Into the groove: popular music and contemporary German fiction
In Germany between the mid-1990s and the mid-2000s there was an unprecedented 'confusion of the spheres' of literature and popular music. Popular musicians 'crossed over' into the literary field, editors and writers called for contemporary German literature to become more like po...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Suffolk
Boydell & Brewer
2015
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Schlagworte: | |
Online-Zugang: | BSB01 UBG01 Volltext |
Zusammenfassung: | In Germany between the mid-1990s and the mid-2000s there was an unprecedented 'confusion of the spheres' of literature and popular music. Popular musicians 'crossed over' into the literary field, editors and writers called for contemporary German literature to become more like popular music, writers attempted to borrow structural aspects from music or paid new attention to popular music at the thematic level. Others sought to raise their profiles by means of performance models taken from the popular music field. This book sets out to make sense of this situation. It argues for more inclusive and detailed attention to what it calls 'musico-centric fiction', for which it discerns intellectual precursors going back to the 1960s and also identifies examples written since the turn of the millennium, after the would-be death of 'pop literature'. In doing so, it focuses on fiction and paratextual interventions by authors including Peter Handke, Rolf Dieter Brinkmann, Rainald Goetz, Andreas Neumeister, Thomas Meinecke, Matthias Politycki, Frank Goosen, Benjamin von Stuckrad-Barre, Thomas Brussig, Karen Duve, and Kerstin Grether. Andrew W. Hurley is Senior Lecturer in German and Cultural Studies at the University of Technology, Sydney, Australia |
Beschreibung: | Title from publisher's bibliographic system (viewed on 02 Oct 2015) |
Beschreibung: | 1 online resource (ix, 272 pages) |
ISBN: | 9781782044307 |
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505 | 8 | |a Preludes and returns: popular music, the '68 generation, and the literarization of the jukebox -- Enter the double agent: the German popular musician as novelist -- Techno-lit: electronica and its impacts on fiction -- Analogue is better: rock- and pop-centric literature -- After the GDR's "musical niche society"? popular music in the literature of Thomas Brussig -- The gendering of popular music in the novels of Karen Duve and Kerstin Grether -- Conclusion: Out of the groove? | |
520 | |a In Germany between the mid-1990s and the mid-2000s there was an unprecedented 'confusion of the spheres' of literature and popular music. Popular musicians 'crossed over' into the literary field, editors and writers called for contemporary German literature to become more like popular music, writers attempted to borrow structural aspects from music or paid new attention to popular music at the thematic level. Others sought to raise their profiles by means of performance models taken from the popular music field. This book sets out to make sense of this situation. It argues for more inclusive and detailed attention to what it calls 'musico-centric fiction', for which it discerns intellectual precursors going back to the 1960s and also identifies examples written since the turn of the millennium, after the would-be death of 'pop literature'. In doing so, it focuses on fiction and paratextual interventions by authors including Peter Handke, Rolf Dieter Brinkmann, Rainald Goetz, Andreas Neumeister, Thomas Meinecke, Matthias Politycki, Frank Goosen, Benjamin von Stuckrad-Barre, Thomas Brussig, Karen Duve, and Kerstin Grether. Andrew W. Hurley is Senior Lecturer in German and Cultural Studies at the University of Technology, Sydney, Australia | ||
648 | 4 | |a Geschichte 1900-2000 | |
650 | 4 | |a German fiction / 21st century / History and criticism | |
650 | 4 | |a German fiction / 20th century / History and criticism | |
650 | 4 | |a Music in literature | |
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650 | 4 | |a Paratext / Germany | |
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Datensatz im Suchindex
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any_adam_object | |
author | Hurley, Andrew Wright ca. 20./21. Jh |
author_GND | (DE-588)103692940X |
author_facet | Hurley, Andrew Wright ca. 20./21. Jh |
author_role | aut |
author_sort | Hurley, Andrew Wright ca. 20./21. Jh |
author_variant | a w h aw awh |
building | Verbundindex |
bvnumber | BV043916798 |
classification_rvk | GN 1411 GN 3700 GO 16013 LR 57710 |
collection | ZDB-20-CBO |
contents | Preludes and returns: popular music, the '68 generation, and the literarization of the jukebox -- Enter the double agent: the German popular musician as novelist -- Techno-lit: electronica and its impacts on fiction -- Analogue is better: rock- and pop-centric literature -- After the GDR's "musical niche society"? popular music in the literature of Thomas Brussig -- The gendering of popular music in the novels of Karen Duve and Kerstin Grether -- Conclusion: Out of the groove? |
ctrlnum | (OCoLC)956323072 (DE-599)BVBBV043916798 |
dewey-full | 833/.92093578 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 833 - German fiction |
dewey-raw | 833/.92093578 |
dewey-search | 833/.92093578 |
dewey-sort | 3833 892093578 |
dewey-tens | 830 - Literatures of Germanic languages |
discipline | Germanistik / Niederlandistik / Skandinavistik Musikwissenschaft |
era | Geschichte 1900-2000 |
era_facet | Geschichte 1900-2000 |
format | Electronic eBook |
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geographic | Deutschland |
geographic_facet | Deutschland |
id | DE-604.BV043916798 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:38:28Z |
institution | BVB |
isbn | 9781782044307 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029325881 |
oclc_num | 956323072 |
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physical | 1 online resource (ix, 272 pages) |
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publishDate | 2015 |
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publisher | Boydell & Brewer |
record_format | marc |
spelling | Hurley, Andrew Wright ca. 20./21. Jh. Verfasser (DE-588)103692940X aut Into the groove popular music and contemporary German fiction Andrew Wright Hurley Suffolk Boydell & Brewer 2015 1 online resource (ix, 272 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) Preludes and returns: popular music, the '68 generation, and the literarization of the jukebox -- Enter the double agent: the German popular musician as novelist -- Techno-lit: electronica and its impacts on fiction -- Analogue is better: rock- and pop-centric literature -- After the GDR's "musical niche society"? popular music in the literature of Thomas Brussig -- The gendering of popular music in the novels of Karen Duve and Kerstin Grether -- Conclusion: Out of the groove? In Germany between the mid-1990s and the mid-2000s there was an unprecedented 'confusion of the spheres' of literature and popular music. Popular musicians 'crossed over' into the literary field, editors and writers called for contemporary German literature to become more like popular music, writers attempted to borrow structural aspects from music or paid new attention to popular music at the thematic level. Others sought to raise their profiles by means of performance models taken from the popular music field. This book sets out to make sense of this situation. It argues for more inclusive and detailed attention to what it calls 'musico-centric fiction', for which it discerns intellectual precursors going back to the 1960s and also identifies examples written since the turn of the millennium, after the would-be death of 'pop literature'. In doing so, it focuses on fiction and paratextual interventions by authors including Peter Handke, Rolf Dieter Brinkmann, Rainald Goetz, Andreas Neumeister, Thomas Meinecke, Matthias Politycki, Frank Goosen, Benjamin von Stuckrad-Barre, Thomas Brussig, Karen Duve, and Kerstin Grether. Andrew W. Hurley is Senior Lecturer in German and Cultural Studies at the University of Technology, Sydney, Australia Geschichte 1900-2000 German fiction / 21st century / History and criticism German fiction / 20th century / History and criticism Music in literature Music and literature / Germany Paratext / Germany Roman (DE-588)4050479-7 gnd rswk-swf Unterhaltungsmusik Motiv (DE-588)4750862-0 gnd rswk-swf Deutsch (DE-588)4113292-0 gnd rswk-swf Deutschland Deutsch (DE-588)4113292-0 s Roman (DE-588)4050479-7 s Unterhaltungsmusik Motiv (DE-588)4750862-0 s 1\p DE-604 Erscheint auch als Druckausgabe 978-1-57113-918-4 http://www.cambridge.org/core/product/identifier/9781782044307/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Hurley, Andrew Wright ca. 20./21. Jh Into the groove popular music and contemporary German fiction Preludes and returns: popular music, the '68 generation, and the literarization of the jukebox -- Enter the double agent: the German popular musician as novelist -- Techno-lit: electronica and its impacts on fiction -- Analogue is better: rock- and pop-centric literature -- After the GDR's "musical niche society"? popular music in the literature of Thomas Brussig -- The gendering of popular music in the novels of Karen Duve and Kerstin Grether -- Conclusion: Out of the groove? German fiction / 21st century / History and criticism German fiction / 20th century / History and criticism Music in literature Music and literature / Germany Paratext / Germany Roman (DE-588)4050479-7 gnd Unterhaltungsmusik Motiv (DE-588)4750862-0 gnd Deutsch (DE-588)4113292-0 gnd |
subject_GND | (DE-588)4050479-7 (DE-588)4750862-0 (DE-588)4113292-0 |
title | Into the groove popular music and contemporary German fiction |
title_auth | Into the groove popular music and contemporary German fiction |
title_exact_search | Into the groove popular music and contemporary German fiction |
title_full | Into the groove popular music and contemporary German fiction Andrew Wright Hurley |
title_fullStr | Into the groove popular music and contemporary German fiction Andrew Wright Hurley |
title_full_unstemmed | Into the groove popular music and contemporary German fiction Andrew Wright Hurley |
title_short | Into the groove |
title_sort | into the groove popular music and contemporary german fiction |
title_sub | popular music and contemporary German fiction |
topic | German fiction / 21st century / History and criticism German fiction / 20th century / History and criticism Music in literature Music and literature / Germany Paratext / Germany Roman (DE-588)4050479-7 gnd Unterhaltungsmusik Motiv (DE-588)4750862-0 gnd Deutsch (DE-588)4113292-0 gnd |
topic_facet | German fiction / 21st century / History and criticism German fiction / 20th century / History and criticism Music in literature Music and literature / Germany Paratext / Germany Roman Unterhaltungsmusik Motiv Deutsch Deutschland |
url | http://www.cambridge.org/core/product/identifier/9781782044307/type/BOOK |
work_keys_str_mv | AT hurleyandrewwright intothegroovepopularmusicandcontemporarygermanfiction |