The uses of photography: art, politics, and the reinvention of a medium
"The uses of Photography examines a network of artists who were active in Southern California between the late 1960s and early 1980s and whose experiments with photography opened the medium to a profusion of new strategies and subjects. These artists introduced urgent social issues and themes o...
Gespeichert in:
| Weitere Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oakland, California
University of California Press
2016
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The uses of Photography examines a network of artists who were active in Southern California between the late 1960s and early 1980s and whose experiments with photography opened the medium to a profusion of new strategies and subjects. These artists introduced urgent social issues and themes of everyday life into the seemingly neutral territory of conceptual art, through photographic works that took on hybrid forms, from books and postcards to video and text-and-image installations. Tracing a crucial history of photoconceptual practice, The Uses of Photography focuses on an artistic community that formed in and around the young University of California San Diego, founded in 1960, and its visual arts department, founded in 1967. Artists such as Eleanor Antin, Allan Kaprow, Fred Lonidier, Martha Rosler, Allan Sekula, and Carrie Mae Weems employed photography and its expanded forms as a means to dismantle modernist autonomy, to contest notions of photographic truth, and to engage in political critique. The work of these artists shaped emergent accounts of postmodernism in the visual arts and their influence is felt throughout the global contemporary art world today."--Page 4 of cover |
| Beschreibung: | Literaturverzeichnis Seite 205 - 207 |
| Beschreibung: | 223 Seiten Illustratiionen 28 cm |
| ISBN: | 9780520290594 |
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Datensatz im Suchindex
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| adam_text | CONTENTS
FOREWORD 8
ACKNOWLEDGMENTS 10
LENDERS TO THE EXHIBITION 13
THE USES OF PHOTOGRAPHY:
AN INTRODUCTION JILL DAWSEY 14
THERE WAS NO RADICALIZATION. . . .
IT WAS NORMAL FOR US : TEACHING
AND LEARNING WITH THE VISUAL ARTS
DEPARTMENT, 1967-76 PAMELA M. LEE 80
VARIOUS SMALL ETHNOFICTIONS
OF COASTAL CALIFORNIA
JUDITH RODENBECK 98
DOCUMENTS AND DOCUMENTARY:
SAN DIEGO, C. 1973 BENJAMIN J. YOUNG 112
REMEMBERING RECORDING REPRESENTING
DAVID ANTIN 164
CHECKLIST OF THE EXHIBITION 192
SELECTED BIBLIOGRAPHY 205
CONTRIBUTORS 211
BOARD OF TRUSTEES 212
STAFF 213
INDEX 214
IMAGE CREDITS 223
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| era_facet | Geschichte 1900-2000 |
| format | Book |
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| spelling | The uses of photography art, politics, and the reinvention of a medium edited by Jill Dawsey ; with contributions by David Antin, Jill Dawsey, Pamela M. Lee, Judith Rodenbeck, and Benjamin J. Young Oakland, California University of California Press 2016 223 Seiten Illustratiionen 28 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier Literaturverzeichnis Seite 205 - 207 "The uses of Photography examines a network of artists who were active in Southern California between the late 1960s and early 1980s and whose experiments with photography opened the medium to a profusion of new strategies and subjects. These artists introduced urgent social issues and themes of everyday life into the seemingly neutral territory of conceptual art, through photographic works that took on hybrid forms, from books and postcards to video and text-and-image installations. Tracing a crucial history of photoconceptual practice, The Uses of Photography focuses on an artistic community that formed in and around the young University of California San Diego, founded in 1960, and its visual arts department, founded in 1967. Artists such as Eleanor Antin, Allan Kaprow, Fred Lonidier, Martha Rosler, Allan Sekula, and Carrie Mae Weems employed photography and its expanded forms as a means to dismantle modernist autonomy, to contest notions of photographic truth, and to engage in political critique. The work of these artists shaped emergent accounts of postmodernism in the visual arts and their influence is felt throughout the global contemporary art world today."--Page 4 of cover Geschichte 1900-2000 Photography / California / San Diego / History / 20th century / Exhibitions Photography / Political aspects / Exhibitions Photography / Social aspects / Exhibitions Influence (Literary, artistic, etc.) / History / 20th century / Exhibitions Photography, Artistic / Exhibitions Geschichte Gesellschaft Politik Fotografie (DE-588)4045895-7 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog gnd-content (DE-588)4135467-9 Ausstellungskatalog Museum of Contemporary Art San Diego 24.09.2016-02.01.2017 San Diego, Calif. gnd-content Fotografie (DE-588)4045895-7 s DE-604 Dawsey, Jill edt Antin, David 1932-2016 (DE-588)118829238 wat Rodenbeck, Judith F. (DE-588)132954230 wat Young, Benjamin J. (DE-588)1055835040 wat Lee, Pamela M. 1967- (DE-588)131882333 wat Museum of Contemporary Art San Diego (DE-588)4295281-5 isb V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029294325&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The uses of photography art, politics, and the reinvention of a medium Photography / California / San Diego / History / 20th century / Exhibitions Photography / Political aspects / Exhibitions Photography / Social aspects / Exhibitions Influence (Literary, artistic, etc.) / History / 20th century / Exhibitions Photography, Artistic / Exhibitions Geschichte Gesellschaft Politik Fotografie (DE-588)4045895-7 gnd |
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| title | The uses of photography art, politics, and the reinvention of a medium |
| title_auth | The uses of photography art, politics, and the reinvention of a medium |
| title_exact_search | The uses of photography art, politics, and the reinvention of a medium |
| title_full | The uses of photography art, politics, and the reinvention of a medium edited by Jill Dawsey ; with contributions by David Antin, Jill Dawsey, Pamela M. Lee, Judith Rodenbeck, and Benjamin J. Young |
| title_fullStr | The uses of photography art, politics, and the reinvention of a medium edited by Jill Dawsey ; with contributions by David Antin, Jill Dawsey, Pamela M. Lee, Judith Rodenbeck, and Benjamin J. Young |
| title_full_unstemmed | The uses of photography art, politics, and the reinvention of a medium edited by Jill Dawsey ; with contributions by David Antin, Jill Dawsey, Pamela M. Lee, Judith Rodenbeck, and Benjamin J. Young |
| title_short | The uses of photography |
| title_sort | the uses of photography art politics and the reinvention of a medium |
| title_sub | art, politics, and the reinvention of a medium |
| topic | Photography / California / San Diego / History / 20th century / Exhibitions Photography / Political aspects / Exhibitions Photography / Social aspects / Exhibitions Influence (Literary, artistic, etc.) / History / 20th century / Exhibitions Photography, Artistic / Exhibitions Geschichte Gesellschaft Politik Fotografie (DE-588)4045895-7 gnd |
| topic_facet | Photography / California / San Diego / History / 20th century / Exhibitions Photography / Political aspects / Exhibitions Photography / Social aspects / Exhibitions Influence (Literary, artistic, etc.) / History / 20th century / Exhibitions Photography, Artistic / Exhibitions Geschichte Gesellschaft Politik Fotografie Ausstellungskatalog Ausstellungskatalog Museum of Contemporary Art San Diego 24.09.2016-02.01.2017 San Diego, Calif. |
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