Selling the splat pack: the DVD revolution and the American horror film
Were brutal American horror movies like the Saw and Hostel films a reaction to the trauma of 9/11? Were they a reflection of 'War on Terror'-era America? Or was something else responsible for the rise of these violent and gory films during the first decade of the twenty-first century? Sell...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Edinburgh
Edinburgh University Press
2014
|
| Subjects: | |
| Online Access: | BSB01 UBG01 Volltext |
| Summary: | Were brutal American horror movies like the Saw and Hostel films a reaction to the trauma of 9/11? Were they a reflection of 'War on Terror'-era America? Or was something else responsible for the rise of these violent and gory films during the first decade of the twenty-first century? Selling the Splat Pack unravels the history of how the emergence of the DVD market changed cultural and industrial attitudes about horror movies and film ratings. These changes made way for increasingly violent horror films, like those produced by the 'Splat Pack', a group of filmmakers who were heralded in the press as subversive outsiders. Taking a different tack, Mark Bernard proposes that the films of the Splat Pack were products of, rather than reactions against, film industry policy. This book includes an overview of the history of the American horror film from an industry studies perspective, an analysis of how the DVD market influenced the production of American horror films, and an examination of films from Splat Pack members such as Eli Roth, Rob Zombie, James Wan, and Alexandre Aja. By re-examining the history of the American horror film from a business perspective and exploring how DVD influenced the production of American horror films in the early twenty-first century, this thought-provoking book provides students and scholars in Film Studies with an alternative perspective on the Splat Pack." |
| Item Description: | Title from publisher's bibliographic system (viewed on 08 Aug 2016) |
| Physical Description: | 1 online resource (ix, 213 pages) |
| ISBN: | 9780748685509 |
Staff View
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| 505 | 8 | |a Part I: The industrical context of the Splat Pack -- Introuducing the Splat Pack -- Politics and the horror film: an industry studies intervention -- The DVD revolution and the horror film, take one: from trash to art to collectable -- The DVD revolution and the horror film, take two: rise of the 'Unrated' -- Part II: The Splat Pack on DVD -- Text, subtext and the story of the film: Eli Roth's "Hostel" and "Hostel: Part II" on DVD -- The 'white trash' world of Rob Zombie: class, collecting and the summing spectators -- Seriality, subjectivity and new media: consuming the "Saw" series -- Scars, both material and cyber: "Haute Tension" and "The Descent" on DVD. | |
| 520 | |a Were brutal American horror movies like the Saw and Hostel films a reaction to the trauma of 9/11? Were they a reflection of 'War on Terror'-era America? Or was something else responsible for the rise of these violent and gory films during the first decade of the twenty-first century? Selling the Splat Pack unravels the history of how the emergence of the DVD market changed cultural and industrial attitudes about horror movies and film ratings. These changes made way for increasingly violent horror films, like those produced by the 'Splat Pack', a group of filmmakers who were heralded in the press as subversive outsiders. Taking a different tack, Mark Bernard proposes that the films of the Splat Pack were products of, rather than reactions against, film industry policy. This book includes an overview of the history of the American horror film from an industry studies perspective, an analysis of how the DVD market influenced the production of American horror films, and an examination of films from Splat Pack members such as Eli Roth, Rob Zombie, James Wan, and Alexandre Aja. By re-examining the history of the American horror film from a business perspective and exploring how DVD influenced the production of American horror films in the early twenty-first century, this thought-provoking book provides students and scholars in Film Studies with an alternative perspective on the Splat Pack." | ||
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Record in the Search Index
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|---|---|
| any_adam_object | |
| author | Bernard, Mark |
| author_facet | Bernard, Mark |
| author_role | aut |
| author_sort | Bernard, Mark |
| author_variant | m b mb |
| building | Verbundindex |
| bvnumber | BV043915510 |
| classification_rvk | AP 53900 |
| collection | ZDB-20-CBO |
| contents | Part I: The industrical context of the Splat Pack -- Introuducing the Splat Pack -- Politics and the horror film: an industry studies intervention -- The DVD revolution and the horror film, take one: from trash to art to collectable -- The DVD revolution and the horror film, take two: rise of the 'Unrated' -- Part II: The Splat Pack on DVD -- Text, subtext and the story of the film: Eli Roth's "Hostel" and "Hostel: Part II" on DVD -- The 'white trash' world of Rob Zombie: class, collecting and the summing spectators -- Seriality, subjectivity and new media: consuming the "Saw" series -- Scars, both material and cyber: "Haute Tension" and "The Descent" on DVD. |
| ctrlnum | (ZDB-20-CBO)CR9780748685509 (OCoLC)903296600 (DE-599)BVBBV043915510 |
| dewey-full | 791.43/6164 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/6164 |
| dewey-search | 791.43/6164 |
| dewey-sort | 3791.43 46164 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | Geschichte 1997-2013 gnd |
| era_facet | Geschichte 1997-2013 |
| format | Electronic eBook |
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| spelling | Bernard, Mark Verfasser aut Selling the splat pack the DVD revolution and the American horror film Mark Bernard Edinburgh Edinburgh University Press 2014 1 online resource (ix, 213 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 08 Aug 2016) Part I: The industrical context of the Splat Pack -- Introuducing the Splat Pack -- Politics and the horror film: an industry studies intervention -- The DVD revolution and the horror film, take one: from trash to art to collectable -- The DVD revolution and the horror film, take two: rise of the 'Unrated' -- Part II: The Splat Pack on DVD -- Text, subtext and the story of the film: Eli Roth's "Hostel" and "Hostel: Part II" on DVD -- The 'white trash' world of Rob Zombie: class, collecting and the summing spectators -- Seriality, subjectivity and new media: consuming the "Saw" series -- Scars, both material and cyber: "Haute Tension" and "The Descent" on DVD. Were brutal American horror movies like the Saw and Hostel films a reaction to the trauma of 9/11? Were they a reflection of 'War on Terror'-era America? Or was something else responsible for the rise of these violent and gory films during the first decade of the twenty-first century? Selling the Splat Pack unravels the history of how the emergence of the DVD market changed cultural and industrial attitudes about horror movies and film ratings. These changes made way for increasingly violent horror films, like those produced by the 'Splat Pack', a group of filmmakers who were heralded in the press as subversive outsiders. Taking a different tack, Mark Bernard proposes that the films of the Splat Pack were products of, rather than reactions against, film industry policy. This book includes an overview of the history of the American horror film from an industry studies perspective, an analysis of how the DVD market influenced the production of American horror films, and an examination of films from Splat Pack members such as Eli Roth, Rob Zombie, James Wan, and Alexandre Aja. By re-examining the history of the American horror film from a business perspective and exploring how DVD influenced the production of American horror films in the early twenty-first century, this thought-provoking book provides students and scholars in Film Studies with an alternative perspective on the Splat Pack." Geschichte 1997-2013 gnd rswk-swf Geschichte Splatter films / United States / History Splatter films / Economic aspects / United States Splatter films / Production and direction / United States Horror films / United States / History Horror films / Economic aspects / United States Horror films / Production and direction / United States Motion picture industry / United States DVDs DVD (DE-588)4501545-4 gnd rswk-swf Horrorfilm (DE-588)4127415-5 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf 1\p (DE-588)4522595-3 Fallstudiensammlung gnd-content USA (DE-588)4078704-7 g Horrorfilm (DE-588)4127415-5 s DVD (DE-588)4501545-4 s Geschichte 1997-2013 z 2\p DE-604 Erscheint auch als Druckausgabe 978-0-7486-8549-3 http://www.cambridge.org/core/product/identifier/9780748685509/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Bernard, Mark Selling the splat pack the DVD revolution and the American horror film Part I: The industrical context of the Splat Pack -- Introuducing the Splat Pack -- Politics and the horror film: an industry studies intervention -- The DVD revolution and the horror film, take one: from trash to art to collectable -- The DVD revolution and the horror film, take two: rise of the 'Unrated' -- Part II: The Splat Pack on DVD -- Text, subtext and the story of the film: Eli Roth's "Hostel" and "Hostel: Part II" on DVD -- The 'white trash' world of Rob Zombie: class, collecting and the summing spectators -- Seriality, subjectivity and new media: consuming the "Saw" series -- Scars, both material and cyber: "Haute Tension" and "The Descent" on DVD. Geschichte Splatter films / United States / History Splatter films / Economic aspects / United States Splatter films / Production and direction / United States Horror films / United States / History Horror films / Economic aspects / United States Horror films / Production and direction / United States Motion picture industry / United States DVDs DVD (DE-588)4501545-4 gnd Horrorfilm (DE-588)4127415-5 gnd |
| subject_GND | (DE-588)4501545-4 (DE-588)4127415-5 (DE-588)4078704-7 (DE-588)4522595-3 |
| title | Selling the splat pack the DVD revolution and the American horror film |
| title_auth | Selling the splat pack the DVD revolution and the American horror film |
| title_exact_search | Selling the splat pack the DVD revolution and the American horror film |
| title_full | Selling the splat pack the DVD revolution and the American horror film Mark Bernard |
| title_fullStr | Selling the splat pack the DVD revolution and the American horror film Mark Bernard |
| title_full_unstemmed | Selling the splat pack the DVD revolution and the American horror film Mark Bernard |
| title_short | Selling the splat pack |
| title_sort | selling the splat pack the dvd revolution and the american horror film |
| title_sub | the DVD revolution and the American horror film |
| topic | Geschichte Splatter films / United States / History Splatter films / Economic aspects / United States Splatter films / Production and direction / United States Horror films / United States / History Horror films / Economic aspects / United States Horror films / Production and direction / United States Motion picture industry / United States DVDs DVD (DE-588)4501545-4 gnd Horrorfilm (DE-588)4127415-5 gnd |
| topic_facet | Geschichte Splatter films / United States / History Splatter films / Economic aspects / United States Splatter films / Production and direction / United States Horror films / United States / History Horror films / Economic aspects / United States Horror films / Production and direction / United States Motion picture industry / United States DVDs DVD Horrorfilm USA Fallstudiensammlung |
| url | http://www.cambridge.org/core/product/identifier/9780748685509/type/BOOK |
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