Thirty Years' Musical Recollections, Volume 2:
Thirty Years' Musical Recollections, first published in 1862, is a year-by-year commentary in two volumes on the European operas, ballets, singers and dancers popular in London from 1830 to 1859. Its author was music critic of The Athaneum for over thirty years and also wrote book reviews, nove...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
1862
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Schriftenreihe: | Cambridge library collection. Music
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Online-Zugang: | BSB01 UBG01 Volltext |
Zusammenfassung: | Thirty Years' Musical Recollections, first published in 1862, is a year-by-year commentary in two volumes on the European operas, ballets, singers and dancers popular in London from 1830 to 1859. Its author was music critic of The Athaneum for over thirty years and also wrote book reviews, novels, plays and poems. Volume 2 covers the period 1847–1859 and serves as a valuable reference work to the musical life of London during these years. It begins with an account of the deterioration of Her Majesty's Theatre and the opening of the Royal Italian Opera. Chorley intersperses discerning observations about the changing trends in public taste with descriptions of famous opera singers – including Mademoiselle Alboni, Signor Ronconi, the Countess Rossi, Madame Ristori and Madame Pauline Viardot – and highlights their more noteworthy performances. The book is an entertaining eyewitness account of the lively musical scene in mid-nineteenth-century London |
Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
Beschreibung: | 1 online resource (336 pages) |
ISBN: | 9780511701610 |
DOI: | 10.1017/CBO9780511701610 |
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520 | |a Thirty Years' Musical Recollections, first published in 1862, is a year-by-year commentary in two volumes on the European operas, ballets, singers and dancers popular in London from 1830 to 1859. Its author was music critic of The Athaneum for over thirty years and also wrote book reviews, novels, plays and poems. Volume 2 covers the period 1847–1859 and serves as a valuable reference work to the musical life of London during these years. It begins with an account of the deterioration of Her Majesty's Theatre and the opening of the Royal Italian Opera. Chorley intersperses discerning observations about the changing trends in public taste with descriptions of famous opera singers – including Mademoiselle Alboni, Signor Ronconi, the Countess Rossi, Madame Ristori and Madame Pauline Viardot – and highlights their more noteworthy performances. The book is an entertaining eyewitness account of the lively musical scene in mid-nineteenth-century London | ||
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Datensatz im Suchindex
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author | Chorley, Henry Fothergill |
author_facet | Chorley, Henry Fothergill |
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illustrated | Not Illustrated |
indexdate | 2024-07-10T07:38:22Z |
institution | BVB |
isbn | 9780511701610 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029322851 |
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physical | 1 online resource (336 pages) |
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publishDate | 1862 |
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publisher | Cambridge University Press |
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series2 | Cambridge library collection. Music |
spelling | Chorley, Henry Fothergill Verfasser aut Thirty Years' Musical Recollections, Volume 2 Henry Fothergill Chorley Cambridge Cambridge University Press 1862 1 online resource (336 pages) txt rdacontent c rdamedia cr rdacarrier Cambridge library collection. Music Title from publisher's bibliographic system (viewed on 05 Oct 2015) Thirty Years' Musical Recollections, first published in 1862, is a year-by-year commentary in two volumes on the European operas, ballets, singers and dancers popular in London from 1830 to 1859. Its author was music critic of The Athaneum for over thirty years and also wrote book reviews, novels, plays and poems. Volume 2 covers the period 1847–1859 and serves as a valuable reference work to the musical life of London during these years. It begins with an account of the deterioration of Her Majesty's Theatre and the opening of the Royal Italian Opera. Chorley intersperses discerning observations about the changing trends in public taste with descriptions of famous opera singers – including Mademoiselle Alboni, Signor Ronconi, the Countess Rossi, Madame Ristori and Madame Pauline Viardot – and highlights their more noteworthy performances. The book is an entertaining eyewitness account of the lively musical scene in mid-nineteenth-century London Erscheint auch als Druckausgabe 978-1-108-00141-0 https://doi.org/10.1017/CBO9780511701610 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Chorley, Henry Fothergill Thirty Years' Musical Recollections, Volume 2 |
title | Thirty Years' Musical Recollections, Volume 2 |
title_auth | Thirty Years' Musical Recollections, Volume 2 |
title_exact_search | Thirty Years' Musical Recollections, Volume 2 |
title_full | Thirty Years' Musical Recollections, Volume 2 Henry Fothergill Chorley |
title_fullStr | Thirty Years' Musical Recollections, Volume 2 Henry Fothergill Chorley |
title_full_unstemmed | Thirty Years' Musical Recollections, Volume 2 Henry Fothergill Chorley |
title_short | Thirty Years' Musical Recollections, Volume 2 |
title_sort | thirty years musical recollections volume 2 |
url | https://doi.org/10.1017/CBO9780511701610 |
work_keys_str_mv | AT chorleyhenryfothergill thirtyyearsmusicalrecollectionsvolume2 |