Francis Picabia: our heads are round so our thoughts can change direction
Among the great modern artists of the past century, Picabia is one of the most elusive, given his extreme eclecticism and persistent acts of self-contradiction. Though known as a Dadaist, Picabia's ongoing stylistic shifts, from Impressionism to radical abstraction, from mechanical imagery to p...
Gespeichert in:
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| Format: | Buch |
| Sprache: | English |
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New York
The Museum of Modern Art, New York
[2016]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Zusammenfassung: | Among the great modern artists of the past century, Picabia is one of the most elusive, given his extreme eclecticism and persistent acts of self-contradiction. Though known as a Dadaist, Picabia's ongoing stylistic shifts, from Impressionism to radical abstraction, from mechanical imagery to pseudo-classicism, and from photo-based realism to art informel remain to be assessed in depth. Similarly, the breadth of his practice, which encompassed poetry, film and performance is under-recognized. Each makes him a figure relevant for contemporary artists, while the career as a whole challenges familiar narratives of modernism. Francis Picabia presents over 100 paintings, complemented by works on paper, publications, and film. Featuring some 500 illustrations and 14 essays, it examines the full range of Picabia's oeuvre |
| Beschreibung: | Published in conjunction with the exhibition held at the Kunsthaus Zürich, June 3-September 25, 2016, and at The Museum of Modern Art, New York, November 20, 2016-March 19, 2017. - Includes bibliographical references (pages 361-364) Parallele Sprachausgabe, französisch: Francis Picabia: notre tête est ronde pour permettre à la pensée de changer de direction |
| Beschreibung: | 368 pages 32 cm |
| ISBN: | 9781633450035 1633450031 |
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| 500 | |a Parallele Sprachausgabe, französisch: Francis Picabia: notre tête est ronde pour permettre à la pensée de changer de direction | ||
| 520 | |a Among the great modern artists of the past century, Picabia is one of the most elusive, given his extreme eclecticism and persistent acts of self-contradiction. Though known as a Dadaist, Picabia's ongoing stylistic shifts, from Impressionism to radical abstraction, from mechanical imagery to pseudo-classicism, and from photo-based realism to art informel remain to be assessed in depth. Similarly, the breadth of his practice, which encompassed poetry, film and performance is under-recognized. Each makes him a figure relevant for contemporary artists, while the career as a whole challenges familiar narratives of modernism. Francis Picabia presents over 100 paintings, complemented by works on paper, publications, and film. Featuring some 500 illustrations and 14 essays, it examines the full range of Picabia's oeuvre | ||
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Datensatz im Suchindex
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|---|---|
| adam_text | FRANCIS PICABIA
/
: 2016
TABLE OF CONTENTS / INHALTSVERZEICHNIS
FOREWORD - GLENN D. LOWRY AND CHRISTOPH BECKER
- ACKNOWLEDGMENTS - ANNE UMLAND AND CATHEIRINE HUG
- FRANCIS PICABIA: AN INTRODUCTION - ANNE UMLAND
- FRANCIS PICABIA, ONCE REMOVED - GORDON HUGHES
- THE BODY AFTER CUBISM - GEORGE BAKER
- WAR, EXILE, AND THE MACHINE - ADRIAN SUDHALTER
- I M FEELING SOMEWHAT BETTER - JURI STEINER
- PICABIA S WORLDLINESS - BRIONY FER
- RELAICHE AND THE MUSIC HALL - CAROLE BOULBEIS
- FRANCIS FUNNY GUY PICABIA AND ENTR ACTE - JEAN-JACQUES LEBEL
- ART = SUN = DESTRUCTION - AUREILIE VERDIER
- THE SECRET RECESSES OF PICABIA S TRANSPARENCIES - MASHA CHLENOVA
- MORE POWERFUL, MORE SIMPLE, MORE HUMAN PAINTING - BERNARD MARCADEI
- FRANCIS PICABIA S WAR - MICHEILE C. CONE
- PAINTING, POETRY, AND IMPUDENT CORRESPONDENCE - CAROLE BOULBEIS
- THE SACRILEGE OF THE POINTS : FRANCIS PICABIA S QUASI-MONOCHROMES AND
THE RETURN OF DADA - ARNAULD PIERRE
- JOKES AND THEIR RELATION TO MODERN ART: PICABIA S PAINTING - DAVID
JOSELIT
- PICABIA AFTER PICABIA - CATHEIRINE HUG
- PHARAMOUSSE, FUNNY GUY, PICABIA THE LOSER: THE LIFE OF FRANCIS PICABIA
- RACHEL SILVERI
- CHECKLIST OF THE EXHIBITION - NATALIE DEPEICHER WITH TALIA KWARTLER
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
CONTENTS
(UNIVERSITATS-
HEIDELBERG
*AM V
CHAPTER1: BEGINNINGS, 1905-1911
GORDON HUGHES
26 FRANCIS PICABIA, ONCE REMOVED
CHAPTER 2: ABSTRACTIONS, 1912-1914
GEORGE BAKER
40 THE BODY AFTER CUBISM
CHAPTER 3: MECHANOMORPHS AND DADA, 1915-1922
ADRIAN SUDHALTER
66 WAR, EXILE, AND THE MACHINE
JURISTEINER
76 I M FEELING SOMEWHAT BETTER
CHAPTER 4: DALMAU, LITTTRATURE,
AND SALON RIPOLINS, 1922-1924
BRIONYFER
110 PICABIA S WORLDLINESS
6 LENDERS TO THE EXHIBITION
7 GLENN D, LOWRY AND CHRI5TOPH BECKER
FOREWORD
ANNE UMLAND AND CATHERINE HUG
ACKNOWLEDGMENTS
ANNEUMLAND
12 FRANCIS PICABIA: AN INTRODUCTION
CHAPTER 5: CINE-THEATER-DANCE, 1924
CAROLEBOULBES
134 RELACHE AND THE MUSIC HALL
JEAN-JACQUES LEBEL
140 FRANCIS FUNNY GUY PICABIA
AND ENTR ACTE
CHAPTER 6: COLLAGES AND MONSTERS, 1924-1927
AURELIEVERDIER
170 ART = SUN = DESTRUCTION
CHAPTER 7: TRANSPARENCIES, 1927-1930
MASHACHLENOVA
188 THE SECRET RECESSES OF
PICABIA S TRANSPARENCIES
CHAPTER 8: ECLECTICISM AND ICONOCLASM, 1934-1938
BERNARD MARCADE
206 MORE POWERFUL, MORE SIMPLE,
MORE HUMAN PAINTING
CHAPTER9: PHOTO-BASED PAINTINGS, 1940-1943
MICHELE C. CONE
224 FRANCIS PICABIA S WAR
CHAPTER 10: POSTWAR ABSTRACTIONS
AND ILLUSTRATED LETTERS, 1946-1951
CAROLE BOULBES
244 PAINTING, POETRY, AND
IMPUDENT CORRESPONDENCE
CATHERINE HUG
294 PICABIA AFTER PICABIA
RACHEL SILVERI
310 PHARAMOUSSE. FUNNY GUY, PICABIA
THE LOSER: THE LIFE OF FRANCIS PICABIA
NATALIE DUPECHER WITH TALIA KWARTLER
340 CHECKLIST OF THE EXHIBITION
361
SELECTED BIBLIOGRAPHY
366 PHOTOGRAPH CREDITS
368 TRUSTEES OF THE MUSEUM OF MODERN ART
CHAPTER 11: THE POINTS AND LAST WORKS, 1949-1952
ARNAULD PIERRE
266 THE SACRILEGE OF THE POINTS :
FRANCIS PICABIA S QUASI-MONOCHROMES
AND THE RETURN OF DADA
CHAPTER 12: CODA
DAVID JOSELIT
284 JOKES AND THEIR RELATION TO
MODERN ART: PICABIA S PAINTING
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| publisher | The Museum of Modern Art, New York |
| record_format | marc |
| spelling | Picabia, Francis 1879-1953 (DE-588)118594184 art Francis Picabia (our heads are round so our thoughts can change direction) Francis Picabia our heads are round so our thoughts can change direction Anne Umland and Cathérine Hug ; with essays by George Baker [and 12 others] New York The Museum of Modern Art, New York [2016] © 2016 368 pages 32 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Published in conjunction with the exhibition held at the Kunsthaus Zürich, June 3-September 25, 2016, and at The Museum of Modern Art, New York, November 20, 2016-March 19, 2017. - Includes bibliographical references (pages 361-364) Parallele Sprachausgabe, französisch: Francis Picabia: notre tête est ronde pour permettre à la pensée de changer de direction Among the great modern artists of the past century, Picabia is one of the most elusive, given his extreme eclecticism and persistent acts of self-contradiction. Though known as a Dadaist, Picabia's ongoing stylistic shifts, from Impressionism to radical abstraction, from mechanical imagery to pseudo-classicism, and from photo-based realism to art informel remain to be assessed in depth. Similarly, the breadth of his practice, which encompassed poetry, film and performance is under-recognized. Each makes him a figure relevant for contemporary artists, while the career as a whole challenges familiar narratives of modernism. Francis Picabia presents over 100 paintings, complemented by works on paper, publications, and film. Featuring some 500 illustrations and 14 essays, it examines the full range of Picabia's oeuvre Picabia, Francis / 1879-1953 fast Picabia, Francis 1879-1953 Exhibitions Picabia, Francis Picabia, Francis 1879-1953 (DE-588)118594184 gnd rswk-swf 1900-1999 fast Arts, Modern fast Arts, Modern Malerei (DE-588)4037220-0 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog gnd-content (DE-588)4135467-9 Ausstellungskatalog Kunsthaus Zürich 03.06.2016-25.09.2016 Zürich gnd-content (DE-588)4135467-9 Ausstellungskatalog Museum of Modern Art 20.11.2016-19.03.2017 New York, NY gnd-content Picabia, Francis 1879-1953 (DE-588)118594184 p Malerei (DE-588)4037220-0 s DE-604 Hug, Cathérine 1976- (DE-588)1025065387 wat edt Umland, Anne (DE-588)1055057145 wat edt Baker, George 1970- (DE-588)133762300 wat Kunsthaus Zürich (DE-588)2016862-7 his isb The Museum of Modern Art (New York, NY) (DE-588)1007559-8 his isb Zürcher Kunstgesellschaft (DE-588)2027369-1 isb Parallele Sprachausgabe deutsch Francis Picabia: unser Kopf ist rund, damit das Denken die Richtung wechseln kann (DE-604)BV043639566 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029271799&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029271799&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Francis Picabia our heads are round so our thoughts can change direction Picabia, Francis / 1879-1953 fast Picabia, Francis 1879-1953 Exhibitions Picabia, Francis Picabia, Francis 1879-1953 (DE-588)118594184 gnd Arts, Modern fast Arts, Modern Malerei (DE-588)4037220-0 gnd |
| subject_GND | (DE-588)118594184 (DE-588)4037220-0 (DE-588)4135467-9 |
| title | Francis Picabia our heads are round so our thoughts can change direction |
| title_alt | Francis Picabia (our heads are round so our thoughts can change direction) |
| title_auth | Francis Picabia our heads are round so our thoughts can change direction |
| title_exact_search | Francis Picabia our heads are round so our thoughts can change direction |
| title_full | Francis Picabia our heads are round so our thoughts can change direction Anne Umland and Cathérine Hug ; with essays by George Baker [and 12 others] |
| title_fullStr | Francis Picabia our heads are round so our thoughts can change direction Anne Umland and Cathérine Hug ; with essays by George Baker [and 12 others] |
| title_full_unstemmed | Francis Picabia our heads are round so our thoughts can change direction Anne Umland and Cathérine Hug ; with essays by George Baker [and 12 others] |
| title_short | Francis Picabia |
| title_sort | francis picabia our heads are round so our thoughts can change direction |
| title_sub | our heads are round so our thoughts can change direction |
| topic | Picabia, Francis / 1879-1953 fast Picabia, Francis 1879-1953 Exhibitions Picabia, Francis Picabia, Francis 1879-1953 (DE-588)118594184 gnd Arts, Modern fast Arts, Modern Malerei (DE-588)4037220-0 gnd |
| topic_facet | Picabia, Francis / 1879-1953 Picabia, Francis 1879-1953 Exhibitions Picabia, Francis Picabia, Francis 1879-1953 Arts, Modern Malerei Ausstellungskatalog Ausstellungskatalog Kunsthaus Zürich 03.06.2016-25.09.2016 Zürich Ausstellungskatalog Museum of Modern Art 20.11.2016-19.03.2017 New York, NY |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029271799&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029271799&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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