Common land in English painting, 1700-1850:
During the eighteenth and nineteenth centuries, much of England's common land was eradicated by the processes of parliamentary enclosure. However, despite the fact that the landscape was frequently viewed as unproductive, outmoded and unsightly, many British landscape painters of the time - inc...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Suffolk
Boydell & Brewer
2012
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Schlagworte: | |
Online-Zugang: | BSB01 UBG01 Volltext |
Zusammenfassung: | During the eighteenth and nineteenth centuries, much of England's common land was eradicated by the processes of parliamentary enclosure. However, despite the fact that the landscape was frequently viewed as unproductive, outmoded and unsightly, many British landscape painters of the time - including Constable, Gainsborough and Turner - resolutely continued to depict it. This book is the first full study of how they did so, using evidence drawn not only from art-historical picture analysis, but from contemporary poems and novels, and the contemporary pamphlets, essays and reports that advanced the rhetoric of both agricultural improvement and new theories on landscape aesthetics. It highlights a deep-rooted social and cultural attachment to the common field landscape, and demonstrates that common land played a significant but - until now - underestimated role in both the history of English art and of the formation of an English national identity, reflecting what are still highly sensitive issues of progress, nostalgia and loss within the English countryside. Recasting common land as a recurrent facet of English culture in the modern period, the numerous paintings, drawings and prints featured in this book give the reader a comprehensive and evocative sense of what this now almost wholly lost landscape looked like in its hey-day. Ian Waites is Senior Lecturer in History of Art and Design at the University of Lincoln |
Beschreibung: | Title from publisher's bibliographic system (viewed on 02 Oct 2015) |
Beschreibung: | 1 online resource (x, 181 pages) |
ISBN: | 9781782040446 |
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505 | 8 | |a Introduction : 'The scenery of common ground' -- The prospect -- Idylls -- Drawn from nature -- Aesthetics and perceptions -- Loss -- The urban scene -- Conclusion : Common land, the 'old culture' and the modern world | |
520 | |a During the eighteenth and nineteenth centuries, much of England's common land was eradicated by the processes of parliamentary enclosure. However, despite the fact that the landscape was frequently viewed as unproductive, outmoded and unsightly, many British landscape painters of the time - including Constable, Gainsborough and Turner - resolutely continued to depict it. This book is the first full study of how they did so, using evidence drawn not only from art-historical picture analysis, but from contemporary poems and novels, and the contemporary pamphlets, essays and reports that advanced the rhetoric of both agricultural improvement and new theories on landscape aesthetics. It highlights a deep-rooted social and cultural attachment to the common field landscape, and demonstrates that common land played a significant but - until now - underestimated role in both the history of English art and of the formation of an English national identity, reflecting what are still highly sensitive issues of progress, nostalgia and loss within the English countryside. Recasting common land as a recurrent facet of English culture in the modern period, the numerous paintings, drawings and prints featured in this book give the reader a comprehensive and evocative sense of what this now almost wholly lost landscape looked like in its hey-day. Ian Waites is Senior Lecturer in History of Art and Design at the University of Lincoln | ||
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Datensatz im Suchindex
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any_adam_object | |
author | Waites, Ian |
author_facet | Waites, Ian |
author_role | aut |
author_sort | Waites, Ian |
author_variant | i w iw |
building | Verbundindex |
bvnumber | BV043916460 |
collection | ZDB-20-CBO |
contents | Introduction : 'The scenery of common ground' -- The prospect -- Idylls -- Drawn from nature -- Aesthetics and perceptions -- Loss -- The urban scene -- Conclusion : Common land, the 'old culture' and the modern world |
ctrlnum | (ZDB-20-CBO)CR9781782040446 (OCoLC)967388393 (DE-599)BVBBV043916460 |
dewey-full | 758/.142 |
dewey-hundreds | 700 - The arts |
dewey-ones | 758 - Nature, cityscapes & other subjects |
dewey-raw | 758/.142 |
dewey-search | 758/.142 |
dewey-sort | 3758 3142 |
dewey-tens | 750 - Painting and paintings |
discipline | Kunstgeschichte |
era | Geschichte 1700-1800 Geschichte 1800-1900 Geschichte 1700-1850 gnd |
era_facet | Geschichte 1700-1800 Geschichte 1800-1900 Geschichte 1700-1850 |
format | Electronic eBook |
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illustrated | Not Illustrated |
indexdate | 2024-07-10T07:38:27Z |
institution | BVB |
isbn | 9781782040446 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029325543 |
oclc_num | 967388393 |
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publishDate | 2012 |
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publisher | Boydell & Brewer |
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spelling | Waites, Ian Verfasser aut Common land in English painting, 1700-1850 Ian Waites Suffolk Boydell & Brewer 2012 1 online resource (x, 181 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) Introduction : 'The scenery of common ground' -- The prospect -- Idylls -- Drawn from nature -- Aesthetics and perceptions -- Loss -- The urban scene -- Conclusion : Common land, the 'old culture' and the modern world During the eighteenth and nineteenth centuries, much of England's common land was eradicated by the processes of parliamentary enclosure. However, despite the fact that the landscape was frequently viewed as unproductive, outmoded and unsightly, many British landscape painters of the time - including Constable, Gainsborough and Turner - resolutely continued to depict it. This book is the first full study of how they did so, using evidence drawn not only from art-historical picture analysis, but from contemporary poems and novels, and the contemporary pamphlets, essays and reports that advanced the rhetoric of both agricultural improvement and new theories on landscape aesthetics. It highlights a deep-rooted social and cultural attachment to the common field landscape, and demonstrates that common land played a significant but - until now - underestimated role in both the history of English art and of the formation of an English national identity, reflecting what are still highly sensitive issues of progress, nostalgia and loss within the English countryside. Recasting common land as a recurrent facet of English culture in the modern period, the numerous paintings, drawings and prints featured in this book give the reader a comprehensive and evocative sense of what this now almost wholly lost landscape looked like in its hey-day. Ian Waites is Senior Lecturer in History of Art and Design at the University of Lincoln Geschichte 1700-1800 Geschichte 1800-1900 Geschichte 1700-1850 gnd rswk-swf Geschichte Landscape painting, English / 18th century Landscape painting, English / 19th century Commons / England / History / 18th century Commons / England / History / 19th century Landschaftsmalerei (DE-588)4114355-3 gnd rswk-swf Allmende (DE-588)4141970-4 gnd rswk-swf Motiv (DE-588)4040360-9 gnd rswk-swf England (DE-588)4014770-8 gnd rswk-swf England (DE-588)4014770-8 g Landschaftsmalerei (DE-588)4114355-3 s Allmende (DE-588)4141970-4 s Motiv (DE-588)4040360-9 s Geschichte 1700-1850 z 1\p DE-604 Erscheint auch als Druckausgabe 978-1-84383-761-9 http://www.cambridge.org/core/product/identifier/9781782040446/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Waites, Ian Common land in English painting, 1700-1850 Introduction : 'The scenery of common ground' -- The prospect -- Idylls -- Drawn from nature -- Aesthetics and perceptions -- Loss -- The urban scene -- Conclusion : Common land, the 'old culture' and the modern world Geschichte Landscape painting, English / 18th century Landscape painting, English / 19th century Commons / England / History / 18th century Commons / England / History / 19th century Landschaftsmalerei (DE-588)4114355-3 gnd Allmende (DE-588)4141970-4 gnd Motiv (DE-588)4040360-9 gnd |
subject_GND | (DE-588)4114355-3 (DE-588)4141970-4 (DE-588)4040360-9 (DE-588)4014770-8 |
title | Common land in English painting, 1700-1850 |
title_auth | Common land in English painting, 1700-1850 |
title_exact_search | Common land in English painting, 1700-1850 |
title_full | Common land in English painting, 1700-1850 Ian Waites |
title_fullStr | Common land in English painting, 1700-1850 Ian Waites |
title_full_unstemmed | Common land in English painting, 1700-1850 Ian Waites |
title_short | Common land in English painting, 1700-1850 |
title_sort | common land in english painting 1700 1850 |
topic | Geschichte Landscape painting, English / 18th century Landscape painting, English / 19th century Commons / England / History / 18th century Commons / England / History / 19th century Landschaftsmalerei (DE-588)4114355-3 gnd Allmende (DE-588)4141970-4 gnd Motiv (DE-588)4040360-9 gnd |
topic_facet | Geschichte Landscape painting, English / 18th century Landscape painting, English / 19th century Commons / England / History / 18th century Commons / England / History / 19th century Landschaftsmalerei Allmende Motiv England |
url | http://www.cambridge.org/core/product/identifier/9781782040446/type/BOOK |
work_keys_str_mv | AT waitesian commonlandinenglishpainting17001850 |