Cinema and sensation: French film and the art of transgression
This book looks at a much-debated phenomenon in contemporary cinema: the re-emergence of filmmaking practices (and, by extension, of theoretical approaches) that give precedence to cinema as the medium of the senses. France offers an intriguing case in point here. A specific sense of momentum comes...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
2007
|
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 UBR01 Volltext |
| Zusammenfassung: | This book looks at a much-debated phenomenon in contemporary cinema: the re-emergence of filmmaking practices (and, by extension, of theoretical approaches) that give precedence to cinema as the medium of the senses. France offers an intriguing case in point here. A specific sense of momentum comes from the release, in close succession, of a series of films that exemplify a characteristic awareness of cinema’s sensory impact and transgressive nature: Adieu; A ma soeur; Baise-moi; Beau Travail; La Blessure; La Captive; Dans ma peau; Demonlover; L’Humanité; Flandres; L’Intrus; Les Invisibles; Lady Chatterley; Leçons de ténèbres; Romance; Sombre; Tiresia; Trouble Every Day; Twentynine Palms; Vendredi soir; La Vie nouvelle; Wild Side; Zidane, un portrait du XXIème siècle. These films, amongst others, typify a willingness to explore cinema’s unique capacity to move us both viscerally and intellectually. Martine Beugnet focuses on the crucial and fertile overlaps that occur between experimental and mainstream cinema. Her book draws on the writings of the likes of Deleuze, Merleau-Ponty and Bataille, but first and foremost, she develops her arguments from the films themselves, from the comprehensive description of specific sequences, techniques and motifs which allows us to engage with the works as material events and as thinking processes. In turn, she demonstrates how the films, envisaged as forms of embodied thought, offer alternative ways of approaching those questions that are at the heart of today’s most burning socio-cultural debates: from the growing supremacy of technology, to globalisation, exile and exclusion, these are the issues that appear embedded here in the very texture of images and sounds |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 02 Oct 2015) |
| Beschreibung: | 1 online resource (vi, 192 pages) |
| ISBN: | 9780748629176 |
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| 520 | |a This book looks at a much-debated phenomenon in contemporary cinema: the re-emergence of filmmaking practices (and, by extension, of theoretical approaches) that give precedence to cinema as the medium of the senses. France offers an intriguing case in point here. A specific sense of momentum comes from the release, in close succession, of a series of films that exemplify a characteristic awareness of cinema’s sensory impact and transgressive nature: Adieu; A ma soeur; Baise-moi; Beau Travail; La Blessure; La Captive; Dans ma peau; Demonlover; L’Humanité; Flandres; L’Intrus; Les Invisibles; Lady Chatterley; Leçons de ténèbres; Romance; Sombre; Tiresia; Trouble Every Day; Twentynine Palms; Vendredi soir; La Vie nouvelle; Wild Side; Zidane, un portrait du XXIème siècle. These films, amongst others, typify a willingness to explore cinema’s unique capacity to move us both viscerally and intellectually. Martine Beugnet focuses on the crucial and fertile overlaps that occur between experimental and mainstream cinema. Her book draws on the writings of the likes of Deleuze, Merleau-Ponty and Bataille, but first and foremost, she develops her arguments from the films themselves, from the comprehensive description of specific sequences, techniques and motifs which allows us to engage with the works as material events and as thinking processes. In turn, she demonstrates how the films, envisaged as forms of embodied thought, offer alternative ways of approaching those questions that are at the heart of today’s most burning socio-cultural debates: from the growing supremacy of technology, to globalisation, exile and exclusion, these are the issues that appear embedded here in the very texture of images and sounds | ||
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Datensatz im Suchindex
| _version_ | 1804176832777420800 |
|---|---|
| any_adam_object | |
| author | Beugnet, Martine |
| author_facet | Beugnet, Martine |
| author_role | aut |
| author_sort | Beugnet, Martine |
| author_variant | m b mb |
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| dewey-ones | 791 - Public performances |
| dewey-raw | 791.430944 |
| dewey-search | 791.430944 |
| dewey-sort | 3791.430944 |
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| discipline | Allgemeines Romanistik |
| format | Electronic eBook |
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| isbn | 9780748629176 |
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| spelling | Beugnet, Martine Verfasser aut Cinema and sensation French film and the art of transgression Martine Beugnet Cinema & Sensation Edinburgh Edinburgh University Press 2007 1 online resource (vi, 192 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) This book looks at a much-debated phenomenon in contemporary cinema: the re-emergence of filmmaking practices (and, by extension, of theoretical approaches) that give precedence to cinema as the medium of the senses. France offers an intriguing case in point here. A specific sense of momentum comes from the release, in close succession, of a series of films that exemplify a characteristic awareness of cinema’s sensory impact and transgressive nature: Adieu; A ma soeur; Baise-moi; Beau Travail; La Blessure; La Captive; Dans ma peau; Demonlover; L’Humanité; Flandres; L’Intrus; Les Invisibles; Lady Chatterley; Leçons de ténèbres; Romance; Sombre; Tiresia; Trouble Every Day; Twentynine Palms; Vendredi soir; La Vie nouvelle; Wild Side; Zidane, un portrait du XXIème siècle. These films, amongst others, typify a willingness to explore cinema’s unique capacity to move us both viscerally and intellectually. Martine Beugnet focuses on the crucial and fertile overlaps that occur between experimental and mainstream cinema. Her book draws on the writings of the likes of Deleuze, Merleau-Ponty and Bataille, but first and foremost, she develops her arguments from the films themselves, from the comprehensive description of specific sequences, techniques and motifs which allows us to engage with the works as material events and as thinking processes. In turn, she demonstrates how the films, envisaged as forms of embodied thought, offer alternative ways of approaching those questions that are at the heart of today’s most burning socio-cultural debates: from the growing supremacy of technology, to globalisation, exile and exclusion, these are the issues that appear embedded here in the very texture of images and sounds Film Senses and sensation in motion pictures Human body in motion pictures Motion pictures / France Film (DE-588)4017102-4 gnd rswk-swf Frankreich Frankreich (DE-588)4018145-5 gnd rswk-swf Frankreich (DE-588)4018145-5 g Film (DE-588)4017102-4 s 1\p DE-604 Erscheint auch als Druckausgabe 978-0-7486-2042-5 Erscheint auch als Druckausgabe 978-0-7486-4936-5 http://www.cambridge.org/core/product/identifier/9780748629176/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Beugnet, Martine Cinema and sensation French film and the art of transgression Film Senses and sensation in motion pictures Human body in motion pictures Motion pictures / France Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4018145-5 |
| title | Cinema and sensation French film and the art of transgression |
| title_alt | Cinema & Sensation |
| title_auth | Cinema and sensation French film and the art of transgression |
| title_exact_search | Cinema and sensation French film and the art of transgression |
| title_full | Cinema and sensation French film and the art of transgression Martine Beugnet |
| title_fullStr | Cinema and sensation French film and the art of transgression Martine Beugnet |
| title_full_unstemmed | Cinema and sensation French film and the art of transgression Martine Beugnet |
| title_short | Cinema and sensation |
| title_sort | cinema and sensation french film and the art of transgression |
| title_sub | French film and the art of transgression |
| topic | Film Senses and sensation in motion pictures Human body in motion pictures Motion pictures / France Film (DE-588)4017102-4 gnd |
| topic_facet | Film Senses and sensation in motion pictures Human body in motion pictures Motion pictures / France Frankreich |
| url | http://www.cambridge.org/core/product/identifier/9780748629176/type/BOOK |
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