Music video and the politics of representation:
How can we engage critically with music video and its role in popular culture? What do contemporary music videos have to tell us about patterns of cultural identity today? Based around an eclectic series of vivid case studies, this fresh and timely examination is an entertaining and enlightening ana...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
2011
|
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 UBT01 URL des Erstveröffentlichers |
| Zusammenfassung: | How can we engage critically with music video and its role in popular culture? What do contemporary music videos have to tell us about patterns of cultural identity today? Based around an eclectic series of vivid case studies, this fresh and timely examination is an entertaining and enlightening analysis of the forms, pleasures, and politics that music videos offer. In rethinking some classic approaches from film studies and popular music studies and connecting them with new debates about the current 'state' of feminism and feminist theory, Railton and Watson show why and how we should be studying music videos in the twenty-first century. Through its thorough overview of the music video as a visual medium, this is an ideal textbook for Media Studies students and all those with an interest in popular music and cultural studies. Key Features * Provides a framework for how to describe and analyse a music video. * Uses case studies from internationally well-know artists, such as Kylie, Shakira and Beyoncé to explore issues of representation of gender, sexuality and ethnicity. * Draws on classic and contemporary videos from a range of musical styles, from Lady Gaga and Christina Aguilera to Gorillaz and Metallica |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 02 Oct 2015) |
| Beschreibung: | 1 online resource (vii, 176 pages) |
| ISBN: | 9780748633241 |
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Datensatz im Suchindex
| _version_ | 1804176833800830976 |
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| any_adam_object | |
| author | Railton, Diane Watson, Paul 1972- |
| author_GND | (DE-588)1052249655 (DE-588)1026499577 |
| author_facet | Railton, Diane Watson, Paul 1972- |
| author_role | aut aut |
| author_sort | Railton, Diane |
| author_variant | d r dr p w pw |
| building | Verbundindex |
| bvnumber | BV043916999 |
| classification_rvk | AP 47500 EC 2440 LR 57255 |
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| contents | Situating music video: between feminism and popular culture -- Genre and music video: configurations and functions -- Making it real: authorship and authenticity -- Music video in black and white: race and femininity -- That Latin(a) look: performing ethnicity -- Masculinity and the absent presence of the male body -- Afterword: music video goes Gaga |
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| dewey-ones | 302 - Social interaction |
| dewey-raw | 302.234 |
| dewey-search | 302.234 |
| dewey-sort | 3302.234 |
| dewey-tens | 300 - Social sciences |
| discipline | Allgemeines Soziologie Literaturwissenschaft Musikwissenschaft |
| format | Electronic eBook |
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| id | DE-604.BV043916999 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:28Z |
| institution | BVB |
| isbn | 9780748633241 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029326082 |
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| owner | DE-12 DE-703 DE-473 DE-BY-UBG |
| owner_facet | DE-12 DE-703 DE-473 DE-BY-UBG |
| physical | 1 online resource (vii, 176 pages) |
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| spelling | Railton, Diane Verfasser (DE-588)1052249655 aut Music video and the politics of representation Diane Railton and Paul Watson Music Video & the Politics of Representation Edinburgh Edinburgh University Press 2011 1 online resource (vii, 176 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) Situating music video: between feminism and popular culture -- Genre and music video: configurations and functions -- Making it real: authorship and authenticity -- Music video in black and white: race and femininity -- That Latin(a) look: performing ethnicity -- Masculinity and the absent presence of the male body -- Afterword: music video goes Gaga How can we engage critically with music video and its role in popular culture? What do contemporary music videos have to tell us about patterns of cultural identity today? Based around an eclectic series of vivid case studies, this fresh and timely examination is an entertaining and enlightening analysis of the forms, pleasures, and politics that music videos offer. In rethinking some classic approaches from film studies and popular music studies and connecting them with new debates about the current 'state' of feminism and feminist theory, Railton and Watson show why and how we should be studying music videos in the twenty-first century. Through its thorough overview of the music video as a visual medium, this is an ideal textbook for Media Studies students and all those with an interest in popular music and cultural studies. Key Features * Provides a framework for how to describe and analyse a music video. * Uses case studies from internationally well-know artists, such as Kylie, Shakira and Beyoncé to explore issues of representation of gender, sexuality and ethnicity. * Draws on classic and contemporary videos from a range of musical styles, from Lady Gaga and Christina Aguilera to Gorillaz and Metallica Gesellschaft Music videos / Social aspects Music videos / History and criticism Feminism and music Musikvideo (DE-588)4492539-6 gnd rswk-swf Repräsentation Soziologie (DE-588)4202023-2 gnd rswk-swf Videoclip (DE-588)4192639-0 gnd rswk-swf Videoclip (DE-588)4192639-0 s Musikvideo (DE-588)4492539-6 s Repräsentation Soziologie (DE-588)4202023-2 s 1\p DE-604 Watson, Paul 1972- Verfasser (DE-588)1026499577 aut Erscheint auch als Druckausgabe 978-0-7486-3322-7 Erscheint auch als Druckausgabe 978-0-7486-3323-4 http://www.cambridge.org/core/product/identifier/9780748633241/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Railton, Diane Watson, Paul 1972- Music video and the politics of representation Situating music video: between feminism and popular culture -- Genre and music video: configurations and functions -- Making it real: authorship and authenticity -- Music video in black and white: race and femininity -- That Latin(a) look: performing ethnicity -- Masculinity and the absent presence of the male body -- Afterword: music video goes Gaga Gesellschaft Music videos / Social aspects Music videos / History and criticism Feminism and music Musikvideo (DE-588)4492539-6 gnd Repräsentation Soziologie (DE-588)4202023-2 gnd Videoclip (DE-588)4192639-0 gnd |
| subject_GND | (DE-588)4492539-6 (DE-588)4202023-2 (DE-588)4192639-0 |
| title | Music video and the politics of representation |
| title_alt | Music Video & the Politics of Representation |
| title_auth | Music video and the politics of representation |
| title_exact_search | Music video and the politics of representation |
| title_full | Music video and the politics of representation Diane Railton and Paul Watson |
| title_fullStr | Music video and the politics of representation Diane Railton and Paul Watson |
| title_full_unstemmed | Music video and the politics of representation Diane Railton and Paul Watson |
| title_short | Music video and the politics of representation |
| title_sort | music video and the politics of representation |
| topic | Gesellschaft Music videos / Social aspects Music videos / History and criticism Feminism and music Musikvideo (DE-588)4492539-6 gnd Repräsentation Soziologie (DE-588)4202023-2 gnd Videoclip (DE-588)4192639-0 gnd |
| topic_facet | Gesellschaft Music videos / Social aspects Music videos / History and criticism Feminism and music Musikvideo Repräsentation Soziologie Videoclip |
| url | http://www.cambridge.org/core/product/identifier/9780748633241/type/BOOK |
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