Narrative theory: a critical introduction
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2016
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis Klappentext |
| Beschreibung: | vii, 351 Seiten 1 Illustration |
| ISBN: | 9781107033665 9781107684744 |
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Datensatz im Suchindex
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| adam_text | NARRATIVE THEORY
/ PUCKETT, KENTYYEAUTHOR
: 2016
TABLE OF CONTENTS / INHALTSVERZEICHNIS
1. INTRODUCTION: STORY/DISCOURSE; 2. ACTION, EVENT, CONFLICT: THE USES
OF NARRATIVE IN ARISTOTLE AND HEGEL; 2.1. BEGINNING, MIDDLE, AND END:
ARISTOTLE AND NARRATIVE; 2.2. TRAGEDY, COMEDY, AND THE CUNNING OF
REASON: HEGEL AND NARRATIVE THEORY; 3. LOST ILLUSIONS: NARRATIVE IN
MARX, NIETZSCHE, AND FREUD; 3.1. FIRST AS TRAGEDY: KARL MARX, NARRATIVE,
AND REVOLUTION; 3.2. BEYOND STORY AND DISCOURSE: FRIEDRICH NIETZSCHE AND
THE LIMITS OF NARRATIVE; 3.3. NARRATIVE AND ITS DISCONTENTS: SIGMUND
FREUD S STORY; 4. EPIC, NOVEL, NARRATIVE THEORY; 4.1. RELATIONS STOP
NOWHERE: HENRY JAMES AND THE NOVEL S NARRATIVE; 4.2. STARRY MAPS: GEORG
LUKACS AND THE COMPARATIVE ANALYSIS OF NARRATIVE GENRES; 4.3. TO KILL IS
NOT TO REFUTE: MIKHAIL BAKHTIN ON GENRE, NARRATIVE, AND HISTORY; 4.4.
HISTORY S SCAR: ERICH AUERBACH AND NARRATIVE THINKING; 5. FORM,
STRUCTURE, NARRATIVE; 5.1. THE HERO LEAVES HOME: VLADIMIR PROPP AND
NARRATIVE MORPHOLOGY; 5.2. KNIGHT S MOVE: VIKTOR SHKLOVSKY AND RUSSIAN
FORMALISM; 5.3. DIFFERENCES WITHOUT POSITIVE TERMS: FERDINAND DE
SAUSSURE AND THE STRUCTURALIST TURN; 5.4. THE ELEMENTARY STRUCTURES OF
STORY AND DISCOURSE: CLAUDE LEVI-STRAUSS AND THE NARRATIVE ANALYSIS OF
MYTH; 6. NARRATOLOGY AND NARRATIVE THEORY: KRISTEVA, BARTHES, AND
GENETTE; 6.1. IT IS WHAT IT ISN T: JULIA KRISTEVA AND TEL QUEL; 6.2.
PARISIAN GOLD: ROLAND BARTHES AND NARRATIVE PLEASURE; 6.3. THE KNOWABLE
IS AT THE HEART OF THE MYSTERIOUS: GENETTE S NARRATIVE POETICS
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
Contents
Acknowledgments page vii
Chapter 1 Introduction: Story/Discourse I
Chapter 2 Action, Event, Conflict: The Uses of
Narrative in Aristotle and Hegel 24
2.1 Beginning, Middle, and End: Aristotle
and Narrative Theory 24
2.2 Tragedy, Comedy, and the Cunning
of Reason: Hegel and Narrative Theory 46
Chapter 3 Lost Illusions: Narrative in Marx, Nietzsche,
and Freud 76
3.1 Karl Marx: First as Tragedy 80
3.2 Beyond Story and Discourse:
Friedrich Nietzsche and the Limits of
Narrative 93
3.3 Sigmund Freud: Narrative and Its
Discontents 106
Chapter 4 Epic, Novel, Narrative Theory: Henry James,
Georg Lukács, Mikhail Bakhtin, and
Erich Auerbach 120
4.1 Relations Stop Nowhere: Henry James
and the Forms of the Novel 123
4.2 Starry Maps: Georg Lukács and
Narrative Genre
134
4.3 To Kill Does Not Mean to Refute:
Bakhtin’s Narrative Theory 153
4.4 Story’s Scar: Erich Auerbach and the
History of Narrative Thinking 165
Chapter 5 Form, Structure, Narrative: Propp,
Shklovsky, Saussure, Lévi-Strauss 176
5.1 The Hero Leaves Home: Vladimir Propp
and Narrative Morphology 180
5.2 Knight’s Move: Viktor Shklovsky
and Russian Formalism 188
5.3 Differences without Positive Terms:
Ferdinand de Saussure and the
Structuralist Turn 205
5.4 The Elementary Structures of Story and
Discourse: Claude Lévi-Strauss and
the Narrative Analysis of Myth 215
Chapter 6 Narratology and Narrative Theory:
Kristeva, Barthes, and Genette 223
6.1 It Is What It Isn’t: Julia Kristeva and
Tel Quel 224
6.2 Parisian Gold: Roland Barthes
and the Analysis of Narrative 233
6.3 The Knowable Is at the Heart of
the Mysterious: Genette’s
Narrative Poetics 256
Bibliography 290
Notes 306
Suggested Further Reading 334
Index 339
Kent Puckett’s Narrative Theory: A Critical Introduction provides an
account of a methodology increasingly central to literary studies, film studies,
history, psychology, and beyond. In addition to introducing readers to some of
the field’s major figures and their ideas, Puckett situates critical and philosophical
approaches towards narrative within a longer intellectual history. The book
reveals one of narrative theory’s founding claims - that narratives need to be
understood in terms of a formal relation between story and discourse, between
what they narrate and how they narrate it - both as a necessary methodological
distinction and as a problem characteristic of modern thought. Puckett thus
shows that narrative theory is not only a powerful descriptive system but also a
complex and sometimes ironic form of critique. Narrative Theory offers readers
an introduction to the field’s key figures, methods, and ideas and also reveals that
field as unexpectedly central to the history of ideas.
|
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| title_full | Narrative theory a critical introduction Kent Puckett, University of California, Berkeley |
| title_fullStr | Narrative theory a critical introduction Kent Puckett, University of California, Berkeley |
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| title_short | Narrative theory |
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