Industry and Intelligence: Contemporary Art Since 1820
The history of modern art is often told through aesthetic breakthroughs that sync well with profound cultural and political change. Monet's riotous landscapes, Picasso's fractured forms, Pollock's insolent splatters, Warhol's proliferating soup cansthese examples track with the...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Columbia University Press
2016
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| Schriftenreihe: | Bampton Lectures in America
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| Schlagworte: | |
| Online-Zugang: | DE-255 DE-Y3 |
| Zusammenfassung: | The history of modern art is often told through aesthetic breakthroughs that sync well with profound cultural and political change. Monet's riotous landscapes, Picasso's fractured forms, Pollock's insolent splatters, Warhol's proliferating soup cansthese examples track with the disruptions of industrialization, fascism, revolution, and war, among other influences. But filtering modern art only through catastrophic events cannot account for the subtle interrogations that inform so many contemporary works. The conceptual artist Liam Gillick writes the holistic genealogy of contemporary art that we need to appreciate its engagement with history, even when it seems apathetic or blind to current events. Rather than focus on dominant works or special cases, Gillick takes a broad view of artistic creation from 1820 to today, underscoring the industry and intelligence of artists as they have responded to incremental developments in science, politics, and technology. The great innovations and dislocations of the nineteenth and twentieth centuries have their place in this timeline, but their traces are alternately amplified and diminished as Gillick moves through artistic reactions to liberalism, mass manufacturing, psychology, nuclear physics, automobiles, and a host of other advances. He intimately ties the origins of contemporary art to the social and technological adjustments of modern life, which artists struggled to incorporate truthfully into their works |
| Beschreibung: | Description based on publisher supplied metadata and other sources |
| Beschreibung: | 1 online resource (209 pages) |
| ISBN: | 9780231540964 9780231170208 |
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Datensatz im Suchindex
| _version_ | 1809222546910871552 |
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| author | Gillick, Liam |
| author_facet | Gillick, Liam |
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| author_sort | Gillick, Liam |
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| dewey-full | 709.04 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.04 |
| dewey-search | 709.04 |
| dewey-sort | 3709.04 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| era | Geschichte 1820-2014 gnd |
| era_facet | Geschichte 1820-2014 |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| indexdate | 2024-09-04T00:17:55Z |
| institution | BVB |
| isbn | 9780231540964 9780231170208 |
| language | English |
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| publisher | Columbia University Press |
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| spelling | Gillick, Liam Verfasser aut Industry and Intelligence Contemporary Art Since 1820 New York, NY Columbia University Press 2016 © 2016 1 online resource (209 pages) txt rdacontent c rdamedia cr rdacarrier Bampton Lectures in America Description based on publisher supplied metadata and other sources The history of modern art is often told through aesthetic breakthroughs that sync well with profound cultural and political change. Monet's riotous landscapes, Picasso's fractured forms, Pollock's insolent splatters, Warhol's proliferating soup cansthese examples track with the disruptions of industrialization, fascism, revolution, and war, among other influences. But filtering modern art only through catastrophic events cannot account for the subtle interrogations that inform so many contemporary works. The conceptual artist Liam Gillick writes the holistic genealogy of contemporary art that we need to appreciate its engagement with history, even when it seems apathetic or blind to current events. Rather than focus on dominant works or special cases, Gillick takes a broad view of artistic creation from 1820 to today, underscoring the industry and intelligence of artists as they have responded to incremental developments in science, politics, and technology. The great innovations and dislocations of the nineteenth and twentieth centuries have their place in this timeline, but their traces are alternately amplified and diminished as Gillick moves through artistic reactions to liberalism, mass manufacturing, psychology, nuclear physics, automobiles, and a host of other advances. He intimately ties the origins of contemporary art to the social and technological adjustments of modern life, which artists struggled to incorporate truthfully into their works Geschichte 1820-2014 gnd rswk-swf Politik (DE-588)4046514-7 gnd rswk-swf Technischer Fortschritt (DE-588)4059252-2 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Wissenschaft (DE-588)4066562-8 gnd rswk-swf Kunst (DE-588)4114333-4 s Wissenschaft (DE-588)4066562-8 s Technischer Fortschritt (DE-588)4059252-2 s Politik (DE-588)4046514-7 s Ästhetik (DE-588)4000626-8 s Geschichte 1820-2014 z 1\p DE-604 Erscheint auch als Druck-Ausgabe Gillick, Liam Industry and Intelligence : Contemporary Art Since 1820 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Gillick, Liam Industry and Intelligence Contemporary Art Since 1820 Politik (DE-588)4046514-7 gnd Technischer Fortschritt (DE-588)4059252-2 gnd Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd Wissenschaft (DE-588)4066562-8 gnd |
| subject_GND | (DE-588)4046514-7 (DE-588)4059252-2 (DE-588)4114333-4 (DE-588)4000626-8 (DE-588)4066562-8 |
| title | Industry and Intelligence Contemporary Art Since 1820 |
| title_auth | Industry and Intelligence Contemporary Art Since 1820 |
| title_exact_search | Industry and Intelligence Contemporary Art Since 1820 |
| title_full | Industry and Intelligence Contemporary Art Since 1820 |
| title_fullStr | Industry and Intelligence Contemporary Art Since 1820 |
| title_full_unstemmed | Industry and Intelligence Contemporary Art Since 1820 |
| title_short | Industry and Intelligence |
| title_sort | industry and intelligence contemporary art since 1820 |
| title_sub | Contemporary Art Since 1820 |
| topic | Politik (DE-588)4046514-7 gnd Technischer Fortschritt (DE-588)4059252-2 gnd Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd Wissenschaft (DE-588)4066562-8 gnd |
| topic_facet | Politik Technischer Fortschritt Kunst Ästhetik Wissenschaft |
| work_keys_str_mv | AT gillickliam industryandintelligencecontemporaryartsince1820 |