E.E. Cummings' modernism and the classics: each imperishable stanza
This volume is a major, ground-breaking study of the modernist E. E. Cummings' engagement with the classics. With his experimental form and syntax, his irreverence, and his rejection of the highbrow, there are probably few current readers who would name Cummings if asked to identify 20th-centur...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford University Press
2016
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| Ausgabe: | First edition |
| Schriftenreihe: | Classical presences
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This volume is a major, ground-breaking study of the modernist E. E. Cummings' engagement with the classics. With his experimental form and syntax, his irreverence, and his rejection of the highbrow, there are probably few current readers who would name Cummings if asked to identify 20th-century Anglophone poets in the Classical tradition. But for most of his life, and even for ten or twenty years after his death, this is how many readers and critics did see Cummings. He specialised in the study of classical literature as an undergraduate at Harvard, and his contemporaries saw him as a 'pagan' poet or a 'Juvenalian' satirist, with an Aristophanic sense of humour. In E.E. Cummings' Modernism and the Classics, Alison Rosenblitt aims to recover for the contemporary reader this lost understanding of Cummings as a classicizing poet |
| Beschreibung: | Includes bibliographical references (pages 339-357) and indexes |
| Beschreibung: | xxii, 370 Seiten Illustrationen |
| ISBN: | 9780198767152 |
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| adam_text | Titel: E.E. Cummings modernism and the classics
Autor: Rosenblitt, J. Alison
Jahr: 2016
E.E. Cummings’ Modernism and the Classics Each Imperishable Stanza J. ALISON ROSENBLITT OXFORD UNIVERSITY PRESS
Contents List of Illustrations xvii Abbreviations and Manuscript Collections xix Foreword xxi E.E. CUMMINGS AS A CLASSICAL POET 1. Preface 3 2. Cummings and the Classics 18 1. Cummings at Harvard 20 2. Reading Cummings as a Classical Poet 23 3. 1910s Modernism and Classical Continuities 27 4. Language and Syntax 32 3. ‘smoking centuries of hecatombs’: Cummings and Translation 40 1. Latin Seasonality and Greek Eternity 41 2. Metre and Form 54 CHILDHOOD, HARVARD, AND PAGANISM 4. The Pagan World of Goat-footed Pan 63 1. Fauns 69 2. ‘the goat-footed balloonMan’ 77 5. Classics and Childhood: Protectors and Transgressors 90 1. Classics and Classicists in Adventures in Value 93 2. ‘saints and satyrs’ 101 THE GREAT WAR AND BEYOND 6. ‘a twilight smelling of Vergil’: Cummings, Classics, and the Great War 113 1. War as an Idea 114 2. ‘dusty heroisms’ 118 3. ‘(¡la Pue’ 124 4. Looking Back 129
XIV Contents 7. ‘let not thy lust one threaded moment lose’: Death in the Meadow 133 1. Exquisite Annihilation 134 2. Pastoral Death 139 3. Nine Songs of Death 146 4. Cummings’ ‘Songs’ and H.D.’s Sea Garden 160 8. ‘cast like Euridyce one brief look behind’: The Post-War World 166 1. Moving on 168 2. Carpe Diem in a Post-War World 176 3. ‘Fields slowly Elysian’ 183 4. Suicide 187 CUMMINGS, CLASSICS, AND MODERNISM 9. Modernity and Antiquity: ‘smite the sounding bollox’ 197 1. From Plato to Cézanne: Movement and Bulge 198 2. White Marble and Busted Statues 206 3. Tears Eliot 215 10. A Homeric Affair: Reflections on the Ambitions of Modernism 223 1. The Romantic Poet-lover 224 2. Epic Ambitions 227 3. Homer, Milton, Blake 231 4. Callimachean Defiance 235 5. Major Poetry 242 Afterword 245 TRANSLATIONS, FURTHER VERSE, AND PROSE BY E.E. CUMMINGS Translations from Horace’s Odes 253 Translations from Sophocles 267 Translations from Euripides 277 Translation from Aeschylus 283 Translations from the Odyssey 287 Translation exercise from Euripides’ Hecuba 291
Contents xv Further Verse 297 ‘Invocation (Alcaics)’ 298 Untitled Parody of The Waste Land 299 Prose 303 ‘The Greek Spirit’ 304 ‘The Young Faun’ 305 Editing the Unpublished Work 315 1. Principles of Selection 319 2. Presentation of the Translations 320 3. Editing the Parody of The Waste Land 322 4. About the Visual Art 323 Appendix: Cummings’ Classical Education and Personal Library 327 Works Cited 339 Index of Poems by Cummings 359 Index 363
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| spelling | Rosenblitt, J. Alison Verfasser aut E.E. Cummings' modernism and the classics each imperishable stanza J. Alison Rosenblitt First edition Oxford Oxford University Press 2016 xxii, 370 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Classical presences Includes bibliographical references (pages 339-357) and indexes This volume is a major, ground-breaking study of the modernist E. E. Cummings' engagement with the classics. With his experimental form and syntax, his irreverence, and his rejection of the highbrow, there are probably few current readers who would name Cummings if asked to identify 20th-century Anglophone poets in the Classical tradition. But for most of his life, and even for ten or twenty years after his death, this is how many readers and critics did see Cummings. He specialised in the study of classical literature as an undergraduate at Harvard, and his contemporaries saw him as a 'pagan' poet or a 'Juvenalian' satirist, with an Aristophanic sense of humour. In E.E. Cummings' Modernism and the Classics, Alison Rosenblitt aims to recover for the contemporary reader this lost understanding of Cummings as a classicizing poet Cummings, E. E. / (Edward Estlin) / 1894-1962 / Criticism and interpretation Cummings, E. E. / (Edward Estlin) / 1894-1962 / Themes, motives Cummings, Edward E. 1894-1962 (DE-588)119008378 gnd rswk-swf Rezeption & Wirkungsgeschichte (DE-2581)TH000005250 gbd England, Rezeption (DE-2581)TH000005509 gbd Cummings, Edward E. 1894-1962 (DE-588)119008378 p DE-604 Erscheint auch als (DE-604)BV044003757 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029271742&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Rosenblitt, J. Alison E.E. Cummings' modernism and the classics each imperishable stanza Cummings, E. E. / (Edward Estlin) / 1894-1962 / Criticism and interpretation Cummings, E. E. / (Edward Estlin) / 1894-1962 / Themes, motives Cummings, Edward E. 1894-1962 (DE-588)119008378 gnd |
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| title | E.E. Cummings' modernism and the classics each imperishable stanza |
| title_auth | E.E. Cummings' modernism and the classics each imperishable stanza |
| title_exact_search | E.E. Cummings' modernism and the classics each imperishable stanza |
| title_full | E.E. Cummings' modernism and the classics each imperishable stanza J. Alison Rosenblitt |
| title_fullStr | E.E. Cummings' modernism and the classics each imperishable stanza J. Alison Rosenblitt |
| title_full_unstemmed | E.E. Cummings' modernism and the classics each imperishable stanza J. Alison Rosenblitt |
| title_short | E.E. Cummings' modernism and the classics |
| title_sort | e e cummings modernism and the classics each imperishable stanza |
| title_sub | each imperishable stanza |
| topic | Cummings, E. E. / (Edward Estlin) / 1894-1962 / Criticism and interpretation Cummings, E. E. / (Edward Estlin) / 1894-1962 / Themes, motives Cummings, Edward E. 1894-1962 (DE-588)119008378 gnd |
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