Music and Soviet power: 1917-1932
‘Music and Soviet Power’ offers cultural history told through documents - both colourful and representative - with an extensive commentary and annotation throughout. MARINA FROLOVA-WALKER is Reader in Music History at the University of Cambridge and Fellow of Clare College, Cambridge. JONATHAN WALKE...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Suffolk
Boydell & Brewer
2012
|
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | ‘Music and Soviet Power’ offers cultural history told through documents - both colourful and representative - with an extensive commentary and annotation throughout. MARINA FROLOVA-WALKER is Reader in Music History at the University of Cambridge and Fellow of Clare College, Cambridge. JONATHAN WALKER, who has a PhD in Musicology, is a freelance writer, teacher and pianist |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 02 Oct 2015) |
| Beschreibung: | 1 online resource (xxvii, 404 pages) |
| ISBN: | 9781782040231 |
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| 505 | 8 | |a October 1917-18 : Out of chaos -- 1919 : Depression and fever -- 1920 : Bureaucracy on the rise -- 1921 : Should I stay or should I go? -- 1922 : Just like the old days? -- 1923 : The birth of ASM and RAPM -- 1924 : ASM in the ascendant -- 1925 : Equilibrium -- 1926 : Guests from the west -- 1927 : Celebrations -- 1928 : At the crossroads -- 1929 : Velikiy perelom : the great turning point --1930 : RAPM's glorious year? -- 1931 : RAPM's fortunes turning -- 1932 : The rules change | |
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| 505 | 8 | 0 | |t A letter from Komsomol members in the Conservatoire to Cmrd A.V. Lunacharsky and Cmrd A.V. Lunacharsky's response -- |t The 'left' wing of contemporary music |t The red poppy at the Bolshoi |t At Der Sprung über den Schatten |t The path of October |t Johnny at the state Maly Opera House |t Bartók and the problem of folk music |t The third musical Olympiad in Leningrad |t The ballet Steps of steel and its composer, Prokofiev |t The nose : an opera by D. Shostakovich |t Can a phone call be sung? Notes on The wind from the north |t Letter to the editors (of Proletarian musician) |t Our mass music (excerpts) |r 'Sadko' -- |r A. Lunacharsky |r N. Vygodsky |r I. Sollertinsky -- |r A. Weprik |r Boris Filippov |r Yu. Keldysh |r D. Zhitomirsky -- |r 'Uriel' |r N. Malko |r L. Lebedinsky -- |9 |g 1927 : Celebrations |g 1928 : At the crossroads |g 1929 : Velikiy perelom : the great turning point |g 1930 : RAPM's glorious year? |g 1931 : RAPM's fortunes turning |t A Kiev newspaper on Shostakovich's ballet (The golden age) |t Heavenly 'idyll', or fascism in priestly garb |t Under a proletarian veil |t Music for the film Alone |t How I worked on the song 'They wanted to beat us' |t On the restructuring of literary and artistic organisations. Resolution of the Central Committee of the VKP(b) of 23 April 1932 |t On the music front |t A symphony of struggle : on Myaskovsky's twelfth Symphony |t A tragedy-satire (Lady Macbeth of the Mtsensk District) |t The opera and the composer (Lady Macbeth of the Mtsensk District) |t Music of the 'third estate' (On the ballet The flames of Paris) |t In the carriage (Sergei Prokofiev : marking his arrival in the Soviet Union) |r N. Vygodsky |r 'Terzetto' |r Kl. Korchmaryov |r A. Davidenko -- |r D. Kabalevsky |r D. Shostakovich |r M. Grinberg |r Igor Glebov |r VI. Derzhanovsky |9 |g 1932 : The rules change |
| 520 | |a ‘Music and Soviet Power’ offers cultural history told through documents - both colourful and representative - with an extensive commentary and annotation throughout. MARINA FROLOVA-WALKER is Reader in Music History at the University of Cambridge and Fellow of Clare College, Cambridge. JONATHAN WALKER, who has a PhD in Musicology, is a freelance writer, teacher and pianist | ||
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| 650 | 4 | |a Music / Political aspects / Soviet Union | |
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Datensatz im Suchindex
| _version_ | 1804176833806073856 |
|---|---|
| any_adam_object | |
| author | Frolova-Walker, Marina |
| author_additional | N. Petrov B. Krasin Igor Glebov 'R.' Ant. Dianov Vyacheslav Ivanov Andrey Levinson Victor Serge N. Strelnikov Anatoliy Kankarovich M. Zagorsky L. Sabaneyev Arseny Avraamov A. Sergeyev -- A. Sergeyev 'Communist' N. Malkov V. Blyum Igor Glebov -- Victor Belyayev Nikolai Malko 'Sadko' -- A. Lunacharsky N. Vygodsky I. Sollertinsky -- A. Weprik Boris Filippov Yu. Keldysh D. Zhitomirsky -- 'Uriel' N. Malko L. Lebedinsky -- 'Terzetto' Kl. Korchmaryov A. Davidenko -- D. Kabalevsky D. Shostakovich M. Grinberg VI. Derzhanovsky |
| author_facet | Frolova-Walker, Marina |
| author_role | aut |
| author_sort | Frolova-Walker, Marina |
| author_variant | m f w mfw |
| building | Verbundindex |
| bvnumber | BV043916996 |
| classification_rvk | LQ 86007 |
| collection | ZDB-20-CBO |
| contents | October 1917-18 : Out of chaos -- 1919 : Depression and fever -- 1920 : Bureaucracy on the rise -- 1921 : Should I stay or should I go? -- 1922 : Just like the old days? -- 1923 : The birth of ASM and RAPM -- 1924 : ASM in the ascendant -- 1925 : Equilibrium -- 1926 : Guests from the west -- 1927 : Celebrations -- 1928 : At the crossroads -- 1929 : Velikiy perelom : the great turning point --1930 : RAPM's glorious year? -- 1931 : RAPM's fortunes turning -- 1932 : The rules change Opera and its new audience The tasks of the Music Section (of Moscow Proletkult) A lull Art and the proletariat Declaration of the Music Section (of Narkompros) Musical responses On Wagner Petrushka at the Academy Opera and Ballet Theatre Chaliapin in the Soviet The Christmas tree at the Mikhailovsky Theatre Eyes and wings : under the impression of Scriabin concerts at the Philharmonia Impressions (On Isadora Duncan) The revolutionary years in music The Symphony of sirens, and the Baku experiment On the romantic R.S.F.S.R : a conversation with the composer Ya. Polferov The Association of Proletarian Musicians (Composers, Teachers, and Performers) A musical cul-de-sac Those on the other side Diatribes A statement by a group of Moscow State Conservatoire professors The struggle for the commune, or The exploded bomb / N. Malkov Composers! Keep up! Ideological platform of the Russian Association of Proletarian Musicians -- For Red Petrograd Foxtrot : the dance and the music Sergey Prokofiev's third Concerto 'Production' music : on Kastalsky's Village symphony The double-faced Janus Jazz-band in Moscow A letter from Komsomol members in the Conservatoire to Cmrd A.V. Lunacharsky and Cmrd A.V. Lunacharsky's response -- The 'left' wing of contemporary music The red poppy at the Bolshoi At Der Sprung über den Schatten The path of October Johnny at the state Maly Opera House Bartók and the problem of folk music The third musical Olympiad in Leningrad The ballet Steps of steel and its composer, Prokofiev The nose : an opera by D. Shostakovich Can a phone call be sung? Notes on The wind from the north Letter to the editors (of Proletarian musician) Our mass music (excerpts) A Kiev newspaper on Shostakovich's ballet (The golden age) Heavenly 'idyll', or fascism in priestly garb Under a proletarian veil Music for the film Alone How I worked on the song 'They wanted to beat us' On the restructuring of literary and artistic organisations. Resolution of the Central Committee of the VKP(b) of 23 April 1932 On the music front A symphony of struggle : on Myaskovsky's twelfth Symphony A tragedy-satire (Lady Macbeth of the Mtsensk District) The opera and the composer (Lady Macbeth of the Mtsensk District) Music of the 'third estate' (On the ballet The flames of Paris) In the carriage (Sergei Prokofiev : marking his arrival in the Soviet Union) |
| ctrlnum | (ZDB-20-CBO)CR9781782040231 (OCoLC)967391305 (DE-599)BVBBV043916996 |
| dewey-full | 780.947/0904 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.947/0904 |
| dewey-search | 780.947/0904 |
| dewey-sort | 3780.947 3904 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte 1917-1932 gnd |
| era_facet | Geschichte 1917-1932 |
| format | Electronic eBook |
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Resolution of the Central Committee of the VKP(b) of 23 April 1932</subfield><subfield code="t">On the music front</subfield><subfield code="t">A symphony of struggle : on Myaskovsky's twelfth Symphony</subfield><subfield code="t">A tragedy-satire (Lady Macbeth of the Mtsensk District)</subfield><subfield code="t">The opera and the composer (Lady Macbeth of the Mtsensk District)</subfield><subfield code="t">Music of the 'third estate' (On the ballet The flames of Paris)</subfield><subfield code="t">In the carriage (Sergei Prokofiev : marking his arrival in the Soviet Union)</subfield><subfield code="r">N. Vygodsky</subfield><subfield code="r">'Terzetto'</subfield><subfield code="r">Kl. Korchmaryov</subfield><subfield code="r">A. Davidenko --</subfield><subfield code="r">D. Kabalevsky</subfield><subfield code="r">D. Shostakovich</subfield><subfield code="r">M. Grinberg</subfield><subfield code="r">Igor Glebov</subfield><subfield code="r">VI. Derzhanovsky</subfield><subfield code="9"> </subfield><subfield code="g">1932 : The rules change</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">‘Music and Soviet Power’ offers cultural history told through documents - both colourful and representative - with an extensive commentary and annotation throughout. MARINA FROLOVA-WALKER is Reader in Music History at the University of Cambridge and Fellow of Clare College, Cambridge. 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| id | DE-604.BV043916996 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:28Z |
| institution | BVB |
| isbn | 9781782040231 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029326079 |
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| physical | 1 online resource (xxvii, 404 pages) |
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| publishDate | 2012 |
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| spelling | Frolova-Walker, Marina Verfasser aut Music and Soviet power 1917-1932 Marina Frolova-Walker & Jonathan Walker Music & Soviet Power, 1917–1932 Suffolk Boydell & Brewer 2012 1 online resource (xxvii, 404 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) October 1917-18 : Out of chaos -- 1919 : Depression and fever -- 1920 : Bureaucracy on the rise -- 1921 : Should I stay or should I go? -- 1922 : Just like the old days? -- 1923 : The birth of ASM and RAPM -- 1924 : ASM in the ascendant -- 1925 : Equilibrium -- 1926 : Guests from the west -- 1927 : Celebrations -- 1928 : At the crossroads -- 1929 : Velikiy perelom : the great turning point --1930 : RAPM's glorious year? -- 1931 : RAPM's fortunes turning -- 1932 : The rules change October 1917-18 : Out of chaos Opera and its new audience The tasks of the Music Section (of Moscow Proletkult) A lull Art and the proletariat N. Petrov B. Krasin Igor Glebov 'R.' 1919 : Depression and fever Declaration of the Music Section (of Narkompros) Musical responses On Wagner Ant. Dianov Vyacheslav Ivanov 1920 : Bureaucracy on the rise Petrushka at the Academy Opera and Ballet Theatre Chaliapin in the Soviet Andrey Levinson Victor Serge 1921 : Should I stay or should I go? The Christmas tree at the Mikhailovsky Theatre Eyes and wings : under the impression of Scriabin concerts at the Philharmonia Impressions (On Isadora Duncan) N. Strelnikov Anatoliy Kankarovich M. Zagorsky 1922 : Just like the old days? The revolutionary years in music The Symphony of sirens, and the Baku experiment L. Sabaneyev Arseny Avraamov 1923 : The birth of ASM and RAPM. On the romantic R.S.F.S.R : a conversation with the composer Ya. Polferov The Association of Proletarian Musicians (Composers, Teachers, and Performers) A musical cul-de-sac Those on the other side Diatribes A statement by a group of Moscow State Conservatoire professors The struggle for the commune, or The exploded bomb / N. Malkov Composers! Keep up! Ideological platform of the Russian Association of Proletarian Musicians -- For Red Petrograd Foxtrot : the dance and the music Sergey Prokofiev's third Concerto 'Production' music : on Kastalsky's Village symphony The double-faced Janus Jazz-band in Moscow A. Sergeyev -- A. Sergeyev 'Communist' Igor Glebov N. Malkov V. Blyum Igor Glebov -- Victor Belyayev Nikolai Malko 1924 : ASM in the ascendant 1925 : Equilibrium 1926 : Guests from the West A letter from Komsomol members in the Conservatoire to Cmrd A.V. Lunacharsky and Cmrd A.V. Lunacharsky's response -- The 'left' wing of contemporary music The red poppy at the Bolshoi At Der Sprung über den Schatten The path of October Johnny at the state Maly Opera House Bartók and the problem of folk music The third musical Olympiad in Leningrad The ballet Steps of steel and its composer, Prokofiev The nose : an opera by D. Shostakovich Can a phone call be sung? Notes on The wind from the north Letter to the editors (of Proletarian musician) Our mass music (excerpts) 'Sadko' -- A. Lunacharsky N. Vygodsky I. Sollertinsky -- A. Weprik Boris Filippov Yu. Keldysh D. Zhitomirsky -- 'Uriel' N. Malko L. Lebedinsky -- 1927 : Celebrations 1928 : At the crossroads 1929 : Velikiy perelom : the great turning point 1930 : RAPM's glorious year? 1931 : RAPM's fortunes turning A Kiev newspaper on Shostakovich's ballet (The golden age) Heavenly 'idyll', or fascism in priestly garb Under a proletarian veil Music for the film Alone How I worked on the song 'They wanted to beat us' On the restructuring of literary and artistic organisations. Resolution of the Central Committee of the VKP(b) of 23 April 1932 On the music front A symphony of struggle : on Myaskovsky's twelfth Symphony A tragedy-satire (Lady Macbeth of the Mtsensk District) The opera and the composer (Lady Macbeth of the Mtsensk District) Music of the 'third estate' (On the ballet The flames of Paris) In the carriage (Sergei Prokofiev : marking his arrival in the Soviet Union) N. Vygodsky 'Terzetto' Kl. Korchmaryov A. Davidenko -- D. Kabalevsky D. Shostakovich M. Grinberg Igor Glebov VI. Derzhanovsky 1932 : The rules change ‘Music and Soviet Power’ offers cultural history told through documents - both colourful and representative - with an extensive commentary and annotation throughout. MARINA FROLOVA-WALKER is Reader in Music History at the University of Cambridge and Fellow of Clare College, Cambridge. JONATHAN WALKER, who has a PhD in Musicology, is a freelance writer, teacher and pianist Geschichte 1917-1932 gnd rswk-swf Musik Politik Music / Soviet Union / History and criticism Music / Political aspects / Soviet Union Musikleben (DE-588)4075128-4 gnd rswk-swf Musikkritik (DE-588)4139777-0 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Sowjetunion Sowjetunion (DE-588)4077548-3 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Sowjetunion (DE-588)4077548-3 g Musik (DE-588)4040802-4 s Musikleben (DE-588)4075128-4 s Musikkritik (DE-588)4139777-0 s Geschichte 1917-1932 z 2\p DE-604 Walker, Jonathan Sonstige oth Erscheint auch als Druckausgabe 978-1-84383-703-9 http://www.cambridge.org/core/product/identifier/9781782040231/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Frolova-Walker, Marina Music and Soviet power 1917-1932 October 1917-18 : Out of chaos -- 1919 : Depression and fever -- 1920 : Bureaucracy on the rise -- 1921 : Should I stay or should I go? -- 1922 : Just like the old days? -- 1923 : The birth of ASM and RAPM -- 1924 : ASM in the ascendant -- 1925 : Equilibrium -- 1926 : Guests from the west -- 1927 : Celebrations -- 1928 : At the crossroads -- 1929 : Velikiy perelom : the great turning point --1930 : RAPM's glorious year? -- 1931 : RAPM's fortunes turning -- 1932 : The rules change Opera and its new audience The tasks of the Music Section (of Moscow Proletkult) A lull Art and the proletariat Declaration of the Music Section (of Narkompros) Musical responses On Wagner Petrushka at the Academy Opera and Ballet Theatre Chaliapin in the Soviet The Christmas tree at the Mikhailovsky Theatre Eyes and wings : under the impression of Scriabin concerts at the Philharmonia Impressions (On Isadora Duncan) The revolutionary years in music The Symphony of sirens, and the Baku experiment On the romantic R.S.F.S.R : a conversation with the composer Ya. Polferov The Association of Proletarian Musicians (Composers, Teachers, and Performers) A musical cul-de-sac Those on the other side Diatribes A statement by a group of Moscow State Conservatoire professors The struggle for the commune, or The exploded bomb / N. Malkov Composers! Keep up! Ideological platform of the Russian Association of Proletarian Musicians -- For Red Petrograd Foxtrot : the dance and the music Sergey Prokofiev's third Concerto 'Production' music : on Kastalsky's Village symphony The double-faced Janus Jazz-band in Moscow A letter from Komsomol members in the Conservatoire to Cmrd A.V. Lunacharsky and Cmrd A.V. Lunacharsky's response -- The 'left' wing of contemporary music The red poppy at the Bolshoi At Der Sprung über den Schatten The path of October Johnny at the state Maly Opera House Bartók and the problem of folk music The third musical Olympiad in Leningrad The ballet Steps of steel and its composer, Prokofiev The nose : an opera by D. Shostakovich Can a phone call be sung? Notes on The wind from the north Letter to the editors (of Proletarian musician) Our mass music (excerpts) A Kiev newspaper on Shostakovich's ballet (The golden age) Heavenly 'idyll', or fascism in priestly garb Under a proletarian veil Music for the film Alone How I worked on the song 'They wanted to beat us' On the restructuring of literary and artistic organisations. Resolution of the Central Committee of the VKP(b) of 23 April 1932 On the music front A symphony of struggle : on Myaskovsky's twelfth Symphony A tragedy-satire (Lady Macbeth of the Mtsensk District) The opera and the composer (Lady Macbeth of the Mtsensk District) Music of the 'third estate' (On the ballet The flames of Paris) In the carriage (Sergei Prokofiev : marking his arrival in the Soviet Union) Musik Politik Music / Soviet Union / History and criticism Music / Political aspects / Soviet Union Musikleben (DE-588)4075128-4 gnd Musikkritik (DE-588)4139777-0 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4075128-4 (DE-588)4139777-0 (DE-588)4040802-4 (DE-588)4077548-3 (DE-588)4143413-4 |
| title | Music and Soviet power 1917-1932 |
| title_alt | Music & Soviet Power, 1917–1932 Opera and its new audience The tasks of the Music Section (of Moscow Proletkult) A lull Art and the proletariat Declaration of the Music Section (of Narkompros) Musical responses On Wagner Petrushka at the Academy Opera and Ballet Theatre Chaliapin in the Soviet The Christmas tree at the Mikhailovsky Theatre Eyes and wings : under the impression of Scriabin concerts at the Philharmonia Impressions (On Isadora Duncan) The revolutionary years in music The Symphony of sirens, and the Baku experiment On the romantic R.S.F.S.R : a conversation with the composer Ya. Polferov The Association of Proletarian Musicians (Composers, Teachers, and Performers) A musical cul-de-sac Those on the other side Diatribes A statement by a group of Moscow State Conservatoire professors The struggle for the commune, or The exploded bomb / N. Malkov Composers! Keep up! Ideological platform of the Russian Association of Proletarian Musicians -- For Red Petrograd Foxtrot : the dance and the music Sergey Prokofiev's third Concerto 'Production' music : on Kastalsky's Village symphony The double-faced Janus Jazz-band in Moscow A letter from Komsomol members in the Conservatoire to Cmrd A.V. Lunacharsky and Cmrd A.V. Lunacharsky's response -- The 'left' wing of contemporary music The red poppy at the Bolshoi At Der Sprung über den Schatten The path of October Johnny at the state Maly Opera House Bartók and the problem of folk music The third musical Olympiad in Leningrad The ballet Steps of steel and its composer, Prokofiev The nose : an opera by D. Shostakovich Can a phone call be sung? Notes on The wind from the north Letter to the editors (of Proletarian musician) Our mass music (excerpts) A Kiev newspaper on Shostakovich's ballet (The golden age) Heavenly 'idyll', or fascism in priestly garb Under a proletarian veil Music for the film Alone How I worked on the song 'They wanted to beat us' On the restructuring of literary and artistic organisations. Resolution of the Central Committee of the VKP(b) of 23 April 1932 On the music front A symphony of struggle : on Myaskovsky's twelfth Symphony A tragedy-satire (Lady Macbeth of the Mtsensk District) The opera and the composer (Lady Macbeth of the Mtsensk District) Music of the 'third estate' (On the ballet The flames of Paris) In the carriage (Sergei Prokofiev : marking his arrival in the Soviet Union) |
| title_auth | Music and Soviet power 1917-1932 |
| title_exact_search | Music and Soviet power 1917-1932 |
| title_full | Music and Soviet power 1917-1932 Marina Frolova-Walker & Jonathan Walker |
| title_fullStr | Music and Soviet power 1917-1932 Marina Frolova-Walker & Jonathan Walker |
| title_full_unstemmed | Music and Soviet power 1917-1932 Marina Frolova-Walker & Jonathan Walker |
| title_short | Music and Soviet power |
| title_sort | music and soviet power 1917 1932 |
| title_sub | 1917-1932 |
| topic | Musik Politik Music / Soviet Union / History and criticism Music / Political aspects / Soviet Union Musikleben (DE-588)4075128-4 gnd Musikkritik (DE-588)4139777-0 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Musik Politik Music / Soviet Union / History and criticism Music / Political aspects / Soviet Union Musikleben Musikkritik Sowjetunion Aufsatzsammlung |
| url | http://www.cambridge.org/core/product/identifier/9781782040231/type/BOOK |
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