American postfeminist cinema: women, romance and contemporary culture
In light of their tremendous gains in the political and professional sphere, and their ever expanding options, why do most contemporary American films aimed at women still focus almost exclusively on their pursuit of a heterosexual romantic relationship? American Postfeminist Cinema explores this qu...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
2014
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | In light of their tremendous gains in the political and professional sphere, and their ever expanding options, why do most contemporary American films aimed at women still focus almost exclusively on their pursuit of a heterosexual romantic relationship? American Postfeminist Cinema explores this question and is the first book to examine the symbiotic relationship between heterosexual romance and postfeminist culture. The book argues that since 1980, postfeminism's most salient tensions and anxieties have been reflected in the American romance film. Case studies of a broad range of Hollywood and independent films reveal how the postfeminist romance cycle is intertwined with contemporary women's ambivalence and broader cultural anxieties about women's changing social and political status. Key Features: Offers a new perspective on both popular American romance films and postfeminist cultural criticism by examining the symbiotic relationship between romance and postfeminism. Analyses the recurring narrative and discursive patterns of postfeminist cinema. Includes 13 case studies of popular postfeminist films and other media texts, including television programmes. Continues the tradition of feminist analysis of romance as a significant media genre for women |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 02 Oct 2015) |
| Beschreibung: | 1 online resource (vii, 200 pages) |
| ISBN: | 9780748693375 |
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| 505 | 8 | |a Machine generated contents note: 1.'Both Glad and Sorry': Romance Cycles and Women's Politics -- 2. Pragmatism vs. Sentimentality: Amelioration in the Postfeminist Cycle -- 3. Past vs. Present: Temporality in the Postfeminist Cycle -- 4. Sexy vs. Funny: Sexuality in the Postfeminist Cycle -- 5. Independence vs. Dependence: Economics in the Postfeminist Cycle | |
| 520 | |a In light of their tremendous gains in the political and professional sphere, and their ever expanding options, why do most contemporary American films aimed at women still focus almost exclusively on their pursuit of a heterosexual romantic relationship? American Postfeminist Cinema explores this question and is the first book to examine the symbiotic relationship between heterosexual romance and postfeminist culture. The book argues that since 1980, postfeminism's most salient tensions and anxieties have been reflected in the American romance film. Case studies of a broad range of Hollywood and independent films reveal how the postfeminist romance cycle is intertwined with contemporary women's ambivalence and broader cultural anxieties about women's changing social and political status. Key Features: Offers a new perspective on both popular American romance films and postfeminist cultural criticism by examining the symbiotic relationship between romance and postfeminism. Analyses the recurring narrative and discursive patterns of postfeminist cinema. Includes 13 case studies of popular postfeminist films and other media texts, including television programmes. Continues the tradition of feminist analysis of romance as a significant media genre for women | ||
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Datensatz im Suchindex
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| author | Schreiber, Michele |
| author_facet | Schreiber, Michele |
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| contents | Machine generated contents note: 1.'Both Glad and Sorry': Romance Cycles and Women's Politics -- 2. Pragmatism vs. Sentimentality: Amelioration in the Postfeminist Cycle -- 3. Past vs. Present: Temporality in the Postfeminist Cycle -- 4. Sexy vs. Funny: Sexuality in the Postfeminist Cycle -- 5. Independence vs. Dependence: Economics in the Postfeminist Cycle |
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| discipline | Allgemeines |
| era | Geschichte 1980-2012 gnd |
| era_facet | Geschichte 1980-2012 |
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| spelling | Schreiber, Michele Verfasser aut American postfeminist cinema women, romance and contemporary culture Michele Schreiber Edinburgh Edinburgh University Press 2014 1 online resource (vii, 200 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) Machine generated contents note: 1.'Both Glad and Sorry': Romance Cycles and Women's Politics -- 2. Pragmatism vs. Sentimentality: Amelioration in the Postfeminist Cycle -- 3. Past vs. Present: Temporality in the Postfeminist Cycle -- 4. Sexy vs. Funny: Sexuality in the Postfeminist Cycle -- 5. Independence vs. Dependence: Economics in the Postfeminist Cycle In light of their tremendous gains in the political and professional sphere, and their ever expanding options, why do most contemporary American films aimed at women still focus almost exclusively on their pursuit of a heterosexual romantic relationship? American Postfeminist Cinema explores this question and is the first book to examine the symbiotic relationship between heterosexual romance and postfeminist culture. The book argues that since 1980, postfeminism's most salient tensions and anxieties have been reflected in the American romance film. Case studies of a broad range of Hollywood and independent films reveal how the postfeminist romance cycle is intertwined with contemporary women's ambivalence and broader cultural anxieties about women's changing social and political status. Key Features: Offers a new perspective on both popular American romance films and postfeminist cultural criticism by examining the symbiotic relationship between romance and postfeminism. Analyses the recurring narrative and discursive patterns of postfeminist cinema. Includes 13 case studies of popular postfeminist films and other media texts, including television programmes. Continues the tradition of feminist analysis of romance as a significant media genre for women Geschichte 1980-2012 gnd rswk-swf Man-woman relationships in motion pictures Feminism and motion pictures Frau Motiv (DE-588)4113617-2 gnd rswk-swf Liebesfilm (DE-588)4261643-8 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Liebesfilm (DE-588)4261643-8 s Frau Motiv (DE-588)4113617-2 s Geschichte 1980-2012 z 1\p DE-604 Erscheint auch als Druckausgabe 978-0-7486-9336-8 http://www.cambridge.org/core/product/identifier/9780748693375/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Schreiber, Michele American postfeminist cinema women, romance and contemporary culture Machine generated contents note: 1.'Both Glad and Sorry': Romance Cycles and Women's Politics -- 2. Pragmatism vs. Sentimentality: Amelioration in the Postfeminist Cycle -- 3. Past vs. Present: Temporality in the Postfeminist Cycle -- 4. Sexy vs. Funny: Sexuality in the Postfeminist Cycle -- 5. Independence vs. Dependence: Economics in the Postfeminist Cycle Man-woman relationships in motion pictures Feminism and motion pictures Frau Motiv (DE-588)4113617-2 gnd Liebesfilm (DE-588)4261643-8 gnd |
| subject_GND | (DE-588)4113617-2 (DE-588)4261643-8 (DE-588)4078704-7 |
| title | American postfeminist cinema women, romance and contemporary culture |
| title_auth | American postfeminist cinema women, romance and contemporary culture |
| title_exact_search | American postfeminist cinema women, romance and contemporary culture |
| title_full | American postfeminist cinema women, romance and contemporary culture Michele Schreiber |
| title_fullStr | American postfeminist cinema women, romance and contemporary culture Michele Schreiber |
| title_full_unstemmed | American postfeminist cinema women, romance and contemporary culture Michele Schreiber |
| title_short | American postfeminist cinema |
| title_sort | american postfeminist cinema women romance and contemporary culture |
| title_sub | women, romance and contemporary culture |
| topic | Man-woman relationships in motion pictures Feminism and motion pictures Frau Motiv (DE-588)4113617-2 gnd Liebesfilm (DE-588)4261643-8 gnd |
| topic_facet | Man-woman relationships in motion pictures Feminism and motion pictures Frau Motiv Liebesfilm USA |
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