Theory of the novel:
The novel is the most important form of Western art. It represents the totality of life; it is the flagship that literature lines up against systematic thought, against science and philosophy. Over the past two hundred years the novel has inspired more essays and reflections than any other aesthetic...
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| Format: | Buch |
| Sprache: | English Italian |
| Veröffentlicht: |
Cambridge, Massachusetts ; London, England
Harvard University Press
2017
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| Ausgabe: | First printing |
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| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | The novel is the most important form of Western art. It represents the totality of life; it is the flagship that literature lines up against systematic thought, against science and philosophy. Over the past two hundred years the novel has inspired more essays and reflections than any other aesthetic form, and contributed profoundly in conveying ideas of social life and patterns of behavior. Through the novel, Western literature expanded the range of its themes and possibilities, and has come to tell any story in any way; through the novel, Western literature has been able to delineate the ordinary existence of common people in a serious way, expressing the spirit of an age in which nothing matters except the single individual life. Nearly a century after the György Lukács' essay of the same name, this book offers a comprehensive interpretation of the novel as a cultural phenomenon and as a sign and symptom of the modern condition. This is a work of comparative literature covering four centuries of Western culture, but also a book about our epoch, about its values and its genealogy.... |
| Beschreibung: | viii, 392 Seiten Diagramme |
| ISBN: | 9780674333727 |
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Datensatz im Suchindex
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|---|---|
| adam_text | THEORY OF THE NOVEL
/ / / MAZZONI, GUIDOYYD1967-YYEAUTHOR
: : : 2016
TABLE OF CONTENTS / INHALTSVERZEICHNIS
^^ - THE ROMANCE IN THE NOVEL, SPECIAL CHARACTERS
THE NOVEL OF FATE
A MAP OF THE NINETEENTH-CENTURY PARADIGM
THE TRANSITION TO MODERNISM
THE SECOND PHASE OF NINETEENTH-CENTURY REALISM
REALISM WITHOUT MELODRAMA
HISTORICAL STATIONS
NEW NARRATORS
NEW PLOTS
NEW CHARACTERS
THREE TURNING POINTS
STORIES AND EPIPHANIES
WORLDS APART
MODERN FORMS OF THE ROMANCE
THE SENSE OF A TRANSFORMATION
ON CONTEMPORARY FICTION
AFTER MODERNISM
THE DECLINE OF THE NEW
A MULTIPLE ARCHIPELAGO
CONCLUSION: A THEORY OF THE NOVEL
THE GENRE OF PARTICULARITY
RELATIVISM AND PROSPECTIVISM
AN ANALYTICS OF EXISTENCE
DISCURSIVE TRANSFORMATIONS
THE DESIGN OF THIS BOOK
ON THE PRESENT STATE OF THINGS
DIESES SCHRIFTSTCK WURDE MASCHINELL ERZEUGT.
Contents
Translator’s Note ix
introduction» Truth and Literature 1
Why the Novel Matters 1
Books of Life 3
Games of Truth 5
Literature and Reality 9
What Is the Novel? 13
m l A Theory of Narrative 20
People and Leaves 20
Mimesis and Concept 25
The Hidden Contents of Mimesis 31
The Confines of Mimesis 33
Between Nothingness and Ideas: The Mimetic
Discontinuity 37
Stories 40
Narrative and Existential Analytics 47
Narrators 51
Levels of Reality 54
Being in the World 57
60
twos The Origin of the Novel
Historical Semantics 60
The Question of Origins 64
The First Corpus 67
Symbolic Thresholds: 1550 75
Symbolic Thresholds: 1670 79
The Territory of the Romance 85
The Territory of the Novel 87
The Rise of the Novel 92
ihrbei The Novel and the Literature of the Ancien Régime 95
The Dialectic of Continuity and Change 95
A Cohesive Epoch 96
Classicism and the Separation of Styles 100
Aesthetic Platonism 111
Moralism and Allegory 121
Moralistic Apparatuses, Poetic Justice, Exemplary Heroes 125
The Legitimization of the Romance 131
The Legitimization of the Novel 134
F ou Ri The Book of Particular Life 138
The Romance and Private Aims 138
Suspense, Entrelacement, and the Romanesque 143
The History of Private Lives 148
A Discursive Gap 150
The Pathos of Proximity 156
The Interesting 159
The Novel’s Readership 161
Particular Life 163
National Differences: France and England 176
FIVE: The Birth of the Modern Novel 180
Freedom from the Rules of Style 181
Freedom from Allegory and Morality 185
Moralism, Empathy, and Observation 189
A New Conceptual Ether 200
The Weight of Novels 206
The Expansion of the Narratable World 214
The Middle Station of Life 217
The Serious Mimesis of Everyday Life 220
The World of Prose 224
Center and Periphery 226
Narrative Democracy 228
: The Nineteenth-Century Paradigm 230
Abstractions 230
Realisms 232
The Frameworks of the Nineteenth-Century Paradigm 236
The Figurative Novel and Its Theatrical Model 241
The Discovery of the Environment 251
Dependent Individuals 254
The Melodramatic Model 257
The Significance of the Melodramatic Novel 261
The Romance in the Novel, Special Characters 266
The Novel of Personal Destinies 267
A Map of the Nineteenth-Century Paradigm 270
i The Transition to Modernism 272
The Second Phase of Nineteenth-Century Realism 272
Realism without Melodrama 274
Historical Stations 287
New Narrators 290
New Plots 297
New Characters 301
Three Turning Points 314
Short Stories and Epiphanies 319
Worlds Apart 323
The Modern Forms of the Romance 328
The Sense of a Transformation 330
: On Contemporary Fiction 333
After Modernism 333
The Decline of the New 334
A Multiple Archipelago 337
conclusion: A Theory of the Novel
The Genre of Particularity
Relativism and Perspectivism
An Analytics of Existence
Discursive Transformations
The Design of This Book
On the Present State of Things
Acknowledgments
Index
343
343
346
350
352
360
366
379
381
THE NOVEL IS THE MOST IMPORTANT FORM of
Western art. It aims to represent the totality
of life; it is the flagship that literature sends
out against the systematic thought of science
and philosophy Indebted to Lukács and
Bakhtin, to Auerbach and Ian Watt, Guido
Mazzoni s Theoryr of the Noeel breaks new
ground, building a historical understanding
of how the novel became the modern book
of life: one of the best representations of our
experience of the world.
The genre arose during a long metamor-
phosis of narrative forms that took place
between i55o and 1800. Bv the nineteenth
*/
century it had come to encompass a corpus
of texts distinguished by their freedom from
traditional formal boundaries and by the
particularity of their narratives. Mazzoni ex-
plains that modern novels consist of stories
told in any way whatsoever, by narrators who
exist—like us — as contingent beings within
time and space. They therefore present an
interpretation, not a copy of the world.
Novels grant new importance to the sto-
ries of ordinary men and women and allow
readers to step into other lives and other
versions of truth. As Theory of the Noeel
makes clear, this art form narrates an epoch
and a society in which individual experienc-
es do not converge but proliferate, in which
the common world has fragmented into a
plurality of small, local worlds, each absolute
in its particularity
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| spelling | Mazzoni, Guido 1967- Verfasser (DE-588)1124786015 aut Teoria del romanzo Theory of the novel Guido Mazzoni ; translated by Zakiya Hanafi First printing Cambridge, Massachusetts ; London, England Harvard University Press 2017 viii, 392 Seiten Diagramme txt rdacontent n rdamedia nc rdacarrier The novel is the most important form of Western art. It represents the totality of life; it is the flagship that literature lines up against systematic thought, against science and philosophy. Over the past two hundred years the novel has inspired more essays and reflections than any other aesthetic form, and contributed profoundly in conveying ideas of social life and patterns of behavior. Through the novel, Western literature expanded the range of its themes and possibilities, and has come to tell any story in any way; through the novel, Western literature has been able to delineate the ordinary existence of common people in a serious way, expressing the spirit of an age in which nothing matters except the single individual life. Nearly a century after the György Lukács' essay of the same name, this book offers a comprehensive interpretation of the novel as a cultural phenomenon and as a sign and symptom of the modern condition. This is a work of comparative literature covering four centuries of Western culture, but also a book about our epoch, about its values and its genealogy.... Literatur Philosophie Fiction History and criticism Theory, etc Literature Philosophy Roman (DE-588)4050479-7 gnd rswk-swf Romantheorie (DE-588)4076830-2 gnd rswk-swf Romantheorie (DE-588)4076830-2 s DE-604 Roman (DE-588)4050479-7 s Hanafi, Zakiya 1959- (DE-588)173546803 trl LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029291833&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029291833&sequence=000005&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029291833&sequence=000006&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Theory of the novel |
| title_alt | Teoria del romanzo |
| title_auth | Theory of the novel |
| title_exact_search | Theory of the novel |
| title_full | Theory of the novel Guido Mazzoni ; translated by Zakiya Hanafi |
| title_fullStr | Theory of the novel Guido Mazzoni ; translated by Zakiya Hanafi |
| title_full_unstemmed | Theory of the novel Guido Mazzoni ; translated by Zakiya Hanafi |
| title_short | Theory of the novel |
| title_sort | theory of the novel |
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| topic_facet | Literatur Philosophie Fiction History and criticism Theory, etc Literature Philosophy Roman Romantheorie |
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