New patterns in global television formats:
The past twenty years have seen major changes in the ways that television formats and programming are developed and replicated internationally for different markets with locally focused repackagings of hit reality shows leading the way. But in a sense, that's not new: TV formats have been being...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Bristol, UK ; Chicago, USA
Intellect
2016
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | The past twenty years have seen major changes in the ways that television formats and programming are developed and replicated internationally for different markets with locally focused repackagings of hit reality shows leading the way. But in a sense, that's not new: TV formats have been being exported for decades, with the approach and methods changing along with changes in broadcast technology, markets, government involvement, and audience interest. This book brings together scholars of TV formats from around the world to analyze and discuss those changes and offer an up-to-the-minute analysis of the current state of TV formats and their use and adaptation worldwide |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xii, 345 Seiten Illustrationen 23 cm |
| ISBN: | 9781783207121 |
Internformat
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| 500 | |a Includes bibliographical references and index | ||
| 520 | |a The past twenty years have seen major changes in the ways that television formats and programming are developed and replicated internationally for different markets with locally focused repackagings of hit reality shows leading the way. But in a sense, that's not new: TV formats have been being exported for decades, with the approach and methods changing along with changes in broadcast technology, markets, government involvement, and audience interest. This book brings together scholars of TV formats from around the world to analyze and discuss those changes and offer an up-to-the-minute analysis of the current state of TV formats and their use and adaptation worldwide | ||
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Datensatz im Suchindex
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| adam_text | Contents
Acknowledgements ix
Foreword xi
Toby Miller
Introduction: A Changing Format Mosaic 1
Karina Aveyard, Pia Majbritt Jensen and Albert Moran
Part l: Overviews 17
Chapter l: Television Format as a Transnational Production Model 19
Mats Nylund
Chapter 2: The Hybrid Status of Global Television Formats 35
Claudio Coletta
Chapter 3: Formatting Reality: On Reality Television as a Format, a Genre 47
and a Meta-Genre
Daniel Biltereyst and Lennart Soberon
Chapter 4: Seventy Years in the Making: The Advent of the Transnational 63
Television Format Trading System
Jean K. Chalaby
Part 2: History 79
Chapter 5: Medea’s Children: The Italian Version of The War of the Worlds 81
Milly Buonanno
Chapter 6: Cultural Negotiation in an Early Programme Format: The Finnish 95
Adaptation of Romper Room
Heidi Keinonen
Chapter 7: Song Contests in Europe during the Cold War 109
Yulia Yurtaeva and Lothar Mikos
New Patterns in Global Television Formats
Chapter 8: “Do lt, but Do It Dancing!”: Télévision and Format Adaptations in 125
Colombia in the 1980s and Early 1990s
Hernan David Espinosa-Medina and Enrique Uribe-Jongbloed
Part 3: Industry Players, Big and Small 141
Chapter 9: From Marginal Trader to Corporate Giant: The Emergence of 143
FremantleMedia
Albert Moran and Karina Aveyard
Chapter 10: Formats and Localization in the Children’s Audiovisual Sector 157
Jeanette Steemers
Chapter il: Wallanderat the BBC: Trading Fiction Formats and Producing Culture 171
for UK Public Service Broadcasting in the Contemporary Age
Janet McCabe
Chapter 12: Télévision Formats as Media Ritual Work Practices: Discourses of 187
Freedom, Nationalism and Good Neighbours
Tiina Ràisâ
Part 4: Territorles and Markets 201
Chapter 13: The Social Contexts of Format Adaptation: Remaking Formats to 203
Fit in China
Michael Keane and Coco Ma
Chapter 14: The Political Economy of Télévision Formats in Africa: The Case 217
of Big Brother and ¡dois
Martin Nkosi Ndlela
Chapter 15: Global Reality Télévision and the Concept of Recursion: /dois in 231
African Contexts
Tess Conner
Chapter 16: Decentring Innovation: The Israeli Télévision Industry and the 245
Format-driven Transnational Turn in Content Development
Sharon Shahaf
Part 5: Producers and Audiences 263
Chapter 17: Take a Look at the Lawman: Interrogating Critical Responses to the 265
US Version of Life on Mars
Christopher Hogg
Chapter 18: Sense of Place: Producers and Audiences of International 281
Drama Format The Bridge
Annette Hill
vi
Contents
Chapter 19: The Duality of Banal Transnationalism and Banal Nationalism: 295
Television Audiences and the Musical Talent Competition Genre
Andrea Esser, Pia Majbritt Jensen, Heidi Keinonen and Anna Maria Lemor
Chapter 20: The Voice of Queer Italy: The Politics of the the Representation 311
of GLBTQI (Gay, Lesbian, Bisexual, Transgender, Queer and Intersexual)
Characters in Italian Talent Shows and Their Reception in Online
Discussions
Elisa Giomi and Marta Perrotta
About the Contributors 327
index 333
vii
THE PAST TWENTY YEARS HAVE SEEN MAJOR CHANGES IN THE WAYS
THAT TELEVISION FORMATS AND PROGRAMMING ARE DEVELOPED
AND REPLICATED INTERNATIONALLY FOR DIFFERENT MARKETS ֊ WITH
LOCALLY FOCUSED REPACKAQINGS OF HIT REALITY SHOWS LEADING
THE WAY. BUT IN A SENSE, THAT’S NOT NEW: TV FORMATS HAVE BEEN
EXPORTED FOR DECADES, WITH THE APPROACH AND METHODS
CHANGING ALONG WITH CHANGES IN BROADCAST TECHNOLOGY,
MARKETS, GOVERNMENT INVOLVEMENT AN D AUDIENCE INTEREST.
THIS BOOK BRINGS TOGETHER SCHOLARS OF TV FORMATS FROM
AROUND THE WORLD TO ANALYSE AND DISCUSS THOSE CHANGES AND
OFFER AN UP-TO-THE-MINUTE ANALYSIS OF THE CURRENT STATE OF TV
FORMATS AND THEIR USE AND ADAPTATION WORLDWIDE.
KARINA AVE YARD IS A POSTDOCTORAL RESEARCH FELLOW AT THE
UNIVERSITY OF SYDNEY. PIA MAJBRITT JENSEN IS AN ASSOCIATE
PROFESSOR IN MEDIA STUDIES AT AARHUS UNIVERSITY, DENMARK.
ALBERT MORAN IS PROFESSOR IN SCREEN STUDIES AND PRODUCTION
IN THE SCHOOL OF HUMANITIES AT GRIFFITH UNIVERSITY.
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| title | New patterns in global television formats |
| title_auth | New patterns in global television formats |
| title_exact_search | New patterns in global television formats |
| title_full | New patterns in global television formats edited by Karina Aveyard, Pia Majbritt Jensen and Albert Moran |
| title_fullStr | New patterns in global television formats edited by Karina Aveyard, Pia Majbritt Jensen and Albert Moran |
| title_full_unstemmed | New patterns in global television formats edited by Karina Aveyard, Pia Majbritt Jensen and Albert Moran |
| title_short | New patterns in global television formats |
| title_sort | new patterns in global television formats |
| topic | Television program genres Television broadcasting / Social aspects Television broadcasting / Social aspects fast Television program genres fast Gesellschaft Format Fernsehsendung (DE-588)7611423-5 gnd |
| topic_facet | Television program genres Television broadcasting / Social aspects Gesellschaft Format Fernsehsendung Aufsatzsammlung |
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