Music at German courts, 1715-1760: changing artistic priorities
'Music at German Courts' serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these 'Kapellen' had in common. What emerges from the wealth of primary source material examined in this volume is an in-...
Gespeichert in:
| Körperschaft: | |
|---|---|
| Weitere Verfasser: | , , |
| Format: | Elektronisch Tagungsbericht E-Book |
| Sprache: | English |
| Veröffentlicht: |
Woolbridge
The Boydell Press
2011
|
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 UBR01 Volltext |
| Zusammenfassung: | 'Music at German Courts' serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these 'Kapellen' had in common. What emerges from the wealth of primary source material examined in this volume is an in-depth picture of music-making within the daily life of individual courts, featuring a cast of music directors, instrumentalists, and vocalists, together with numerous support staff drawn from across Europe. 'Music at German Courts' serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these 'Kapellen' had in common. What was musical life at German courts really like during the first six decades of the eighteenth century? Were musical ensembles as diverse as the Holy Roman Empire's kaleidoscopic political landscape? Through a series of individual case studies contributed by leading scholars from Germany, Poland, the United States, Canada, and Australia, this book investigates the realities of musical life at fifteen German courts of varied size (ranging from kingdoms to principalities), religious denomination, and geographical location. Significant shifts that occurred in the artistic priorities of each court are presented through a series of 'snapshots' - in effect 'core sample' years - which highlight both individual and shared patterns of development and decline. What emerges from the wealth of primary source material examined in this volume is an in-depth picture of music-making within the daily life of individual courts, featuring a cast of music directors, instrumentalists, and vocalists, together with numerous support staff drawn from across Europe. SAMANTHA OWENS is Senior Lecturer in Musicology at the University of Queensland, Brisbane, Australia. BARBARA M. REUL is Associate Professor of Musicology at Luther College, University of Regina, Canada. JANICE B. STOCKIGT is a Principal Fellow of the University of Melbourne, Australia |
| Beschreibung: | 1 Online-Ressource (xx, 484 Seiten) |
| ISBN: | 9781846159312 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV043915908 | ||
| 003 | DE-604 | ||
| 005 | 20210917 | ||
| 006 | a |||| 10||| | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 161202s2011 |||| o||u| ||||||eng d | ||
| 020 | |a 9781846159312 |c Online |9 978-1-84615-931-2 | ||
| 035 | |a (OCoLC)967386802 | ||
| 035 | |a (DE-599)BVBBV043915908 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-473 |a DE-355 | ||
| 082 | 0 | |a 781.5/36094309033 |2 23 | |
| 084 | |a LQ 80104 |0 (DE-625)109056:13532 |2 rvk | ||
| 111 | 2 | |a Biennial International Conference on Baroque Music |n 12 |d 2006 |c Warschau |j Verfasser |0 (DE-588)1047480689 |4 aut | |
| 245 | 1 | 0 | |a Music at German courts, 1715-1760 |b changing artistic priorities |c edited by Samantha Owens, Barbara M. Reul, and Janice B. Stockigt |
| 264 | 1 | |a Woolbridge |b The Boydell Press |c 2011 | |
| 300 | |a 1 Online-Ressource (xx, 484 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 505 | 8 | |a Das gantze Corpus derer musicirenden Personen : an introduction to German Hofkapellen / Samantha Owens and Barbara M. Reul -- Kingdoms and electorates. The court of Saxony-Dresden / Janice B. Stockigt ; The Saxon court of the kingdom of Poland / Alina Żórawska-Witkowska ; The court of Brandenburg-Prussia / Mary Oleskiewicz ; The Palatine court in Mannheim / Bärbel Pelker -- Duchies. The court of Württemberg-Stuttgart / Samantha Owens ; The court of Saxony-Gotha-Altenburg / Bert Siegmund ; The courts of Saxony-Weißenfels, Saxony-Merseburg, and Saxony-Zeitz / Wolfgang Ruf -- Principalities and prince-bishoprics. The court of Anhalt-Zerbst / Barbara M. Reul ; The court of Sondershausen / Michael Maul ; The court of Würzburg / Dieter Kirsch -- Landgraviates and margraviates. The court of Hesse-Darmstadt / Ursula Kramer ; The court of Baden-Durlach in Karlsruhe / Rüdiger Thomsen-Fürst ; The court of Brandenburg-Culmbach-Bayreuth / Rashid-S. Pegah -- Die vornehmste Hof-Tugend : German musicians' reflections on eighteenth-century court life / Steven Zohn | |
| 520 | |a 'Music at German Courts' serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these 'Kapellen' had in common. What emerges from the wealth of primary source material examined in this volume is an in-depth picture of music-making within the daily life of individual courts, featuring a cast of music directors, instrumentalists, and vocalists, together with numerous support staff drawn from across Europe. 'Music at German Courts' serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these 'Kapellen' had in common. | ||
| 520 | |a What was musical life at German courts really like during the first six decades of the eighteenth century? Were musical ensembles as diverse as the Holy Roman Empire's kaleidoscopic political landscape? Through a series of individual case studies contributed by leading scholars from Germany, Poland, the United States, Canada, and Australia, this book investigates the realities of musical life at fifteen German courts of varied size (ranging from kingdoms to principalities), religious denomination, and geographical location. Significant shifts that occurred in the artistic priorities of each court are presented through a series of 'snapshots' - in effect 'core sample' years - which highlight both individual and shared patterns of development and decline. | ||
| 520 | |a What emerges from the wealth of primary source material examined in this volume is an in-depth picture of music-making within the daily life of individual courts, featuring a cast of music directors, instrumentalists, and vocalists, together with numerous support staff drawn from across Europe. SAMANTHA OWENS is Senior Lecturer in Musicology at the University of Queensland, Brisbane, Australia. BARBARA M. REUL is Associate Professor of Musicology at Luther College, University of Regina, Canada. JANICE B. STOCKIGT is a Principal Fellow of the University of Melbourne, Australia | ||
| 648 | 4 | |a Geschichte 1700-1800 | |
| 648 | 7 | |a Geschichte 1715-1760 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Wirtschaft | |
| 650 | 4 | |a Music / Germany / 18th century / History and criticism | |
| 650 | 4 | |a Musicians / Germany / Social conditions / 18th century | |
| 650 | 4 | |a Musicians / Germany / Economic conditions / 18th century | |
| 650 | 4 | |a Chapels (Music) / Germany / 18th century | |
| 650 | 0 | 7 | |a Hofkapelle |g Musik |0 (DE-588)4160410-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Hofmusik |0 (DE-588)4025520-7 |2 gnd |9 rswk-swf |
| 651 | 4 | |a Deutschland | |
| 651 | 7 | |a Deutschland |0 (DE-588)4011882-4 |2 gnd |9 rswk-swf | |
| 655 | 7 | |8 1\p |0 (DE-588)1071861417 |a Konferenzschrift |y 2006 |z Warschau |2 gnd-content | |
| 689 | 0 | 0 | |a Deutschland |0 (DE-588)4011882-4 |D g |
| 689 | 0 | 1 | |a Hofkapelle |g Musik |0 (DE-588)4160410-6 |D s |
| 689 | 0 | 2 | |a Hofmusik |0 (DE-588)4025520-7 |D s |
| 689 | 0 | 3 | |a Geschichte 1715-1760 |A z |
| 689 | 0 | |8 2\p |5 DE-604 | |
| 700 | 1 | |a Owens, Samantha |0 (DE-588)1027463290 |4 edt | |
| 700 | 1 | |a Reul, Barbara M. |d 1967- |0 (DE-588)139024166 |4 edt | |
| 700 | 1 | |a Stockigt, Janice B. |0 (DE-588)1047874288 |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-84383-598-1 |
| 856 | 4 | 0 | |u http://www.cambridge.org/core/product/identifier/9781846159312/type/BOOK |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-20-CBO | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029324990 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 2\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 966 | e | |u http://www.cambridge.org/core/product/identifier/9781846159312/type/BOOK |l BSB01 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
| 966 | e | |u http://www.cambridge.org/core/product/identifier/9781846159312/type/BOOK |l UBG01 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext | |
| 966 | e | |u http://www.cambridge.org/core/product/identifier/9781846159312/type/BOOK |l UBR01 |p ZDB-20-CBO |q UBR Sammelbestellung 2021 |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804176831589384192 |
|---|---|
| any_adam_object | |
| author2 | Owens, Samantha Reul, Barbara M. 1967- Stockigt, Janice B. |
| author2_role | edt edt edt |
| author2_variant | s o so b m r bm bmr j b s jb jbs |
| author_GND | (DE-588)1027463290 (DE-588)139024166 (DE-588)1047874288 |
| author_corporate | Biennial International Conference on Baroque Music Warschau |
| author_corporate_role | aut |
| author_facet | Owens, Samantha Reul, Barbara M. 1967- Stockigt, Janice B. Biennial International Conference on Baroque Music Warschau |
| author_sort | Biennial International Conference on Baroque Music Warschau |
| building | Verbundindex |
| bvnumber | BV043915908 |
| classification_rvk | LQ 80104 |
| collection | ZDB-20-CBO |
| contents | Das gantze Corpus derer musicirenden Personen : an introduction to German Hofkapellen / Samantha Owens and Barbara M. Reul -- Kingdoms and electorates. The court of Saxony-Dresden / Janice B. Stockigt ; The Saxon court of the kingdom of Poland / Alina Żórawska-Witkowska ; The court of Brandenburg-Prussia / Mary Oleskiewicz ; The Palatine court in Mannheim / Bärbel Pelker -- Duchies. The court of Württemberg-Stuttgart / Samantha Owens ; The court of Saxony-Gotha-Altenburg / Bert Siegmund ; The courts of Saxony-Weißenfels, Saxony-Merseburg, and Saxony-Zeitz / Wolfgang Ruf -- Principalities and prince-bishoprics. The court of Anhalt-Zerbst / Barbara M. Reul ; The court of Sondershausen / Michael Maul ; The court of Würzburg / Dieter Kirsch -- Landgraviates and margraviates. The court of Hesse-Darmstadt / Ursula Kramer ; The court of Baden-Durlach in Karlsruhe / Rüdiger Thomsen-Fürst ; The court of Brandenburg-Culmbach-Bayreuth / Rashid-S. Pegah -- Die vornehmste Hof-Tugend : German musicians' reflections on eighteenth-century court life / Steven Zohn |
| ctrlnum | (OCoLC)967386802 (DE-599)BVBBV043915908 |
| dewey-full | 781.5/36094309033 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.5/36094309033 |
| dewey-search | 781.5/36094309033 |
| dewey-sort | 3781.5 1136094309033 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte 1700-1800 Geschichte 1715-1760 gnd |
| era_facet | Geschichte 1700-1800 Geschichte 1715-1760 |
| format | Electronic Conference Proceeding eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06154nmm a2200685zc 4500</leader><controlfield tag="001">BV043915908</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20210917 </controlfield><controlfield tag="006">a |||| 10||| </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">161202s2011 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781846159312</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-84615-931-2</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)967386802</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043915908</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-355</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">781.5/36094309033</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LQ 80104</subfield><subfield code="0">(DE-625)109056:13532</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="111" ind1="2" ind2=" "><subfield code="a">Biennial International Conference on Baroque Music</subfield><subfield code="n">12</subfield><subfield code="d">2006</subfield><subfield code="c">Warschau</subfield><subfield code="j">Verfasser</subfield><subfield code="0">(DE-588)1047480689</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Music at German courts, 1715-1760</subfield><subfield code="b">changing artistic priorities</subfield><subfield code="c">edited by Samantha Owens, Barbara M. Reul, and Janice B. Stockigt</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Woolbridge</subfield><subfield code="b">The Boydell Press</subfield><subfield code="c">2011</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xx, 484 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Das gantze Corpus derer musicirenden Personen : an introduction to German Hofkapellen / Samantha Owens and Barbara M. Reul -- Kingdoms and electorates. The court of Saxony-Dresden / Janice B. Stockigt ; The Saxon court of the kingdom of Poland / Alina Żórawska-Witkowska ; The court of Brandenburg-Prussia / Mary Oleskiewicz ; The Palatine court in Mannheim / Bärbel Pelker -- Duchies. The court of Württemberg-Stuttgart / Samantha Owens ; The court of Saxony-Gotha-Altenburg / Bert Siegmund ; The courts of Saxony-Weißenfels, Saxony-Merseburg, and Saxony-Zeitz / Wolfgang Ruf -- Principalities and prince-bishoprics. The court of Anhalt-Zerbst / Barbara M. Reul ; The court of Sondershausen / Michael Maul ; The court of Würzburg / Dieter Kirsch -- Landgraviates and margraviates. The court of Hesse-Darmstadt / Ursula Kramer ; The court of Baden-Durlach in Karlsruhe / Rüdiger Thomsen-Fürst ; The court of Brandenburg-Culmbach-Bayreuth / Rashid-S. Pegah -- Die vornehmste Hof-Tugend : German musicians' reflections on eighteenth-century court life / Steven Zohn</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">'Music at German Courts' serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these 'Kapellen' had in common. What emerges from the wealth of primary source material examined in this volume is an in-depth picture of music-making within the daily life of individual courts, featuring a cast of music directors, instrumentalists, and vocalists, together with numerous support staff drawn from across Europe. 'Music at German Courts' serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these 'Kapellen' had in common. </subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">What was musical life at German courts really like during the first six decades of the eighteenth century? Were musical ensembles as diverse as the Holy Roman Empire's kaleidoscopic political landscape? Through a series of individual case studies contributed by leading scholars from Germany, Poland, the United States, Canada, and Australia, this book investigates the realities of musical life at fifteen German courts of varied size (ranging from kingdoms to principalities), religious denomination, and geographical location. Significant shifts that occurred in the artistic priorities of each court are presented through a series of 'snapshots' - in effect 'core sample' years - which highlight both individual and shared patterns of development and decline. </subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">What emerges from the wealth of primary source material examined in this volume is an in-depth picture of music-making within the daily life of individual courts, featuring a cast of music directors, instrumentalists, and vocalists, together with numerous support staff drawn from across Europe. SAMANTHA OWENS is Senior Lecturer in Musicology at the University of Queensland, Brisbane, Australia. BARBARA M. REUL is Associate Professor of Musicology at Luther College, University of Regina, Canada. JANICE B. STOCKIGT is a Principal Fellow of the University of Melbourne, Australia</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1700-1800</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1715-1760</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Wirtschaft</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music / Germany / 18th century / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musicians / Germany / Social conditions / 18th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musicians / Germany / Economic conditions / 18th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Chapels (Music) / Germany / 18th century</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Hofkapelle</subfield><subfield code="g">Musik</subfield><subfield code="0">(DE-588)4160410-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Hofmusik</subfield><subfield code="0">(DE-588)4025520-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">Deutschland</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Deutschland</subfield><subfield code="0">(DE-588)4011882-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="8">1\p</subfield><subfield code="0">(DE-588)1071861417</subfield><subfield code="a">Konferenzschrift</subfield><subfield code="y">2006</subfield><subfield code="z">Warschau</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Deutschland</subfield><subfield code="0">(DE-588)4011882-4</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Hofkapelle</subfield><subfield code="g">Musik</subfield><subfield code="0">(DE-588)4160410-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Hofmusik</subfield><subfield code="0">(DE-588)4025520-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1715-1760</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">2\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Owens, Samantha</subfield><subfield code="0">(DE-588)1027463290</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Reul, Barbara M.</subfield><subfield code="d">1967-</subfield><subfield code="0">(DE-588)139024166</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Stockigt, Janice B.</subfield><subfield code="0">(DE-588)1047874288</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-84383-598-1</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://www.cambridge.org/core/product/identifier/9781846159312/type/BOOK</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029324990</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://www.cambridge.org/core/product/identifier/9781846159312/type/BOOK</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://www.cambridge.org/core/product/identifier/9781846159312/type/BOOK</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://www.cambridge.org/core/product/identifier/9781846159312/type/BOOK</subfield><subfield code="l">UBR01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBR Sammelbestellung 2021</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| genre | 1\p (DE-588)1071861417 Konferenzschrift 2006 Warschau gnd-content |
| genre_facet | Konferenzschrift 2006 Warschau |
| geographic | Deutschland Deutschland (DE-588)4011882-4 gnd |
| geographic_facet | Deutschland |
| id | DE-604.BV043915908 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:26Z |
| institution | BVB |
| institution_GND | (DE-588)1047480689 |
| isbn | 9781846159312 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029324990 |
| oclc_num | 967386802 |
| open_access_boolean | |
| owner | DE-12 DE-473 DE-BY-UBG DE-355 DE-BY-UBR |
| owner_facet | DE-12 DE-473 DE-BY-UBG DE-355 DE-BY-UBR |
| physical | 1 Online-Ressource (xx, 484 Seiten) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO ZDB-20-CBO UBR Sammelbestellung 2021 |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | The Boydell Press |
| record_format | marc |
| spelling | Biennial International Conference on Baroque Music 12 2006 Warschau Verfasser (DE-588)1047480689 aut Music at German courts, 1715-1760 changing artistic priorities edited by Samantha Owens, Barbara M. Reul, and Janice B. Stockigt Woolbridge The Boydell Press 2011 1 Online-Ressource (xx, 484 Seiten) txt rdacontent c rdamedia cr rdacarrier Das gantze Corpus derer musicirenden Personen : an introduction to German Hofkapellen / Samantha Owens and Barbara M. Reul -- Kingdoms and electorates. The court of Saxony-Dresden / Janice B. Stockigt ; The Saxon court of the kingdom of Poland / Alina Żórawska-Witkowska ; The court of Brandenburg-Prussia / Mary Oleskiewicz ; The Palatine court in Mannheim / Bärbel Pelker -- Duchies. The court of Württemberg-Stuttgart / Samantha Owens ; The court of Saxony-Gotha-Altenburg / Bert Siegmund ; The courts of Saxony-Weißenfels, Saxony-Merseburg, and Saxony-Zeitz / Wolfgang Ruf -- Principalities and prince-bishoprics. The court of Anhalt-Zerbst / Barbara M. Reul ; The court of Sondershausen / Michael Maul ; The court of Würzburg / Dieter Kirsch -- Landgraviates and margraviates. The court of Hesse-Darmstadt / Ursula Kramer ; The court of Baden-Durlach in Karlsruhe / Rüdiger Thomsen-Fürst ; The court of Brandenburg-Culmbach-Bayreuth / Rashid-S. Pegah -- Die vornehmste Hof-Tugend : German musicians' reflections on eighteenth-century court life / Steven Zohn 'Music at German Courts' serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these 'Kapellen' had in common. What emerges from the wealth of primary source material examined in this volume is an in-depth picture of music-making within the daily life of individual courts, featuring a cast of music directors, instrumentalists, and vocalists, together with numerous support staff drawn from across Europe. 'Music at German Courts' serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these 'Kapellen' had in common. What was musical life at German courts really like during the first six decades of the eighteenth century? Were musical ensembles as diverse as the Holy Roman Empire's kaleidoscopic political landscape? Through a series of individual case studies contributed by leading scholars from Germany, Poland, the United States, Canada, and Australia, this book investigates the realities of musical life at fifteen German courts of varied size (ranging from kingdoms to principalities), religious denomination, and geographical location. Significant shifts that occurred in the artistic priorities of each court are presented through a series of 'snapshots' - in effect 'core sample' years - which highlight both individual and shared patterns of development and decline. What emerges from the wealth of primary source material examined in this volume is an in-depth picture of music-making within the daily life of individual courts, featuring a cast of music directors, instrumentalists, and vocalists, together with numerous support staff drawn from across Europe. SAMANTHA OWENS is Senior Lecturer in Musicology at the University of Queensland, Brisbane, Australia. BARBARA M. REUL is Associate Professor of Musicology at Luther College, University of Regina, Canada. JANICE B. STOCKIGT is a Principal Fellow of the University of Melbourne, Australia Geschichte 1700-1800 Geschichte 1715-1760 gnd rswk-swf Musik Wirtschaft Music / Germany / 18th century / History and criticism Musicians / Germany / Social conditions / 18th century Musicians / Germany / Economic conditions / 18th century Chapels (Music) / Germany / 18th century Hofkapelle Musik (DE-588)4160410-6 gnd rswk-swf Hofmusik (DE-588)4025520-7 gnd rswk-swf Deutschland Deutschland (DE-588)4011882-4 gnd rswk-swf 1\p (DE-588)1071861417 Konferenzschrift 2006 Warschau gnd-content Deutschland (DE-588)4011882-4 g Hofkapelle Musik (DE-588)4160410-6 s Hofmusik (DE-588)4025520-7 s Geschichte 1715-1760 z 2\p DE-604 Owens, Samantha (DE-588)1027463290 edt Reul, Barbara M. 1967- (DE-588)139024166 edt Stockigt, Janice B. (DE-588)1047874288 edt Erscheint auch als Druck-Ausgabe 978-1-84383-598-1 http://www.cambridge.org/core/product/identifier/9781846159312/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Music at German courts, 1715-1760 changing artistic priorities Das gantze Corpus derer musicirenden Personen : an introduction to German Hofkapellen / Samantha Owens and Barbara M. Reul -- Kingdoms and electorates. The court of Saxony-Dresden / Janice B. Stockigt ; The Saxon court of the kingdom of Poland / Alina Żórawska-Witkowska ; The court of Brandenburg-Prussia / Mary Oleskiewicz ; The Palatine court in Mannheim / Bärbel Pelker -- Duchies. The court of Württemberg-Stuttgart / Samantha Owens ; The court of Saxony-Gotha-Altenburg / Bert Siegmund ; The courts of Saxony-Weißenfels, Saxony-Merseburg, and Saxony-Zeitz / Wolfgang Ruf -- Principalities and prince-bishoprics. The court of Anhalt-Zerbst / Barbara M. Reul ; The court of Sondershausen / Michael Maul ; The court of Würzburg / Dieter Kirsch -- Landgraviates and margraviates. The court of Hesse-Darmstadt / Ursula Kramer ; The court of Baden-Durlach in Karlsruhe / Rüdiger Thomsen-Fürst ; The court of Brandenburg-Culmbach-Bayreuth / Rashid-S. Pegah -- Die vornehmste Hof-Tugend : German musicians' reflections on eighteenth-century court life / Steven Zohn Musik Wirtschaft Music / Germany / 18th century / History and criticism Musicians / Germany / Social conditions / 18th century Musicians / Germany / Economic conditions / 18th century Chapels (Music) / Germany / 18th century Hofkapelle Musik (DE-588)4160410-6 gnd Hofmusik (DE-588)4025520-7 gnd |
| subject_GND | (DE-588)4160410-6 (DE-588)4025520-7 (DE-588)4011882-4 (DE-588)1071861417 |
| title | Music at German courts, 1715-1760 changing artistic priorities |
| title_auth | Music at German courts, 1715-1760 changing artistic priorities |
| title_exact_search | Music at German courts, 1715-1760 changing artistic priorities |
| title_full | Music at German courts, 1715-1760 changing artistic priorities edited by Samantha Owens, Barbara M. Reul, and Janice B. Stockigt |
| title_fullStr | Music at German courts, 1715-1760 changing artistic priorities edited by Samantha Owens, Barbara M. Reul, and Janice B. Stockigt |
| title_full_unstemmed | Music at German courts, 1715-1760 changing artistic priorities edited by Samantha Owens, Barbara M. Reul, and Janice B. Stockigt |
| title_short | Music at German courts, 1715-1760 |
| title_sort | music at german courts 1715 1760 changing artistic priorities |
| title_sub | changing artistic priorities |
| topic | Musik Wirtschaft Music / Germany / 18th century / History and criticism Musicians / Germany / Social conditions / 18th century Musicians / Germany / Economic conditions / 18th century Chapels (Music) / Germany / 18th century Hofkapelle Musik (DE-588)4160410-6 gnd Hofmusik (DE-588)4025520-7 gnd |
| topic_facet | Musik Wirtschaft Music / Germany / 18th century / History and criticism Musicians / Germany / Social conditions / 18th century Musicians / Germany / Economic conditions / 18th century Chapels (Music) / Germany / 18th century Hofkapelle Musik Hofmusik Deutschland Konferenzschrift 2006 Warschau |
| url | http://www.cambridge.org/core/product/identifier/9781846159312/type/BOOK |
| work_keys_str_mv | AT biennialinternationalconferenceonbaroquemusicwarschau musicatgermancourts17151760changingartisticpriorities AT owenssamantha musicatgermancourts17151760changingartisticpriorities AT reulbarbaram musicatgermancourts17151760changingartisticpriorities AT stockigtjaniceb musicatgermancourts17151760changingartisticpriorities |