British music and literary context: artistic connections in the long nineteenth century
Despite several recent monographs, editions and recordings devoted to the reassessment of British music in the late nineteenth and early twentieth century, some negative perceptions still remain - particularly a sense that British composers in this period somehow lacked literary credentials. Britis...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Suffolk
Boydell & Brewer
2012
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | Despite several recent monographs, editions and recordings devoted to the reassessment of British music in the late nineteenth and early twentieth century, some negative perceptions still remain - particularly a sense that British composers in this period somehow lacked literary credentials. British Music and Literary Context counters this perception by showing that these composers displayed a real confidence and assurance in refiguring literary texts in their music. The book explores how literary context might offer modern audiences and listeners a 'way in' to appreciate specific works that have traditionally been viewed as problematic. Each chapter of this interdisciplinary study juxtaposes a British composer with a particular literary counterpart or genre. Chapter one focuses upon the artistic collaboration between Hubert Parry and Robert Bridges; chapter two explores how Charles Villiers Stanford consistently returned to Tennyson's texts throughout his compositional career; chapters three and four suggest how an orchestral drama by Granville Bantock might represent a close reading of a poem by Robert Browning, and how structure and imagery in a novel by Edward Bulwer Lytton might inform a reading of Edward Elgar's Piano Quintet Op.84. The final chapter offers parallels between narrative strategies in Victorian travel literature (including works by Charles Dickens and George Gissing) and the nature of musical events in Elgar's concert overture In the South Op.50. Issues highlighted in the book include the vexed relationship between words and music, the refiguring of literary narratives as musical structures, and the ways in which musical settings or representations of literary texts might be seen as critical 'readings' of those texts. Anyone interested in nineteenth century British music, literature and Victorian studies will find this book most stimulating. Michael Allis is a Senior Lecturer in the School of Music, University of Leeds |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 02 Oct 2015) |
| Beschreibung: | 1 online resource (x, 320 pages) |
| ISBN: | 9781846159558 |
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| 520 | |a Despite several recent monographs, editions and recordings devoted to the reassessment of British music in the late nineteenth and early twentieth century, some negative perceptions still remain - particularly a sense that British composers in this period somehow lacked literary credentials. British Music and Literary Context counters this perception by showing that these composers displayed a real confidence and assurance in refiguring literary texts in their music. The book explores how literary context might offer modern audiences and listeners a 'way in' to appreciate specific works that have traditionally been viewed as problematic. Each chapter of this interdisciplinary study juxtaposes a British composer with a particular literary counterpart or genre. Chapter one focuses upon the artistic collaboration between Hubert Parry and Robert Bridges; chapter two explores how Charles Villiers Stanford consistently returned to Tennyson's texts throughout his compositional career; chapters three and four suggest how an orchestral drama by Granville Bantock might represent a close reading of a poem by Robert Browning, and how structure and imagery in a novel by Edward Bulwer Lytton might inform a reading of Edward Elgar's Piano Quintet Op.84. The final chapter offers parallels between narrative strategies in Victorian travel literature (including works by Charles Dickens and George Gissing) and the nature of musical events in Elgar's concert overture In the South Op.50. Issues highlighted in the book include the vexed relationship between words and music, the refiguring of literary narratives as musical structures, and the ways in which musical settings or representations of literary texts might be seen as critical 'readings' of those texts. Anyone interested in nineteenth century British music, literature and Victorian studies will find this book most stimulating. Michael Allis is a Senior Lecturer in the School of Music, University of Leeds | ||
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Datensatz im Suchindex
| _version_ | 1804176832670466048 |
|---|---|
| any_adam_object | |
| author | Allis, Michael 1964- |
| author_facet | Allis, Michael 1964- |
| author_role | aut |
| author_sort | Allis, Michael 1964- |
| author_variant | m a ma |
| building | Verbundindex |
| bvnumber | BV043916389 |
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| contents | Parry and Bridges : Music and poetry in the Invocation to Music -- Stanford and Tennyson : The musical promotion of a poet -- Bantock and Browning : Reformulated dramatic monologue in Fifine at the Fair -- Elgar and Bulwer Lytton : Hidden narrative and the piano quintet -- Elgar and travel literature : In the south and 'Imaginative Topography' |
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| dewey-full | 780/.082 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780/.082 |
| dewey-search | 780/.082 |
| dewey-sort | 3780 282 |
| dewey-tens | 780 - Music |
| discipline | Anglistik / Amerikanistik Musikwissenschaft |
| era | Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1600-1900 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1600-1900 |
| format | Electronic eBook |
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| isbn | 9781846159558 |
| language | English |
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| spelling | Allis, Michael 1964- Verfasser aut British music and literary context artistic connections in the long nineteenth century Michael Allis British Music & Literary Context Suffolk Boydell & Brewer 2012 1 online resource (x, 320 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) Parry and Bridges : Music and poetry in the Invocation to Music -- Stanford and Tennyson : The musical promotion of a poet -- Bantock and Browning : Reformulated dramatic monologue in Fifine at the Fair -- Elgar and Bulwer Lytton : Hidden narrative and the piano quintet -- Elgar and travel literature : In the south and 'Imaginative Topography' Despite several recent monographs, editions and recordings devoted to the reassessment of British music in the late nineteenth and early twentieth century, some negative perceptions still remain - particularly a sense that British composers in this period somehow lacked literary credentials. British Music and Literary Context counters this perception by showing that these composers displayed a real confidence and assurance in refiguring literary texts in their music. The book explores how literary context might offer modern audiences and listeners a 'way in' to appreciate specific works that have traditionally been viewed as problematic. Each chapter of this interdisciplinary study juxtaposes a British composer with a particular literary counterpart or genre. Chapter one focuses upon the artistic collaboration between Hubert Parry and Robert Bridges; chapter two explores how Charles Villiers Stanford consistently returned to Tennyson's texts throughout his compositional career; chapters three and four suggest how an orchestral drama by Granville Bantock might represent a close reading of a poem by Robert Browning, and how structure and imagery in a novel by Edward Bulwer Lytton might inform a reading of Edward Elgar's Piano Quintet Op.84. The final chapter offers parallels between narrative strategies in Victorian travel literature (including works by Charles Dickens and George Gissing) and the nature of musical events in Elgar's concert overture In the South Op.50. Issues highlighted in the book include the vexed relationship between words and music, the refiguring of literary narratives as musical structures, and the ways in which musical settings or representations of literary texts might be seen as critical 'readings' of those texts. Anyone interested in nineteenth century British music, literature and Victorian studies will find this book most stimulating. Michael Allis is a Senior Lecturer in the School of Music, University of Leeds Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1600-1900 gnd rswk-swf Geschichte Musik Music and literature / Great Britain / History / 19th century Music and literature / Great Britain / History / 20th century Music / Great Britain / 19th century / History and criticism Music / Great Britain / 20th century / History and criticism English literature / Musical settings / History and criticism English poetry / Musical settings / History and criticism Musik (DE-588)4040802-4 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Großbritannien England (DE-588)4014770-8 gnd rswk-swf England (DE-588)4014770-8 g Musik (DE-588)4040802-4 s Literatur (DE-588)4035964-5 s Geschichte 1600-1900 z 1\p DE-604 Erscheint auch als Druckausgabe 978-1-84383-730-5 http://www.cambridge.org/core/product/identifier/9781846159558/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Allis, Michael 1964- British music and literary context artistic connections in the long nineteenth century Parry and Bridges : Music and poetry in the Invocation to Music -- Stanford and Tennyson : The musical promotion of a poet -- Bantock and Browning : Reformulated dramatic monologue in Fifine at the Fair -- Elgar and Bulwer Lytton : Hidden narrative and the piano quintet -- Elgar and travel literature : In the south and 'Imaginative Topography' Geschichte Musik Music and literature / Great Britain / History / 19th century Music and literature / Great Britain / History / 20th century Music / Great Britain / 19th century / History and criticism Music / Great Britain / 20th century / History and criticism English literature / Musical settings / History and criticism English poetry / Musical settings / History and criticism Musik (DE-588)4040802-4 gnd Literatur (DE-588)4035964-5 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4035964-5 (DE-588)4014770-8 |
| title | British music and literary context artistic connections in the long nineteenth century |
| title_alt | British Music & Literary Context |
| title_auth | British music and literary context artistic connections in the long nineteenth century |
| title_exact_search | British music and literary context artistic connections in the long nineteenth century |
| title_full | British music and literary context artistic connections in the long nineteenth century Michael Allis |
| title_fullStr | British music and literary context artistic connections in the long nineteenth century Michael Allis |
| title_full_unstemmed | British music and literary context artistic connections in the long nineteenth century Michael Allis |
| title_short | British music and literary context |
| title_sort | british music and literary context artistic connections in the long nineteenth century |
| title_sub | artistic connections in the long nineteenth century |
| topic | Geschichte Musik Music and literature / Great Britain / History / 19th century Music and literature / Great Britain / History / 20th century Music / Great Britain / 19th century / History and criticism Music / Great Britain / 20th century / History and criticism English literature / Musical settings / History and criticism English poetry / Musical settings / History and criticism Musik (DE-588)4040802-4 gnd Literatur (DE-588)4035964-5 gnd |
| topic_facet | Geschichte Musik Music and literature / Great Britain / History / 19th century Music and literature / Great Britain / History / 20th century Music / Great Britain / 19th century / History and criticism Music / Great Britain / 20th century / History and criticism English literature / Musical settings / History and criticism English poetry / Musical settings / History and criticism Literatur Großbritannien England |
| url | http://www.cambridge.org/core/product/identifier/9781846159558/type/BOOK |
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