World cinema and the visual arts:
World Cinema and the Visual Arts combines new analyses of two subjects of ongoing research in the field of humanities: cinema and the visual arts. The films analysed encompass a wide geographical base, and have been drawn from a diverse array of cultural traditions
Gespeichert in:
Weitere Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
London
Anthem Press
2012
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Schlagworte: | |
Online-Zugang: | BSB01 UBG01 Volltext |
Zusammenfassung: | World Cinema and the Visual Arts combines new analyses of two subjects of ongoing research in the field of humanities: cinema and the visual arts. The films analysed encompass a wide geographical base, and have been drawn from a diverse array of cultural traditions |
Beschreibung: | Title from publisher's bibliographic system (viewed on 02 Oct 2015) |
Beschreibung: | 1 online resource (178 pages) |
ISBN: | 9781843313861 |
Internformat
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505 | 8 | |a Introduction -- Projecting a more habitable globe: Hollywood's yellow peril and its refraction onto 1930s Shanghai national cinema / Lily Wong -- Berlin, the city of sound and sensation in Fritz Lang's M and E.A. Dupont's Varieté / Isa Murdock-Hinrichs -- Bond's body: Diamonds are forever (1971), Casino Royale (2006) and the future anterior / Shelton Waldrep -- Whatever you say, say nothing / Anna Zaluczkowska -- Imperial gazes, Hollywood predators: a cinema of molestation in postcolonial Indian literature / Jerod RaDel Hollyfield -- Linguistic identity in Fruit Chan's 1997 trilogy / Howard Y.F. Choy -- The postnational and the aesthetics of the spectral: Hou Hsiao-Hsien's Flight of the red balloon / Je Cheol Park -- The art object as text in the practice of comparative visuality / Jane Chin Davidson -- Exploring in-humanity: Gertrude Stein's Tender buttons and still-life painting / Nandini Ramesh Sankar -- Re-defining art: Manuel Rivas' Mujer en el baño / Ana-María Medina -- Re-envisioning the haunting past: Kara Walker's art and the re-appropriation of the visual codes of the antebellum South / Minna Niemi | |
520 | |a World Cinema and the Visual Arts combines new analyses of two subjects of ongoing research in the field of humanities: cinema and the visual arts. The films analysed encompass a wide geographical base, and have been drawn from a diverse array of cultural traditions | ||
650 | 4 | |a Film | |
650 | 4 | |a Kunst | |
650 | 4 | |a Ästhetik | |
650 | 4 | |a Motion pictures / Aesthetics | |
650 | 4 | |a Art | |
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Datensatz im Suchindex
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any_adam_object | |
author2 | Gallagher, David |
author2_role | edt |
author2_variant | d g dg |
author_facet | Gallagher, David |
building | Verbundindex |
bvnumber | BV043916151 |
collection | ZDB-20-CBO |
contents | Introduction -- Projecting a more habitable globe: Hollywood's yellow peril and its refraction onto 1930s Shanghai national cinema / Lily Wong -- Berlin, the city of sound and sensation in Fritz Lang's M and E.A. Dupont's Varieté / Isa Murdock-Hinrichs -- Bond's body: Diamonds are forever (1971), Casino Royale (2006) and the future anterior / Shelton Waldrep -- Whatever you say, say nothing / Anna Zaluczkowska -- Imperial gazes, Hollywood predators: a cinema of molestation in postcolonial Indian literature / Jerod RaDel Hollyfield -- Linguistic identity in Fruit Chan's 1997 trilogy / Howard Y.F. Choy -- The postnational and the aesthetics of the spectral: Hou Hsiao-Hsien's Flight of the red balloon / Je Cheol Park -- The art object as text in the practice of comparative visuality / Jane Chin Davidson -- Exploring in-humanity: Gertrude Stein's Tender buttons and still-life painting / Nandini Ramesh Sankar -- Re-defining art: Manuel Rivas' Mujer en el baño / Ana-María Medina -- Re-envisioning the haunting past: Kara Walker's art and the re-appropriation of the visual codes of the antebellum South / Minna Niemi |
ctrlnum | (ZDB-20-CBO)CR9781843313861 (OCoLC)971381575 (DE-599)BVBBV043916151 |
dewey-full | 791.4301 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.4301 |
dewey-search | 791.4301 |
dewey-sort | 3791.4301 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
format | Electronic eBook |
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genre | 1\p (DE-588)1071861417 Konferenzschrift 2010 New Orleans, La. gnd-content |
genre_facet | Konferenzschrift 2010 New Orleans, La. |
id | DE-604.BV043916151 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:38:27Z |
institution | BVB |
isbn | 9781843313861 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029325234 |
oclc_num | 971381575 |
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physical | 1 online resource (178 pages) |
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publishDate | 2012 |
publishDateSearch | 2012 |
publishDateSort | 2012 |
publisher | Anthem Press |
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spelling | World cinema and the visual arts edited by David Gallagher World Cinema & the Visual Arts London Anthem Press 2012 1 online resource (178 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) Introduction -- Projecting a more habitable globe: Hollywood's yellow peril and its refraction onto 1930s Shanghai national cinema / Lily Wong -- Berlin, the city of sound and sensation in Fritz Lang's M and E.A. Dupont's Varieté / Isa Murdock-Hinrichs -- Bond's body: Diamonds are forever (1971), Casino Royale (2006) and the future anterior / Shelton Waldrep -- Whatever you say, say nothing / Anna Zaluczkowska -- Imperial gazes, Hollywood predators: a cinema of molestation in postcolonial Indian literature / Jerod RaDel Hollyfield -- Linguistic identity in Fruit Chan's 1997 trilogy / Howard Y.F. Choy -- The postnational and the aesthetics of the spectral: Hou Hsiao-Hsien's Flight of the red balloon / Je Cheol Park -- The art object as text in the practice of comparative visuality / Jane Chin Davidson -- Exploring in-humanity: Gertrude Stein's Tender buttons and still-life painting / Nandini Ramesh Sankar -- Re-defining art: Manuel Rivas' Mujer en el baño / Ana-María Medina -- Re-envisioning the haunting past: Kara Walker's art and the re-appropriation of the visual codes of the antebellum South / Minna Niemi World Cinema and the Visual Arts combines new analyses of two subjects of ongoing research in the field of humanities: cinema and the visual arts. The films analysed encompass a wide geographical base, and have been drawn from a diverse array of cultural traditions Film Kunst Ästhetik Motion pictures / Aesthetics Art Film (DE-588)4017102-4 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf 1\p (DE-588)1071861417 Konferenzschrift 2010 New Orleans, La. gnd-content Film (DE-588)4017102-4 s Kunst (DE-588)4114333-4 s 2\p DE-604 Gallagher, David edt Erscheint auch als Druckausgabe 978-0-85728-438-9 http://www.cambridge.org/core/product/identifier/9781843313861/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | World cinema and the visual arts Introduction -- Projecting a more habitable globe: Hollywood's yellow peril and its refraction onto 1930s Shanghai national cinema / Lily Wong -- Berlin, the city of sound and sensation in Fritz Lang's M and E.A. Dupont's Varieté / Isa Murdock-Hinrichs -- Bond's body: Diamonds are forever (1971), Casino Royale (2006) and the future anterior / Shelton Waldrep -- Whatever you say, say nothing / Anna Zaluczkowska -- Imperial gazes, Hollywood predators: a cinema of molestation in postcolonial Indian literature / Jerod RaDel Hollyfield -- Linguistic identity in Fruit Chan's 1997 trilogy / Howard Y.F. Choy -- The postnational and the aesthetics of the spectral: Hou Hsiao-Hsien's Flight of the red balloon / Je Cheol Park -- The art object as text in the practice of comparative visuality / Jane Chin Davidson -- Exploring in-humanity: Gertrude Stein's Tender buttons and still-life painting / Nandini Ramesh Sankar -- Re-defining art: Manuel Rivas' Mujer en el baño / Ana-María Medina -- Re-envisioning the haunting past: Kara Walker's art and the re-appropriation of the visual codes of the antebellum South / Minna Niemi Film Kunst Ästhetik Motion pictures / Aesthetics Art Film (DE-588)4017102-4 gnd Kunst (DE-588)4114333-4 gnd |
subject_GND | (DE-588)4017102-4 (DE-588)4114333-4 (DE-588)1071861417 |
title | World cinema and the visual arts |
title_alt | World Cinema & the Visual Arts |
title_auth | World cinema and the visual arts |
title_exact_search | World cinema and the visual arts |
title_full | World cinema and the visual arts edited by David Gallagher |
title_fullStr | World cinema and the visual arts edited by David Gallagher |
title_full_unstemmed | World cinema and the visual arts edited by David Gallagher |
title_short | World cinema and the visual arts |
title_sort | world cinema and the visual arts |
topic | Film Kunst Ästhetik Motion pictures / Aesthetics Art Film (DE-588)4017102-4 gnd Kunst (DE-588)4114333-4 gnd |
topic_facet | Film Kunst Ästhetik Motion pictures / Aesthetics Art Konferenzschrift 2010 New Orleans, La. |
url | http://www.cambridge.org/core/product/identifier/9781843313861/type/BOOK |
work_keys_str_mv | AT gallagherdavid worldcinemaandthevisualarts AT gallagherdavid worldcinemathevisualarts |