Elias Canetti's counter-image of society: crowds, power, transformation
The award of the Nobel Prize for literature in 1981 has seemingly assured Elias Canetti's place in literary history. But his significance as a cultural critic has not been adequately recognized. The present study redresses this situation in two ways: by mapping the counter-image of human existe...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Suffolk
Boydell & Brewer
2004
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Schlagworte: | |
Online-Zugang: | BSB01 UBG01 Volltext |
Zusammenfassung: | The award of the Nobel Prize for literature in 1981 has seemingly assured Elias Canetti's place in literary history. But his significance as a cultural critic has not been adequately recognized. The present study redresses this situation in two ways: by mapping the counter-image of human existence, history, and society that informs Canetti's critique of the modern world and its sciences; and by opening up Canetti's hermetic oeuvre by tracing his cryptic and often concealed dialogue with major figures within the Western tradition such as Hobbes, Durkheim, and Freud and contemporaries such as Adorno, Arendt, and Elias. The authors ask how Canetti's alternative vision of man and society relates to important themes of twentieth-century social and civilizational thought even as it calls into question fundamental assumptions of the social and human sciences. In analyses of 'Auto da Fé, Crowds and Power,' and the aphorisms, the authors elucidate key aspects of Canetti's interrogation of human existence and human history across five thematic complexes: individual and social psychology, totalitarian politics, religion and politics, theories of society, and power and culture. They thus trace the movement of Canetti's thought from an apocalyptic sense of crisis to his search for cultural resources to set against the holocaust of European civilization. Johann P. Arnason teaches sociology at La Trobe University, Melbourne and David Roberts is Emeritus Professor of German at Monash University, Melbourne |
Beschreibung: | Title from publisher's bibliographic system (viewed on 02 Oct 2015) |
Beschreibung: | 1 online resource (vii, 166 pages) |
ISBN: | 9781571136367 |
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520 | |a The award of the Nobel Prize for literature in 1981 has seemingly assured Elias Canetti's place in literary history. But his significance as a cultural critic has not been adequately recognized. The present study redresses this situation in two ways: by mapping the counter-image of human existence, history, and society that informs Canetti's critique of the modern world and its sciences; and by opening up Canetti's hermetic oeuvre by tracing his cryptic and often concealed dialogue with major figures within the Western tradition such as Hobbes, Durkheim, and Freud and contemporaries such as Adorno, Arendt, and Elias. The authors ask how Canetti's alternative vision of man and society relates to important themes of twentieth-century social and civilizational thought even as it calls into question fundamental assumptions of the social and human sciences. In analyses of 'Auto da Fé, Crowds and Power,' and the aphorisms, the authors elucidate key aspects of Canetti's interrogation of human existence and human history across five thematic complexes: individual and social psychology, totalitarian politics, religion and politics, theories of society, and power and culture. They thus trace the movement of Canetti's thought from an apocalyptic sense of crisis to his search for cultural resources to set against the holocaust of European civilization. Johann P. Arnason teaches sociology at La Trobe University, Melbourne and David Roberts is Emeritus Professor of German at Monash University, Melbourne | ||
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author | Jóhann Páll Árnason 1940- |
author_GND | (DE-588)108428273 (DE-588)132979195 |
author_facet | Jóhann Páll Árnason 1940- |
author_role | aut |
author_sort | Jóhann Páll Árnason 1940- |
author_variant | j p á jpá |
building | Verbundindex |
bvnumber | BV043916577 |
classification_rvk | GN 3722 |
collection | ZDB-20-CBO |
contents | The Auto-da-Fe of civilization -- The natural history of modernity -- Religion, crowds, and power -- Canetti's counter-image of society -- The subversive sources of power |
ctrlnum | (ZDB-20-CBO)CR9781571136367 (OCoLC)967390138 (DE-599)BVBBV043916577 |
dewey-full | 833/.912 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 833 - German fiction |
dewey-raw | 833/.912 |
dewey-search | 833/.912 |
dewey-sort | 3833 3912 |
dewey-tens | 830 - Literatures of Germanic languages |
discipline | Germanistik / Niederlandistik / Skandinavistik |
format | Electronic eBook |
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institution | BVB |
isbn | 9781571136367 |
language | English |
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spelling | Jóhann Páll Árnason 1940- Verfasser (DE-588)108428273 aut Elias Canetti's counter-image of society crowds, power, transformation Johann P. Arnason and David Roberts Suffolk Boydell & Brewer 2004 1 online resource (vii, 166 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) The Auto-da-Fe of civilization -- The natural history of modernity -- Religion, crowds, and power -- Canetti's counter-image of society -- The subversive sources of power The award of the Nobel Prize for literature in 1981 has seemingly assured Elias Canetti's place in literary history. But his significance as a cultural critic has not been adequately recognized. The present study redresses this situation in two ways: by mapping the counter-image of human existence, history, and society that informs Canetti's critique of the modern world and its sciences; and by opening up Canetti's hermetic oeuvre by tracing his cryptic and often concealed dialogue with major figures within the Western tradition such as Hobbes, Durkheim, and Freud and contemporaries such as Adorno, Arendt, and Elias. The authors ask how Canetti's alternative vision of man and society relates to important themes of twentieth-century social and civilizational thought even as it calls into question fundamental assumptions of the social and human sciences. In analyses of 'Auto da Fé, Crowds and Power,' and the aphorisms, the authors elucidate key aspects of Canetti's interrogation of human existence and human history across five thematic complexes: individual and social psychology, totalitarian politics, religion and politics, theories of society, and power and culture. They thus trace the movement of Canetti's thought from an apocalyptic sense of crisis to his search for cultural resources to set against the holocaust of European civilization. Johann P. Arnason teaches sociology at La Trobe University, Melbourne and David Roberts is Emeritus Professor of German at Monash University, Melbourne Canetti, Elias / 1905-1994 / Criticism and interpretation Canetti, Elias / 1905-1994 / Political and social views Canetti, Elias 1905-1994 (DE-588)118518801 gnd rswk-swf Gesellschaftsbild (DE-588)4157063-7 gnd rswk-swf Canetti, Elias 1905-1994 (DE-588)118518801 p Gesellschaftsbild (DE-588)4157063-7 s 1\p DE-604 Roberts, David 1937- Sonstige (DE-588)132979195 oth Erscheint auch als Druckausgabe 978-1-57113-160-7 http://www.cambridge.org/core/product/identifier/9781571136367/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Jóhann Páll Árnason 1940- Elias Canetti's counter-image of society crowds, power, transformation The Auto-da-Fe of civilization -- The natural history of modernity -- Religion, crowds, and power -- Canetti's counter-image of society -- The subversive sources of power Canetti, Elias / 1905-1994 / Criticism and interpretation Canetti, Elias / 1905-1994 / Political and social views Canetti, Elias 1905-1994 (DE-588)118518801 gnd Gesellschaftsbild (DE-588)4157063-7 gnd |
subject_GND | (DE-588)118518801 (DE-588)4157063-7 |
title | Elias Canetti's counter-image of society crowds, power, transformation |
title_auth | Elias Canetti's counter-image of society crowds, power, transformation |
title_exact_search | Elias Canetti's counter-image of society crowds, power, transformation |
title_full | Elias Canetti's counter-image of society crowds, power, transformation Johann P. Arnason and David Roberts |
title_fullStr | Elias Canetti's counter-image of society crowds, power, transformation Johann P. Arnason and David Roberts |
title_full_unstemmed | Elias Canetti's counter-image of society crowds, power, transformation Johann P. Arnason and David Roberts |
title_short | Elias Canetti's counter-image of society |
title_sort | elias canetti s counter image of society crowds power transformation |
title_sub | crowds, power, transformation |
topic | Canetti, Elias / 1905-1994 / Criticism and interpretation Canetti, Elias / 1905-1994 / Political and social views Canetti, Elias 1905-1994 (DE-588)118518801 gnd Gesellschaftsbild (DE-588)4157063-7 gnd |
topic_facet | Canetti, Elias / 1905-1994 / Criticism and interpretation Canetti, Elias / 1905-1994 / Political and social views Canetti, Elias 1905-1994 Gesellschaftsbild |
url | http://www.cambridge.org/core/product/identifier/9781571136367/type/BOOK |
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