Reforming music: music and the religious reformations of the sixteenth century
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| Format: | Buch |
| Sprache: | English |
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Berlin
De Gruyter
[2017]
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| Beschreibung: | XXXV, 836 Seiten 23 cm x 15.5 cm |
| ISBN: | 9783110518054 3110518058 |
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Datensatz im Suchindex
| _version_ | 1804176781578600448 |
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| adam_text | CONTENTS
INTRODUCTION * XXV
ABBREVIATIONS AND REFERENCE WORKS * XXXIII
CHAPTER 1 - FRAMING A CENTURY * 1
1.1. INTRODUCTION * 1
1.2. THEOLOGY: THE ISSUES AT STAKE * 3
1.2.1. HOW ARE WE SAVED? * 4
1.2.2. JUSTIFIED BY GRACE * 5
1.2.3. SUBSTANTIAL DIFFERENCES * 7
1.3. CULTURE, ART AND THOUGHT IN THE SIXTEENTH CENTURY *
1.3.1. THINKING THE SIXTEENTH CENTURY * 10
1.3.2. APPLIED HUMANISM * 11
1.3.3. PHILOSOPHY AND THEOLOGY * 12
1.3.4. SCIENCE AND LITERATURE * 14
1.3.5. VISUAL ARTS * 15
1.4. MUSIC * 17
1.4.1. SETTING A TEXT * 17
1.4.2. TRAVELLING MUSIC, TRAVELLING MUSICIANS * 18
1.4.3. GENRES IN VOCAL MUSIC * 20
1.4.4. A PROTAGONIST: THE MADRIGAL * 21
1.4.5. A NURSERY FOR OPERA * 24
1.5. SOCIETY AND POLITICS * 25
1.6. CHURCH MATTERS * 28
1.6.1. AT THE ROOTS OF THE REFORMATIONS * 29
1.6.2. 1500-1525: ENTER LUTHER * 31
1.6.3. 1526-1550: SPREADING THE WORD * 35
1.6.4. 1551-1575: CONSOLIDATING CONFESSIONS * 40
1.6.5. 1576-1600: FINDING A MODUS VIVENDI * 46
CHAPTER 2 - MUSIC, SOCIETY AND CULTURE
* 49
2.1. INTRODUCTION * 49
2.2. MUSIC AND FAITH: AN OVERVIEW * 52
2.2.1. A RESOUNDING LANDSCAPE * 52
2.2.2. A TIME OF RELIGIOUS RENEWAL * 55
2.3. HUMANISM AND MUSIC * 56
2.3.1. SOUNDING GREEK * 58
2.3.2. DIALOGUING WITH PLATO (AND ARISTOTLE) * 60
2.3.3. FASHIONING ANTIQUITY * 63
2.3.4. AT THE SOURCES OF CHRISTIAN MUSIC * 66
2.3.5. * SHOULD GOD BE PRAISED WITH SONG?* * 69
2.3.6. MAGISTERIAL MUSIC * 72
2.3.7. WORDS, WORDS, WORDS * 74
2.3.7.1. MOVING MUSIC * 75
2.3.7.2. PLAINTEXT * 77
2.3.8. SYMBOL AND FASCINATION * 79
2.3.9. * ORNAMENTAL NEIGHINGS* : ERASMUS ON MUSIC * 82
2.4. AS YOU LIKE IT: AESTHETIC TRENDS * 84
2.4.1. STYLE MATTERS * 85
2.4.2. A CAPPELLA OR ACCOMPANIED? * 86
2.4.3. ENJOYING POLYPHONY * 89
2.4.4. SEDUCING OR SANCTIFYING? * 92
2.4.5. RHETORICAL QUESTIONS * 94
2.4.6. THE EFFECTS OF AFFECTS * 96
2.4.7. SENSING MUSIC * 98
CHAPTER 3 - CRITICISING SACRED MUSIC
* 101
3.1. INTRODUCTION * 101
3.2. * SACRED* MUSIC? * 103
3.2.1. PLAINCHANT: THE DAILY BREAD * 105
3.2.2. LATIN-TEXTED POLYPHONY: RESOUNDING FEAST * 107
3.2.2.1. MAKING MUSIC FOR MASS * 108
3.2.2.2. MOSTLY MOTETS * 109
3.2.3. PRAYING IN MUSIC * 110
3.3. CRISIS, CRITICS AND CRITICALITIES * 114
3.3.1. SERVING THE WORD? * 115
3.3.1.1. ENRAPTURING MELISMAS * 115
3.3.1.2. A FREE REIN FOR SEQUENCES * 117
3.3.1.3. HEARING THE UNSAID * 118
3.3.1.4. *
INTELLIGO UT CREDAM* : THE IMPORTANCE OF
UNDERSTANDING * 119
3.3.2. THE MORALS OF MUSIC * 123
3.3.2.1. LADY MUSIC * 123
3.3.2.2. SOFT AND LASCIVIOUS * 126
3.3.2.3. * MOCH MUSICK MARRETH MENS MANERS* * 128
3.3.2.4. PRACTICAL PROBLEMS * 132
3.3.2.5. CONTROLLING THE CHOIR * 134
3.3.2.6. A WASTE OF TIME AND MONEY * 136
3.3.2.7. SOUNDING IMMORAL * 137
3.3.2.8. THE VOLUME OF * WILD VOCIFERATIONS* * 140
3.3.2.9. CATS, GOATS, BULLS AND DONKEYS * 142
3.3.2.10. VIRTUOUS AND VIRTUOSOS * 146
3.3.2.11. LAUGHABLE GESTURES AND LAUDABLE BEHAVIOURS * 149
3.3.2.12. THE FORCE OF GRAVITY * 151
3.3.3. A LETTER BY BERNARDINO CIRILLO * 155
3.3.3.1. THE LETTER*S LETTER * 156
3.3 3.2. THE LETTER*S SPIRIT * 161
CHAPTER 4 - THE REFORMERS CONCEPT OF MUSIC
* 164
4.1. INTRODUCTION * 164
4.2. WHERE THE REFORMERS SAW EYE TO EYE * 165
4.2.1. FROM WORD TO WORD * 166
4.2.2. SOURCES AS RESOURCES * 168
4.2.3. REFORMING CHURCH MUSIC * 171
4.2.3.1. *A CANTANTIBUS IN TE LLE C TU S WORDS FOR WHOM? * 172
4.2.3.2. * NOT SO EXCELLENT A THING* : THE RISKS OF MUSIC * 174
4.2.3.3. CREATION AND CREATIVITY * 178
4.2.4. WHAT*S THE USE OF MUSIC? * 180
4.2.4.1. A GIFT OF GOD
-----
181
4.2.4.2. * PRAISE HIM WITH LUTE AND HARP* * 183
4.2.4.3. CHORDS OF CONCORD * 185
4.2.4.4. FOSTERING FERVOUR * 186
4.2.4.5. * FAITH COMES FROM HEARING* * 187
4.2.4.6. A * MEDICINE FOR PASSIONS* * 190
4.2.4.7. *ZU FREWDE* : THE JOY OF MUSIC * 191
4.2.4.S. DISPELLING DEVILS * 193
4.2.4.9. VOICING THE GOSPEL * 194
4.2.4.10. SHALL OR MAY? MUSIC AS ADIAPHORON * 195
4.2.4.11. MUSIC FOR THE END OF THE WORLD * 197
4.2.5. ORCHESTRATING PRAISE: THE ROLE OF INSTRUMENTS * 199
4.3. VARIOUS VIEWS: MUSIC FOR THE REFORMERS * 202
4.3.1. LUTHER: * MUSICAM SEMPER AMAVF * 202
4.3.1.1. ORIGINS AND ORIGINALITY * 204
4.3.1.2. THE PRINCIPAL PRINCIPLES * 206
4.3.1.3. TUNING THE TENETS * 210
4.3.2. ZWINGLI: NAILING THE ORGANS * 212
4.3.3. * RADICAL* REFORMS * 216
4.3.4. BUCER: SACRED MUSIC ONLY * 218
4.3.5. CALVIN: CAUTIONS AND CHANTING * 219
4.3.5.1. AN INCREASING INTEREST... * 219
4.3.5.2. ...AND PERSISTING PERPLEXITIES * 222
4.3.6. ANGLICAN ANTINOMIES * 225
4.3.7. CATHOLIC CONTINUITY * 229
4.3.7.1. HEARING MASS * 230
4.3.7.2. WORSHIP FOR WHOM? * 233
CHAPTER 5 - MUSIC IN THE EVANGELICAL CHURCHES: LUTHER
* 236
5.1. INTRODUCTION * 236
5.2. A MUSIC-LOVING REFORMER * 238
5.3. THE FORMS OF REFORM * 240
5.3.1. LATIN ROOTS, EVANGELICAL FRUITS * 241
5.3.1.1. REORDERING THE ORDINARY * 241
5.3.1.2. HOURS OF WORSHIP * 245
5.3.2. VENTURING THE VERNACULAR * 246
5.3.2.1. TRANSLATING TRADITION * 248
5 3.2.2. SINGING SCRIPTURE * 251
5.3.2.3. * CHRISTIAN IMPROVEMENTS* * 253
5.3.2.4. STARTING FROM SCRATCH * 256
5.3.2.5. FORGING A REPERTOIRE * 259
5.3.2.6. LED BY THE LIEDER* 261
5.3.3. COLLECTING CHORALES * 264
5.3.3.1. OBJECTS OF PIETY: THE LUTHERAN HYMNBOOKS * 267
5.3.4. THE DAILY SOUND * 269
5.3.4.1. A SINGING CHURCH * 269
5.3.4.2. OUR DAILY HYMN * 273
5.3.4.3. LEHRE: LEARNING FROM THE LIEDER * 274
5.3.4.4. TROST: COMFORTED BY THE CHORALES * 279
5.3.4.5. CREATING COMMUNITIES * 281
5.3.4.6. DISSEMINATING DOCTRINES IN MUSIC * 282
5.3.5. A RANGE OF GENRES * 285
5.3.6. MUSIC AT THE BORDERS OF LUTHERANISM * 288
5.4. SINGING IN STRASBOURG * 290
5.4.1. THE STRASBOURG STYLE * 292
5.5. THE BOHEMIAN BRETHREN * 295
CHAPTER 6 - MUSIC IN THE EVANGELICAL CHURCHES: CALVIN * 298
6.1. I NTROD UCTION * 298
6.2. THE POWER OF PSALMODY * 299
6.2.1. METRICAL PSALMODY BEFORE CALVIN * 300
6.2.2. MAROT: PSALTER AND VERSE * 302
6.2.3. PREPARING FOR THE PSALTER * 304
6.3. THE GENEVAN PSALTER * 306
6.3.1. TWO REFORMERS, TWO ATTITUDES * 308
6.3.2. METRES AND MELODIES * 310
6.3.3. THE GENEVAN PSALTER OUTSIDE GENEVA * 312
6.3.4. OUR DAILY PSALM * 315
6.3.5. MUSICAL FLAGS * 318
6.3.6. PSALMS IN POLYPHONY * 321
6.3.7. INSTRUMENTS AND HOUSE DEVOTION * 325
6.4. CONSTANCE AND BASEL * 328
6.5. THE SOUTERLIEDEKENS * 330
CHAPTER 7 - MUSIC IN THE CHURCH OF ENGLAND * 333
7.1. INTRODUCTION
-----
333
7.2. REFORMING RITES * 336
7.2.1. UNDER HENRY VIII * 336
7.2.2. UNDER EDWARD VI * 338
7.2.3. THE BOOK OF COMMON PRAYER* 339
7.2.4. UNDER ELIZABETH I * 344
7.3. PSALMS, PSALTERS AND REFORMATIONS * 346
7.3.1. COVERDALE: CONTINENTAL INFLUENCES * 346
7.3.2. STERNHOLD: PSALMS AT COURT * 349
7.3.3. * THE LORD*S SONGS IN A FOREIGN LAND* * 351
7.3.4. ELIZABETHAN PSALMODY: THE * STERNHOLD AND HOPKINS* * 354
7.3.5. SINGING THE SCOTTISH REFORMATION * 358
7.3.6. PSALMS, POETRY AND POLYPHONY * 360
7.3.7. PSALMS, PIETY AND POLITICS * 363
7.4. THE * GODLY BALLADS* * 364
7.5. OUR DAILY MUSIC * 367
7.5.1. EDUCATING IN MUSIC * 367
7.5.2. PRIVATE PIETY * 368
7.6. BETWEEN COURT AND PARISH CHURCH * 371
7.6.1. SHAPING AN *ANGLICAN* STYLE * 374
7.6.2. SETTING THE SERVICE * 377
7.6.3. BYRD: A CATHOLIC AT COURT * 379
CHAPTER 8 - MUSIC AND THE COUNCIL OF TRENT
* 382
8.1. INTRODUCTION * 382
8.2. TRENT AND TRADITION * 384
8.2.1. THEOLOGICAL THEMES * 386
8.2.2. SELF- OR COUNTER-REFORMATION? * 387
8.2.3. DRAFTS, DEBATES, DECREES * 390
8.2.4. USES AND ABUSES * 391
8.2.5. FIGHTING * LASCIVIOUSNESS* * 393
8.2.6. SINGING FOR THE POPE * 395
8.3. WHO WAS WHO * 397
8.3.1. ERCOLE GONZAGA: PRESIDENT AND PATRON * 398
8.3.2. GIOVANNI MORONE: MONODY FIRST * 399
8.3.3. OTTO TRUCHSESS: TALENTS AND TREASURES * 400
8.3.4. GABRIELE PALEOTTI: RESPECT AND RIGOUR * 402
8.3.5. CARLO BORROMEO: INFLUENTIAL AND IDIOSYNCRATIC * 405
8.3.6. KERLE S PRECES: THE COUNCIL S SOUNDTRACK * 405
8.4. THE COUNCIL ON MUSIC * 407
8.4.1. SETTING THE STAGE * 409
8.4.2. ENUMERATING ERRORS * 410
8.4.3. A * HOUSE OF PRAYER* * 413
8.4.4. RESCUING POLYPHONY? * 416
8.4.5. MUSIC IN THE CONVENTS * 418
8.4.6. CONCLUDING THE COUNCIL * 419
8.5. WHAT DID NOT HAPPEN AT THE COUNCIL * 421
8.5.1. PALESTRINA: POLYPHONY S SAVIOUR? * 422
8.5.2. PRESCRIPTIONS OR PROSCRIPTIONS?
-----
425
8.5.3. OPEN ISSUES * 427
CHAPTER 9 - MUSIC AFTER TRENT
* 429
9.1. INTRODUCTION * 429
9.2. MUSIC AFTER TRENT * 431
9.2.1. HARDLY A REVOLUTION
-----
431
9.2.2. PURIFYING WORSHIP * 434
9.2.3. A NEW CLERICAL CLASS * 436
9.2.4. FROM GLOBAL TO LOCAL * 438
9.3. MUSIC AND LITURGY AFTER TRENT * 441
9.3.1. REAFFIRMING RITUALITY * 443
9.3.2. REVISING RITES * 445
9.3.3. NEW NEEDS * 447
9.3.4. FREEING PLAINCHANT FROM * INEPTITUDE* AND * MALICE* * 448
9.3.5. POLYPHONY AFTER TRENT * 452
9.3.5.1. EXPLORING POST-TRIDENTINE AESTHETICS * 454
9.3.5.2. POLYCHORALITY: A NEW OPTION * 456
9.3.6. THE CARDINALS* COMMISSION * 459
9.3.6.1. OBSERVING (AND BY-PASSING) THE * COUNCIL*S
REQUIREMENTS* * 461
9.3.7. CELEBRATING WITH INSTRUMENTS * 466
9.4. RELIGIOUS MUSIC IN POST-TRIDENTINE CATHOLICISM * 467
9.4.1. EMOTIONAL MOTETS * 468
9.4.2. LOCAL LANGUAGES * 468
9.4.3. PIETY AND POETRY * 470
9.4.4. DEVOTIONAL MUSIC OUTSIDE ITALY * 473
9.4.5. PROCESSIONS AND PILGRIMAGES * 474
9.4.6. IN THE SPHERE OF SPIRITUALITY * 478
9.5. REFORMING CATHOLICISM * 480
9.5.1. THE THEOLOGICAL FRAMEWORK * 481
9.5.2. THE JESUITS AND MUSIC: FORBIDDEN, ADMITTED, PROMOTED * 482
9.5.2.1. THE FIRST JESUITS AND THE UNSUNG OFFICE * 482
9.5.2.2. A SENSIBLE PREACHING * 484
9.5 2.3. COLLEGE EDUCATION * 486
9.5.2.4. PERFORMING HOLINESS * 488
9.5.2.5. THE MISSION OF MUSIC * 489
9.5.3. FILIPPO NERI: LAITY AND LAUDE * 490
9.5.3.1. FROM FLORENCE TO ROME * 492
9.5.4. BRETHREN IN CHRIST: THE CONFRATERNITIES * 495
9.6. CATHOLIC MUSIC LOCALLY * 498
9.6.1. CHAPELS AND PATRONS * 498
9.6.2. MILAN: REFORMING FROM THE ROOTS * 500
9.6.3. ROME: SPLENDOUR AND SPIRITUALITY * 503
9.6.4. VENICE: ENJOYING MAGNIFICENCE * 507
9.6.5. MANTUA: A WORKSHOP OF THE CATHOLIC REFORMATION * 508
9.6.6. SPAIN: PENITENCE AND POMP * 511
9.6.7. BAVARIA: THE OUTPOST OF CATHOLICISM * 514
CHAPTER 10 - MUSIC AND CONFESSIONALISATION * 519
10.1. INTRODUCTION * 519
10.2. BUILDING CONFESSIONAL BOUNDARIES * 521
10.3. THE CONFESSIONALISATION OF MUSIC * 523
10.3.1. FAITH FIRST * 523
10.3.2. PREACHING IN MUSIC * 525
10.3.3. * AS LONG AS I LIVE* : MUSIC AND MARTYRDOM * 525
10.3.3.1. * THE STORY OF BROTHER HENRY* : SUNG EPICS OF
MARTYRDOM * 526
10.3.3.2. * WE HAVE BECOME A SPECTACLE* : BYRD AND THE ENGLISH
MARTYRS * 528
10.3.4. * LET GOD RISE UP* : BATTLE HYMNS * 530
10.3.5. PAMPHLETS, BROADSHEETS AND POLEMICS * 530
10.3.6. ENCHANTING CHANT * 532
10.3.7. CONQUERING SPACE THROUGH SOUND * 533
10.3.7.1. WALKING SINGERS * 534
10.3.7.2. SEIZING THE SERVICE * 536
10.3.7.3. SUNG SARCASM * 538
10.3.7.4. PARAPHRASE AND PARODY * 540
10.3.7.5. THE TIME OF THE ANTICHRIST * 542
10.3.7.6. CHANGES IN MUSIC ARE CHANGES IN DOCTRINE * 543
10.4. PSALMS FOR ALL * 545
10.5. CONFESSIONAL CONTRAFACTURE * 548
10.5.1. SONGS OF SCORN * 550
10.6. THE CONTEXTS OF CONFESSIONALISATION * 553
10.6.1. * OH BENNO, YOU HOLY MAN...* * 553
10.6.2. COUNTERING THE INTERIM * 554
10.6.3. CONTESTING THE CALENDAR * 556
10.6.4. COURTLY INTRIGUES * 557
10.7. * SAVE ME, O GOD* : ECHOES OF PERSECUTION * 559
10.7.1. SILENCING SONGS * 559
10.7.2. MARTYRED MUSICIANS * 562
10.7.3. CONCEALING AND REVEALING * 564
CHAPTER 11 - MUSIC BEYOND CONFESSIONALISATION * 567
11.1. INTRODUCTION * 567
11.2. SEEKING HARMONY * 568
11.2.1. TUNING THE DIFFERENCES * 568
11.2.2. FLUTES, LUTES AND LUTHER * 569
11.2.3. CREATING COMMUNION THROUGH PRAYER * 572
11.2.4. JOINING THEOLOGY WITH PRAISE * 573
11.3. FINDING HARMONY * 573
11.3.1. CONSONANT DOCTRINES * 574
11.3.2. CROSSING THE CONFINES * 576
11.3.3. SUNG PLEAS FOR UNITY * 577
11.3.4. BRIDGING SOCIAL LAYERS * 577
11.4. LIKE PRAYER, LIKE SONG * 578
11.4.1. THE THREAD OF PSALMODY * 579
11.4.2. THE THREAD OF PIETY * 581
11.4.3. THE THREAD OF MYSTICISM * 582
11.4.3.1. DEFEATING THE DEVIL * 585
11.4.3.2. CONSOLING AND COMFORTING * 586
11.4.4. THE THREAD OF EDUCATION * 587
11.4.4.1. * THE BRIM AROUND THE CUP* : SINGING THE
CATECHISM * 590
11.4.4.2. * BY WAY OF PLEASANT SONG* : ENJOYING SUNDAY
SCHOOL * 593
11.4.4.3. * SING LIKE THE ANGELS IN HEAVEN* : PUBLISHING CA
TECHISM SONGS * 596
11.4.4.4. * NIGHT AND DAY* : THE FORMS OF SUNG DOCTRINE * 597
11.4.5. THE THREAD OF MUSICIANSHIP * 599
11.4.6. THE THREAD OF SOLICITUDE * 600
11.4.7. INSPIRING HYMNBOOKS * 602
11.4.7.1. VEHE: A CATHOLIC PIONEER * 603
11.4.7.2. LEISENTRIT: AN EXAMPLE OF COUNTER-
REFORMATION * 605
11.4.7.3. SHARING SONGS * 606
11.4.7.4. RESPONSES TO CALVINIST PSALMODY * 609
11.5. MUSIC ACROSS BOUNDARIES * 611
11.5.1. ADOPTING AND ADAPTING * 612
11.5.2. THE CHALLENGE OF BEAUTY * 614
11.5.3. ASSERTING THE SACREDNESS OF CREATION * 616
11.5.4. HOLY AND SPIRITUAL SONGS * 618
11.6. MUSICIANS BEYOND BOUNDARIES * 619
11.6.1. ECUMENISM IN MUSIC * 621
11.6.2. FINDING THE LANGUAGE OF MUSICAL DIALOGUE * 623
CHAPTER 12 - MUSIC AND WOMEN * 625
12.1. INTRODUCTION * 625
12.2. TRUTHS, MYTHS AND STEREOTYPES * 627
12.2.1. FRAU MUSIKA OR WOMEN*S MUSIC? * 628
12.2.2. MARY MAGDALENE AS A MUSICIAN * 629
12.2.3. SCANTY SOURCES * 631
12.2.4. SOCIAL STATUS * 632
12.2.5. PATRONESSES AND PRIORESSES * 633
12.2.6. THE IMPACT OF THE REFORMATIONS * 636
12.3. VOICES OF EVANGELICAL WOMEN * 637
12.3.1. IN THE LUTHERAN CHURCH * 637
12.3.1.1. THE * VIRTUOUS MATRONS* AND THEIR DAUGHTERS * 638
12.3.1.2. GIRLS * PROPHESY* : ANNOUNCING THE KINGDOM*S
ADVENT * 640
12.3.1.3. CRUCIGER: FROM THE VERY BEGINNING * 641
12.3.1.4. SCHUETZ-ZELL: A RESOURCEFUL REFORMER * 643
12.3.2. IN THE CALVINIST CHURCH * 644
12.3.3. LIVING (AND LOVING) PSALMODY * 646
12.3.3.1. CREATIVE RESONANCES * 648
12.3.4. AMONG ANABAPTISTS * 650
12.4. VOICES OF CATHOLIC WOMEN * 652
12.4.1. VOICES FROM THE CONVENTS * 653
12.4.1.1. VOICING RESISTANCE * 653
12.4.1.2. CONVENTS AS CULTURAL CENTRES * 654
12.4.1.3. * ONLY VOICE AND NO SIGHT* * 656
12.4.1.4. MUSIC FOR HEARERS? * 658
12.4.1.5. TEACHING MUSIC TO THE NUNS * 660
12.4.1.6. A RICH REPERTOIRE * 661
12.4.1.7. MUSIC FOR MONEY * 663
12.4.1.8. SONGS FOR SANCTITY * 665
12.4.2. (UN)VEILED VOICES * 666
12.4.2.1. ALEOTTI: HOW MANY OF THEM? * 667
12.4.2.2. COMMUNITY CONCERTS
-----
668
12.4.2.3. SESSA: BETTER THAN MONTEVERDI? * 670
12.4.2.4. BOVIA, STROZZI, BAPTISTA AND THEIR SISTERS *
12.4.2.5. THE CONVENT SCRIBES: TRANSMITTING TASTES *
12.4.3. REFORMS, RULES AND RELIGIOUS WOMEN * 674
12.4.3.1. PALEOTTI: MUTING MUSIC * 675
12.4.3.2. THE BORROMEOS: BETWEEN RIGOUR AND REFORM * 676
12.4.4. VOICES FROM THE LAITY * 677
12.4.4.1. COMPOSING SPIRITUAL MADRIGALS * 678
12.4.4.2. VOICES FROM NORTHERN EUROPE * 679
12.5. VOICES FROM A CHRISTIAN POLYPHONY * 681
CONCLUSIONS * 685
GLOSSARY * 690
OX
BIBLIOGRAPHY * 703
PRIMARY * 703
SECONDARY * 739
INDEX OF NAMES * 795
INDEX OF SUBJECTS * 817
|
| any_adam_object | 1 |
| author | Bertoglio, Chiara 1983- |
| author_GND | (DE-588)13205485X |
| author_facet | Bertoglio, Chiara 1983- |
| author_role | aut |
| author_sort | Bertoglio, Chiara 1983- |
| author_variant | c b cb |
| building | Verbundindex |
| bvnumber | BV043884114 |
| classification_rvk | LP 19503 LR 13520 LR 33400 LR 57743 |
| ctrlnum | (OCoLC)963870519 (DE-599)DNB1118521447 |
| dewey-full | 230 |
| dewey-hundreds | 200 - Religion |
| dewey-ones | 230 - Christianity |
| dewey-raw | 230 |
| dewey-search | 230 |
| dewey-sort | 3230 |
| dewey-tens | 230 - Christianity |
| discipline | Theologie / Religionswissenschaften Musikwissenschaft |
| era | Geschichte 1500-1600 gnd |
| era_facet | Geschichte 1500-1600 |
| format | Book |
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| geographic_facet | Europa |
| id | DE-604.BV043884114 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:37:38Z |
| institution | BVB |
| institution_GND | (DE-588)10095502-2 |
| isbn | 9783110518054 3110518058 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029293656 |
| oclc_num | 963870519 |
| open_access_boolean | |
| owner | DE-29 DE-11 DE-703 DE-20 DE-155 DE-BY-UBR DE-19 DE-BY-UBM DE-12 DE-Re5 DE-BY-UBR DE-B170 |
| owner_facet | DE-29 DE-11 DE-703 DE-20 DE-155 DE-BY-UBR DE-19 DE-BY-UBM DE-12 DE-Re5 DE-BY-UBR DE-B170 |
| physical | XXXV, 836 Seiten 23 cm x 15.5 cm |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | De Gruyter |
| record_format | marc |
| spelling | Bertoglio, Chiara 1983- Verfasser (DE-588)13205485X aut Reforming music music and the religious reformations of the sixteenth century Chiara Bertoglio Berlin De Gruyter [2017] © 2017 XXXV, 836 Seiten 23 cm x 15.5 cm txt rdacontent n rdamedia nc rdacarrier Geschichte 1500-1600 gnd rswk-swf Geistliche Musik (DE-588)4126228-1 gnd rswk-swf Reformation (DE-588)4048946-2 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf Early Modern Polyphony Reformations Sixteenth century Europa (DE-588)4015701-5 g Geistliche Musik (DE-588)4126228-1 s Reformation (DE-588)4048946-2 s Geschichte 1500-1600 z DE-604 Walter de Gruyter GmbH & Co. KG (DE-588)10095502-2 pbl Erscheint auch als Online-Ausgabe, PDF 978-3-11-052081-1 Erscheint auch als Online-Ausgabe, EPUB 978-3-11-051933-4 http://www.degruyter.com/search?f_0=isbnissn&q_0=9783110518054&searchTitles=true Verlag http://www.sehepunkte.de/2017/11/30323.html rezensiert in: sehepunkte 17 (2017), Nr. 11 Rezension DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029293656&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Bertoglio, Chiara 1983- Reforming music music and the religious reformations of the sixteenth century Geistliche Musik (DE-588)4126228-1 gnd Reformation (DE-588)4048946-2 gnd |
| subject_GND | (DE-588)4126228-1 (DE-588)4048946-2 (DE-588)4015701-5 |
| title | Reforming music music and the religious reformations of the sixteenth century |
| title_auth | Reforming music music and the religious reformations of the sixteenth century |
| title_exact_search | Reforming music music and the religious reformations of the sixteenth century |
| title_full | Reforming music music and the religious reformations of the sixteenth century Chiara Bertoglio |
| title_fullStr | Reforming music music and the religious reformations of the sixteenth century Chiara Bertoglio |
| title_full_unstemmed | Reforming music music and the religious reformations of the sixteenth century Chiara Bertoglio |
| title_short | Reforming music |
| title_sort | reforming music music and the religious reformations of the sixteenth century |
| title_sub | music and the religious reformations of the sixteenth century |
| topic | Geistliche Musik (DE-588)4126228-1 gnd Reformation (DE-588)4048946-2 gnd |
| topic_facet | Geistliche Musik Reformation Europa |
| url | http://www.degruyter.com/search?f_0=isbnissn&q_0=9783110518054&searchTitles=true http://www.sehepunkte.de/2017/11/30323.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029293656&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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