French society |
| Beschreibung: | 1 online resource (xii, 204 pages) |
| ISBN: | 9780748678150 |
Internformat
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| 505 | 8 | |a 1. Introduction: From immigrant cinema to national cinema -- 2. The (Maghrebi- )French connection: diaspora goes mainstream -- 3. Colonial fracture and the counter-heritage Film -- 4. Of Spaces and Difference in the Films of Abdellatif Kechiche -- 5. Home, Displacement and the Myth of Return: Journey Narratives in the 2000s -- 6. Screening Islam: Cinematic Representations of the Muslim Community in France in the 2000s -- 7. Conclusion: Post-Beur Cinema | |
| 520 | |a Since the early 1980s and the arrival of Beur cinema filmmakers of Maghrebi origin have made a key contribution to French cinema's representation of issues such as immigration, integration and national identity. However, they have done so mostly from a position on the margins of the industry. In contrast, since the early 2000s, Maghrebi-French and North African émigré filmmakers have occupied an increasingly prominent position on both sides of the camera, announcing their presence on French screens in a wider range of genres and styles than ever before. This greater visibility and move to the mainstream has not, however, automatically meant that these films have lost any of the social or political relevance. Indeed in the 2000s many of these films have increasingly questioned the boundaries between national, transnational and diasporic cinema, whilst simultaneously demanding, either implicitly or explicitly, a reconsideration of the very difference that has traditionally been seen as a barrier to the successful integration of North African immigrants and their descendants into French society | ||
| 648 | 7 | |a Geschichte 2000-2012 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Film | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Motion pictures / France / History / 21st century | |
| 650 | 4 | |a Motion picture industry / France / History / 21st century | |
| 650 | 4 | |a North Africans in motion pictures | |
| 650 | 4 | |a Immigrants in motion pictures | |
| 650 | 4 | |a Social integration in motion pictures | |
| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
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Datensatz im Suchindex
| _version_ | 1804176833983283200 |
|---|---|
| any_adam_object | |
| author | Higbee, Will |
| author_GND | (DE-588)1014415578 |
| author_facet | Higbee, Will |
| author_role | aut |
| author_sort | Higbee, Will |
| author_variant | w h wh |
| building | Verbundindex |
| bvnumber | BV043917102 |
| classification_rvk | AP 59735 |
| collection | ZDB-20-CBO |
| contents | 1. Introduction: From immigrant cinema to national cinema -- 2. The (Maghrebi- )French connection: diaspora goes mainstream -- 3. Colonial fracture and the counter-heritage Film -- 4. Of Spaces and Difference in the Films of Abdellatif Kechiche -- 5. Home, Displacement and the Myth of Return: Journey Narratives in the 2000s -- 6. Screening Islam: Cinematic Representations of the Muslim Community in France in the 2000s -- 7. Conclusion: Post-Beur Cinema |
| ctrlnum | (ZDB-20-CBO)CR9780748678150 (OCoLC)957492980 (DE-599)BVBBV043917102 |
| dewey-full | 791.430944090/5 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.430944090/5 |
| dewey-search | 791.430944090/5 |
| dewey-sort | 3791.430944090 15 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | Geschichte 2000-2012 gnd |
| era_facet | Geschichte 2000-2012 |
| format | Electronic eBook |
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| geographic_facet | Frankreich |
| id | DE-604.BV043917102 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:28Z |
| institution | BVB |
| isbn | 9780748678150 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029326185 |
| oclc_num | 957492980 |
| open_access_boolean | |
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| owner_facet | DE-355 DE-BY-UBR DE-12 DE-473 DE-BY-UBG DE-739 |
| physical | 1 online resource (xii, 204 pages) |
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| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Edinburgh University Press |
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| spelling | Higbee, Will Verfasser (DE-588)1014415578 aut Post-Beur cinema North African émigré and Maghrebi-French filmmaking in France since 2000 Will Higbee Edinburgh Edinburgh University Press 2013 1 online resource (xii, 204 pages) txt rdacontent c rdamedia cr rdacarrier 1. Introduction: From immigrant cinema to national cinema -- 2. The (Maghrebi- )French connection: diaspora goes mainstream -- 3. Colonial fracture and the counter-heritage Film -- 4. Of Spaces and Difference in the Films of Abdellatif Kechiche -- 5. Home, Displacement and the Myth of Return: Journey Narratives in the 2000s -- 6. Screening Islam: Cinematic Representations of the Muslim Community in France in the 2000s -- 7. Conclusion: Post-Beur Cinema Since the early 1980s and the arrival of Beur cinema filmmakers of Maghrebi origin have made a key contribution to French cinema's representation of issues such as immigration, integration and national identity. However, they have done so mostly from a position on the margins of the industry. In contrast, since the early 2000s, Maghrebi-French and North African émigré filmmakers have occupied an increasingly prominent position on both sides of the camera, announcing their presence on French screens in a wider range of genres and styles than ever before. This greater visibility and move to the mainstream has not, however, automatically meant that these films have lost any of the social or political relevance. Indeed in the 2000s many of these films have increasingly questioned the boundaries between national, transnational and diasporic cinema, whilst simultaneously demanding, either implicitly or explicitly, a reconsideration of the very difference that has traditionally been seen as a barrier to the successful integration of North African immigrants and their descendants into French society Geschichte 2000-2012 gnd rswk-swf Film Geschichte Motion pictures / France / History / 21st century Motion picture industry / France / History / 21st century North Africans in motion pictures Immigrants in motion pictures Social integration in motion pictures Film (DE-588)4017102-4 gnd rswk-swf Maghrebiner (DE-588)4212821-3 gnd rswk-swf Frankreich Frankreich (DE-588)4018145-5 gnd rswk-swf Frankreich (DE-588)4018145-5 g Maghrebiner (DE-588)4212821-3 s Film (DE-588)4017102-4 s Geschichte 2000-2012 z 1\p DE-604 Erscheint auch als Druckausgabe 978-0-7486-4004-1 http://www.cambridge.org/core/product/identifier/9780748678150/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Higbee, Will Post-Beur cinema North African émigré and Maghrebi-French filmmaking in France since 2000 1. Introduction: From immigrant cinema to national cinema -- 2. The (Maghrebi- )French connection: diaspora goes mainstream -- 3. Colonial fracture and the counter-heritage Film -- 4. Of Spaces and Difference in the Films of Abdellatif Kechiche -- 5. Home, Displacement and the Myth of Return: Journey Narratives in the 2000s -- 6. Screening Islam: Cinematic Representations of the Muslim Community in France in the 2000s -- 7. Conclusion: Post-Beur Cinema Film Geschichte Motion pictures / France / History / 21st century Motion picture industry / France / History / 21st century North Africans in motion pictures Immigrants in motion pictures Social integration in motion pictures Film (DE-588)4017102-4 gnd Maghrebiner (DE-588)4212821-3 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4212821-3 (DE-588)4018145-5 |
| title | Post-Beur cinema North African émigré and Maghrebi-French filmmaking in France since 2000 |
| title_auth | Post-Beur cinema North African émigré and Maghrebi-French filmmaking in France since 2000 |
| title_exact_search | Post-Beur cinema North African émigré and Maghrebi-French filmmaking in France since 2000 |
| title_full | Post-Beur cinema North African émigré and Maghrebi-French filmmaking in France since 2000 Will Higbee |
| title_fullStr | Post-Beur cinema North African émigré and Maghrebi-French filmmaking in France since 2000 Will Higbee |
| title_full_unstemmed | Post-Beur cinema North African émigré and Maghrebi-French filmmaking in France since 2000 Will Higbee |
| title_short | Post-Beur cinema |
| title_sort | post beur cinema north african emigre and maghrebi french filmmaking in france since 2000 |
| title_sub | North African émigré and Maghrebi-French filmmaking in France since 2000 |
| topic | Film Geschichte Motion pictures / France / History / 21st century Motion picture industry / France / History / 21st century North Africans in motion pictures Immigrants in motion pictures Social integration in motion pictures Film (DE-588)4017102-4 gnd Maghrebiner (DE-588)4212821-3 gnd |
| topic_facet | Film Geschichte Motion pictures / France / History / 21st century Motion picture industry / France / History / 21st century North Africans in motion pictures Immigrants in motion pictures Social integration in motion pictures Maghrebiner Frankreich |
| url | http://www.cambridge.org/core/product/identifier/9780748678150/type/BOOK |
| work_keys_str_mv | AT higbeewill postbeurcinemanorthafricanemigreandmaghrebifrenchfilmmakinginfrancesince2000 |