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Narrative theory: a critical introduction

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Bibliographic Details
Main Author:	Puckett, Kent 1972- (Author)
Format:	Book
Language:	English
Published:	Cambridge Cambridge University Press 2016
Subjects:	LITERARY CRITICISM / Semiotics & Theory Narration (Rhetoric) Erzähltheorie Lehrbuch
Online Access:	Inhaltsverzeichnis Inhaltsverzeichnis Klappentext
Physical Description:	vii, 351 Seiten 1 Illustration
ISBN:	9781107033665 9781107684744

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MARC


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adam_text	NARRATIVE THEORY / PUCKETT, KENTYYEAUTHOR : 2016 TABLE OF CONTENTS / INHALTSVERZEICHNIS 1. INTRODUCTION: STORY/DISCOURSE; 2. ACTION, EVENT, CONFLICT: THE USES OF NARRATIVE IN ARISTOTLE AND HEGEL; 2.1. BEGINNING, MIDDLE, AND END: ARISTOTLE AND NARRATIVE; 2.2. TRAGEDY, COMEDY, AND THE CUNNING OF REASON: HEGEL AND NARRATIVE THEORY; 3. LOST ILLUSIONS: NARRATIVE IN MARX, NIETZSCHE, AND FREUD; 3.1. FIRST AS TRAGEDY: KARL MARX, NARRATIVE, AND REVOLUTION; 3.2. BEYOND STORY AND DISCOURSE: FRIEDRICH NIETZSCHE AND THE LIMITS OF NARRATIVE; 3.3. NARRATIVE AND ITS DISCONTENTS: SIGMUND FREUD S STORY; 4. EPIC, NOVEL, NARRATIVE THEORY; 4.1. RELATIONS STOP NOWHERE: HENRY JAMES AND THE NOVEL S NARRATIVE; 4.2. STARRY MAPS: GEORG LUKACS AND THE COMPARATIVE ANALYSIS OF NARRATIVE GENRES; 4.3. TO KILL IS NOT TO REFUTE: MIKHAIL BAKHTIN ON GENRE, NARRATIVE, AND HISTORY; 4.4. HISTORY S SCAR: ERICH AUERBACH AND NARRATIVE THINKING; 5. FORM, STRUCTURE, NARRATIVE; 5.1. THE HERO LEAVES HOME: VLADIMIR PROPP AND NARRATIVE MORPHOLOGY; 5.2. KNIGHT S MOVE: VIKTOR SHKLOVSKY AND RUSSIAN FORMALISM; 5.3. DIFFERENCES WITHOUT POSITIVE TERMS: FERDINAND DE SAUSSURE AND THE STRUCTURALIST TURN; 5.4. THE ELEMENTARY STRUCTURES OF STORY AND DISCOURSE: CLAUDE LEVI-STRAUSS AND THE NARRATIVE ANALYSIS OF MYTH; 6. NARRATOLOGY AND NARRATIVE THEORY: KRISTEVA, BARTHES, AND GENETTE; 6.1. IT IS WHAT IT ISN T: JULIA KRISTEVA AND TEL QUEL; 6.2. PARISIAN GOLD: ROLAND BARTHES AND NARRATIVE PLEASURE; 6.3. THE KNOWABLE IS AT THE HEART OF THE MYSTERIOUS: GENETTE S NARRATIVE POETICS DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT. Contents Acknowledgments page vii Chapter 1 Introduction: Story/Discourse I Chapter 2 Action, Event, Conflict: The Uses of Narrative in Aristotle and Hegel 24 2.1 Beginning, Middle, and End: Aristotle and Narrative Theory 24 2.2 Tragedy, Comedy, and the Cunning of Reason: Hegel and Narrative Theory 46 Chapter 3 Lost Illusions: Narrative in Marx, Nietzsche, and Freud 76 3.1 Karl Marx: First as Tragedy 80 3.2 Beyond Story and Discourse: Friedrich Nietzsche and the Limits of Narrative 93 3.3 Sigmund Freud: Narrative and Its Discontents 106 Chapter 4 Epic, Novel, Narrative Theory: Henry James, Georg Lukács, Mikhail Bakhtin, and Erich Auerbach 120 4.1 Relations Stop Nowhere: Henry James and the Forms of the Novel 123 4.2 Starry Maps: Georg Lukács and Narrative Genre 134 4.3 To Kill Does Not Mean to Refute: Bakhtin’s Narrative Theory 153 4.4 Story’s Scar: Erich Auerbach and the History of Narrative Thinking 165 Chapter 5 Form, Structure, Narrative: Propp, Shklovsky, Saussure, Lévi-Strauss 176 5.1 The Hero Leaves Home: Vladimir Propp and Narrative Morphology 180 5.2 Knight’s Move: Viktor Shklovsky and Russian Formalism 188 5.3 Differences without Positive Terms: Ferdinand de Saussure and the Structuralist Turn 205 5.4 The Elementary Structures of Story and Discourse: Claude Lévi-Strauss and the Narrative Analysis of Myth 215 Chapter 6 Narratology and Narrative Theory: Kristeva, Barthes, and Genette 223 6.1 It Is What It Isn’t: Julia Kristeva and Tel Quel 224 6.2 Parisian Gold: Roland Barthes and the Analysis of Narrative 233 6.3 The Knowable Is at the Heart of the Mysterious: Genette’s Narrative Poetics 256 Bibliography 290 Notes 306 Suggested Further Reading 334 Index 339 Kent Puckett’s Narrative Theory: A Critical Introduction provides an account of a methodology increasingly central to literary studies, film studies, history, psychology, and beyond. In addition to introducing readers to some of the field’s major figures and their ideas, Puckett situates critical and philosophical approaches towards narrative within a longer intellectual history. The book reveals one of narrative theory’s founding claims - that narratives need to be understood in terms of a formal relation between story and discourse, between what they narrate and how they narrate it - both as a necessary methodological distinction and as a problem characteristic of modern thought. Puckett thus shows that narrative theory is not only a powerful descriptive system but also a complex and sometimes ironic form of critique. Narrative Theory offers readers an introduction to the field’s key figures, methods, and ideas and also reveals that field as unexpectedly central to the history of ideas.
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author	Puckett, Kent 1972-
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spellingShingle	Puckett, Kent 1972- Narrative theory a critical introduction LITERARY CRITICISM / Semiotics & Theory bisacsh Narration (Rhetoric) LITERARY CRITICISM / Semiotics & Theory Erzähltheorie (DE-588)4152975-3 gnd
subject_GND	(DE-588)4152975-3 (DE-588)4123623-3
title	Narrative theory a critical introduction
title_auth	Narrative theory a critical introduction
title_exact_search	Narrative theory a critical introduction
title_full	Narrative theory a critical introduction Kent Puckett, University of California, Berkeley
title_fullStr	Narrative theory a critical introduction Kent Puckett, University of California, Berkeley
title_full_unstemmed	Narrative theory a critical introduction Kent Puckett, University of California, Berkeley
title_short	Narrative theory
title_sort	narrative theory a critical introduction
title_sub	a critical introduction
topic	LITERARY CRITICISM / Semiotics & Theory bisacsh Narration (Rhetoric) LITERARY CRITICISM / Semiotics & Theory Erzähltheorie (DE-588)4152975-3 gnd
topic_facet	LITERARY CRITICISM / Semiotics & Theory Narration (Rhetoric) Erzähltheorie Lehrbuch
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