Harry Partch, hobo composer:
During the Great Depression, Harry Partch rode the railways, following the fruit harvest across the country. From his experience among hoboes he found what he called "a fountainhead of pure musical Americana." Although he later wrote immense stage works for instruments of his own creation,...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Suffolk
Boydell & Brewer
2014
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Online-Zugang: | BSB01 UBG01 URL des Erstveröffentlichers |
Zusammenfassung: | During the Great Depression, Harry Partch rode the railways, following the fruit harvest across the country. From his experience among hoboes he found what he called "a fountainhead of pure musical Americana." Although he later wrote immense stage works for instruments of his own creation, he is still regularly called a hobo composer for the compositions that grew out of this period of his life. Yet few have questioned the label's impact on his musical output, compositional life, and reception. Focusing on Partch the person alongside the cultural icon he represented, this study examines Partch from historical, cultural, political, and musical perspectives. It outlines the cultural history of the hobo from the mid-1800s through the 1960s, as well as those figures associated with the hobo's image. It explores how Partch's music, which chronicled a disappearing subculture, was received, and how the composer ultimately engaged and frustrated popular conceptions of the hobo. And it follows Partch's later years to question his response to the hobo label and the ways in which others used it to define and contain him for over thirty years. S. Andrew Granade is an Associate Professor of Musicology in the Conservatory of Music and Dance, University of Missouri-Kansas City |
Beschreibung: | Title from publisher's bibliographic system (viewed on 02 Oct 2015) |
Beschreibung: | 1 online resource (xiii, 351 pages) |
ISBN: | 9781580468657 |
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505 | 8 | |a Prologue: to sound American -- The hobo in Partch's early life and aesthetic -- Interlude 1 : transients and migrants -- The transient journey -- Bitter music -- A knight of the road -- Interlude 2 : hoboes -- U.S. highball : becoming a musical hobo -- A newsboy letter -- Trading on a hobo image -- The strangest kind of hobo -- Epilogue: to be American | |
520 | |a During the Great Depression, Harry Partch rode the railways, following the fruit harvest across the country. From his experience among hoboes he found what he called "a fountainhead of pure musical Americana." Although he later wrote immense stage works for instruments of his own creation, he is still regularly called a hobo composer for the compositions that grew out of this period of his life. Yet few have questioned the label's impact on his musical output, compositional life, and reception. Focusing on Partch the person alongside the cultural icon he represented, this study examines Partch from historical, cultural, political, and musical perspectives. It outlines the cultural history of the hobo from the mid-1800s through the 1960s, as well as those figures associated with the hobo's image. It explores how Partch's music, which chronicled a disappearing subculture, was received, and how the composer ultimately engaged and frustrated popular conceptions of the hobo. And it follows Partch's later years to question his response to the hobo label and the ways in which others used it to define and contain him for over thirty years. S. Andrew Granade is an Associate Professor of Musicology in the Conservatory of Music and Dance, University of Missouri-Kansas City | ||
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Datensatz im Suchindex
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any_adam_object | |
author | Granade, S. Andrew |
author_facet | Granade, S. Andrew |
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author_sort | Granade, S. Andrew |
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building | Verbundindex |
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contents | Prologue: to sound American -- The hobo in Partch's early life and aesthetic -- Interlude 1 : transients and migrants -- The transient journey -- Bitter music -- A knight of the road -- Interlude 2 : hoboes -- U.S. highball : becoming a musical hobo -- A newsboy letter -- Trading on a hobo image -- The strangest kind of hobo -- Epilogue: to be American |
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dewey-ones | 780 - Music |
dewey-raw | 780.92 |
dewey-search | 780.92 |
dewey-sort | 3780.92 |
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discipline | Musikwissenschaft |
era | Geschichte 1901-1974 gnd |
era_facet | Geschichte 1901-1974 |
format | Electronic eBook |
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id | DE-604.BV043916707 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:38:28Z |
institution | BVB |
isbn | 9781580468657 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029325790 |
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publishDate | 2014 |
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publisher | Boydell & Brewer |
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spelling | Granade, S. Andrew Verfasser aut Harry Partch, hobo composer S. Andrew Granade Suffolk Boydell & Brewer 2014 1 online resource (xiii, 351 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) Prologue: to sound American -- The hobo in Partch's early life and aesthetic -- Interlude 1 : transients and migrants -- The transient journey -- Bitter music -- A knight of the road -- Interlude 2 : hoboes -- U.S. highball : becoming a musical hobo -- A newsboy letter -- Trading on a hobo image -- The strangest kind of hobo -- Epilogue: to be American During the Great Depression, Harry Partch rode the railways, following the fruit harvest across the country. From his experience among hoboes he found what he called "a fountainhead of pure musical Americana." Although he later wrote immense stage works for instruments of his own creation, he is still regularly called a hobo composer for the compositions that grew out of this period of his life. Yet few have questioned the label's impact on his musical output, compositional life, and reception. Focusing on Partch the person alongside the cultural icon he represented, this study examines Partch from historical, cultural, political, and musical perspectives. It outlines the cultural history of the hobo from the mid-1800s through the 1960s, as well as those figures associated with the hobo's image. It explores how Partch's music, which chronicled a disappearing subculture, was received, and how the composer ultimately engaged and frustrated popular conceptions of the hobo. And it follows Partch's later years to question his response to the hobo label and the ways in which others used it to define and contain him for over thirty years. S. Andrew Granade is an Associate Professor of Musicology in the Conservatory of Music and Dance, University of Missouri-Kansas City Partch, Harry / 1901-1974 Partch, Harry 1901-1974 (DE-588)119055651 gnd rswk-swf Geschichte 1901-1974 gnd rswk-swf Composers / United States / Biography Hobo songs / History and criticism Komponist (DE-588)4032009-1 gnd rswk-swf Tramp (DE-588)4312831-2 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4006804-3 Biografie gnd-content USA (DE-588)4078704-7 g Komponist (DE-588)4032009-1 s Tramp (DE-588)4312831-2 s Geschichte 1901-1974 z 1\p DE-604 Partch, Harry 1901-1974 (DE-588)119055651 p 2\p DE-604 Erscheint auch als Druckausgabe 978-1-58046-495-6 http://www.cambridge.org/core/product/identifier/9781580468657/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Granade, S. Andrew Harry Partch, hobo composer Prologue: to sound American -- The hobo in Partch's early life and aesthetic -- Interlude 1 : transients and migrants -- The transient journey -- Bitter music -- A knight of the road -- Interlude 2 : hoboes -- U.S. highball : becoming a musical hobo -- A newsboy letter -- Trading on a hobo image -- The strangest kind of hobo -- Epilogue: to be American Partch, Harry / 1901-1974 Partch, Harry 1901-1974 (DE-588)119055651 gnd Composers / United States / Biography Hobo songs / History and criticism Komponist (DE-588)4032009-1 gnd Tramp (DE-588)4312831-2 gnd |
subject_GND | (DE-588)119055651 (DE-588)4032009-1 (DE-588)4312831-2 (DE-588)4078704-7 (DE-588)4006804-3 |
title | Harry Partch, hobo composer |
title_auth | Harry Partch, hobo composer |
title_exact_search | Harry Partch, hobo composer |
title_full | Harry Partch, hobo composer S. Andrew Granade |
title_fullStr | Harry Partch, hobo composer S. Andrew Granade |
title_full_unstemmed | Harry Partch, hobo composer S. Andrew Granade |
title_short | Harry Partch, hobo composer |
title_sort | harry partch hobo composer |
topic | Partch, Harry / 1901-1974 Partch, Harry 1901-1974 (DE-588)119055651 gnd Composers / United States / Biography Hobo songs / History and criticism Komponist (DE-588)4032009-1 gnd Tramp (DE-588)4312831-2 gnd |
topic_facet | Partch, Harry / 1901-1974 Partch, Harry 1901-1974 Composers / United States / Biography Hobo songs / History and criticism Komponist Tramp USA Biografie |
url | http://www.cambridge.org/core/product/identifier/9781580468657/type/BOOK |
work_keys_str_mv | AT granadesandrew harrypartchhobocomposer |