The real Tales of Hoffmann: origin, history, and restoration of an operatic masterpiece
Of all operas in the standard repertory, none has had a more complicated genesis and textual history than Offenbach’s "Tales of Hoffmann". Based on a highly successful 1851 play inspired by the short stories by the German Romantic writer E.T.A. Hoffmann, the work occupied the last decade o...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lanham ; Boulder ; New York ; London
Rowman & Littlefield
2017
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Of all operas in the standard repertory, none has had a more complicated genesis and textual history than Offenbach’s "Tales of Hoffmann". Based on a highly successful 1851 play inspired by the short stories by the German Romantic writer E.T.A. Hoffmann, the work occupied the last decade of Offenbach's life. When he died in October 1880, the work was being rehearsed at the Opéra-Comique. At once cut and rearranged, the work was performed from the start in versions that ignored the composer's final intentions. Only a few decades ago, when previously unavailable manuscripts came to light, it became possible to reconstitute the score in its real form. Vincent Giroud and Michael Kaye’s "The Real Tales of Hoffmann" tells the full story for the first time in English. After discussing how the work of Hoffmann became known and influential in France, the book includes little-known sources for the opera, especially the complete Barbier and Carré play, in French and English. It describes the genesis of the opera. The annotated libretto is published in full, with the variants, for the two versions of the opera: with spoken dialogue or recitatives. Essays explain what was done to the opera after Offenbach's death, from the 1881 Opéra-Comique production to more recent restoration attempts. There is also a survey of "Les contes d’Hoffmann" in performance from the 1970s to the present, and supplementary information, including discography, filmography, and videography. |
| Beschreibung: | Includes index |
| Beschreibung: | xvii, 565 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781442260849 9781442260832 |
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| 520 | |a Of all operas in the standard repertory, none has had a more complicated genesis and textual history than Offenbach’s "Tales of Hoffmann". Based on a highly successful 1851 play inspired by the short stories by the German Romantic writer E.T.A. Hoffmann, the work occupied the last decade of Offenbach's life. When he died in October 1880, the work was being rehearsed at the Opéra-Comique. At once cut and rearranged, the work was performed from the start in versions that ignored the composer's final intentions. Only a few decades ago, when previously unavailable manuscripts came to light, it became possible to reconstitute the score in its real form. Vincent Giroud and Michael Kaye’s "The Real Tales of Hoffmann" tells the full story for the first time in English. After discussing how the work of Hoffmann became known and influential in France, the book includes little-known sources for the opera, especially the complete Barbier and Carré play, in French and English. It describes the genesis of the opera. The annotated libretto is published in full, with the variants, for the two versions of the opera: with spoken dialogue or recitatives. Essays explain what was done to the opera after Offenbach's death, from the 1881 Opéra-Comique production to more recent restoration attempts. There is also a survey of "Les contes d’Hoffmann" in performance from the 1970s to the present, and supplementary information, including discography, filmography, and videography. | ||
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Datensatz im Suchindex
| _version_ | 1818270175832571904 |
|---|---|
| adam_text |
Contents
List of Abbreviations lx
Foreword by Placido Domingo X1
Introduction xm
Acknowledgments xv
Chronology xv*i
Part 1: Essays
1. The Awareness and Influence of E. T. A. Hoffmann in France before Les contes d’Hoffmann 3
Vincent Giroud
2. The Librettists of Les contes d'Hoffmann 19
Vincent Giroud
3. “Hallucinations in the Tavern”: Barbier’s Scenario of the Play 33
Michael Kaye
4. The Barbier and Carré Play and Its Reception 43
Michael Kaye
5. The Birth of the Opera 57
The Revision for the Théâtre de la Porte-Saint-Martin (1866) 57
Summary of the Extant Fragments of the Revision for the Théâtre de la Porte-Saint-Martin 60
Hector Salomon: Le rêve d’Hoffmann (1875-1881) 64
The Unrealized Opéra-féerie Version of Les contes d’Hoffmann 70
Michael Kaye
6. Les contes d’Hoffmann: From Play to Opera Libretto 79
Charlie Richards
7. Barbier as Versifier 89
Vincent Giroud
8. Hoffmann after Offenbach 95
Summary of Performances at the Opéra-Comique Prior to 1911 and the First Performances
of the Opera in Other Countries 95
The Brussels Version of the Opera (Dupont and Lapissida) Théâtre de la Monnaie, 1887 101
The Surprising Tale of Raoul Gunsbourg’s Version of the Opera (Monte-Carlo, 1904) 106
Synopsis of Raoul Gunsbourg’s Version of the Epilogue (Monte-Carlo, 1904) 115
The Complete Text of the Epilogue in Calmann Lévy 1904 116
Gunsbourg’s Collaborator, André Bloch 117
Albert Carre’s 1911 Revival of Les contes d’Hoffmann at the Opéra-Comique Assured the
Opera of Its Place in the Repertoire 119
Michael Kaye
vii
viii · Contents
9. Les contes d’Hoffmann on the Stage: From Felsenstein to the Present 123
George Loomis
10. “Elle est sur la scène”: Arriving at and Choosing a Version 135
Vincent Giroud and Michael Kaye
Part 2: The Play and the Libretto
11. Les contes d’Hoffmann: The Complete 1851 Barbier and Carré Play in Prose and Verse,
with a Documentation of the Original Incidental Music by Joseph Ancessy 145
Edited by Michael Kaye, English translation by Vincent Giroud
12. The Libretto of Les contes d’Hoffmann 285
English Translation, Edition, and Annotations by Michael Kaye
13. The E. T. A. Hoffmann of Barbier and Carré: Annotations Pertaining to the Literary Sources
for the Play and the Opera 457
Michael Kaye and Charlie Richards
Appendices
A. Comparative Table of Venues in the Opera in Early Sources 511
B. Descriptions of E. T. A. Hoffmann by Adolphe François Loève-Veimars 513
English translation by Vincent Giroud
C. Little-Known Responses to E. T. A. Hoffmann Prior to the Barbier and Carré Play 519
Gaetano Donizetti’s “Le violon de Crémone d’Hoffmann” Romance for Voice, Violin, and Piano 519
Juliette Godillon: A Forgotten French Composer Inspired by E. T. A. Hoffmann 521
Michael Kaye
D. A Weimar-Era Example of the Popularization of Offenbach’s Opera: “Laß’ dir nix von Hoffmann
erzählen” (1929) 523
Michael Kaye
Select Discography, Filmography, and Videography 529
Charlie Richards
Index 549
About the Authors
565 |
| any_adam_object | 1 |
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| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)1071864416 Diskografie gnd-content (DE-588)1071861980 Filmografie gnd-content |
| genre_facet | Aufsatzsammlung Diskografie Filmografie |
| id | DE-604.BV043859735 |
| illustrated | Illustrated |
| indexdate | 2024-12-12T21:06:06Z |
| institution | BVB |
| isbn | 9781442260849 9781442260832 |
| language | English |
| lccn | 016042193 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029269868 |
| oclc_num | 992459829 |
| open_access_boolean | |
| owner | DE-12 DE-703 DE-19 DE-BY-UBM DE-11 |
| owner_facet | DE-12 DE-703 DE-19 DE-BY-UBM DE-11 |
| physical | xvii, 565 Seiten Illustrationen, Notenbeispiele |
| psigel | DHB_BSB_DDC1 |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Rowman & Littlefield |
| record_format | marc |
| spelling | Kaye, Michael 1948- Verfasser (DE-588)135069106 aut The real Tales of Hoffmann origin, history, and restoration of an operatic masterpiece Michael Kaye and Vincent Giroud ; foreword by Plácido Domingo Lanham ; Boulder ; New York ; London Rowman & Littlefield 2017 xvii, 565 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Includes index Of all operas in the standard repertory, none has had a more complicated genesis and textual history than Offenbach’s "Tales of Hoffmann". Based on a highly successful 1851 play inspired by the short stories by the German Romantic writer E.T.A. Hoffmann, the work occupied the last decade of Offenbach's life. When he died in October 1880, the work was being rehearsed at the Opéra-Comique. At once cut and rearranged, the work was performed from the start in versions that ignored the composer's final intentions. Only a few decades ago, when previously unavailable manuscripts came to light, it became possible to reconstitute the score in its real form. Vincent Giroud and Michael Kaye’s "The Real Tales of Hoffmann" tells the full story for the first time in English. After discussing how the work of Hoffmann became known and influential in France, the book includes little-known sources for the opera, especially the complete Barbier and Carré play, in French and English. It describes the genesis of the opera. The annotated libretto is published in full, with the variants, for the two versions of the opera: with spoken dialogue or recitatives. Essays explain what was done to the opera after Offenbach's death, from the 1881 Opéra-Comique production to more recent restoration attempts. There is also a survey of "Les contes d’Hoffmann" in performance from the 1970s to the present, and supplementary information, including discography, filmography, and videography. Offenbach, Jacques 1819-1880 Hoffmann, E. T. A. (Ernst Theodor Amadeus) 1776-1822 Offenbach, Jacques 1819-1880 Les contes d'Hoffmann (DE-588)300115350 gnd rswk-swf Barbier, Jules 1825-1901 Les contes d'Hoffmann (DE-588)1135588503 gnd rswk-swf Hoffmann, E. T. A. 1776-1822 (DE-588)118552465 gnd rswk-swf Geschichte gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Entstehung (DE-588)4156614-2 gnd rswk-swf Libretto (DE-588)4035588-3 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)1071864416 Diskografie gnd-content (DE-588)1071861980 Filmografie gnd-content Offenbach, Jacques 1819-1880 Les contes d'Hoffmann (DE-588)300115350 u Entstehung (DE-588)4156614-2 s Rezeption (DE-588)4049716-1 s Geschichte z DE-604 Hoffmann, E. T. A. 1776-1822 (DE-588)118552465 p Barbier, Jules 1825-1901 Les contes d'Hoffmann (DE-588)1135588503 u Libretto (DE-588)4035588-3 s Giroud, Vincent 1953- Verfasser (DE-588)1022915207 aut Barbier, Jules Contes d'Hoffmann Erscheint auch als Online-Ausgabe 978-1-4422-6085-6 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029269868&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Kaye, Michael 1948- Giroud, Vincent 1953- The real Tales of Hoffmann origin, history, and restoration of an operatic masterpiece Offenbach, Jacques 1819-1880 Hoffmann, E. T. A. (Ernst Theodor Amadeus) 1776-1822 Offenbach, Jacques 1819-1880 Les contes d'Hoffmann (DE-588)300115350 gnd Barbier, Jules 1825-1901 Les contes d'Hoffmann (DE-588)1135588503 gnd Hoffmann, E. T. A. 1776-1822 (DE-588)118552465 gnd Rezeption (DE-588)4049716-1 gnd Entstehung (DE-588)4156614-2 gnd Libretto (DE-588)4035588-3 gnd |
| subject_GND | (DE-588)300115350 (DE-588)1135588503 (DE-588)118552465 (DE-588)4049716-1 (DE-588)4156614-2 (DE-588)4035588-3 (DE-588)4143413-4 (DE-588)1071864416 (DE-588)1071861980 |
| title | The real Tales of Hoffmann origin, history, and restoration of an operatic masterpiece |
| title_alt | Contes d'Hoffmann |
| title_auth | The real Tales of Hoffmann origin, history, and restoration of an operatic masterpiece |
| title_exact_search | The real Tales of Hoffmann origin, history, and restoration of an operatic masterpiece |
| title_full | The real Tales of Hoffmann origin, history, and restoration of an operatic masterpiece Michael Kaye and Vincent Giroud ; foreword by Plácido Domingo |
| title_fullStr | The real Tales of Hoffmann origin, history, and restoration of an operatic masterpiece Michael Kaye and Vincent Giroud ; foreword by Plácido Domingo |
| title_full_unstemmed | The real Tales of Hoffmann origin, history, and restoration of an operatic masterpiece Michael Kaye and Vincent Giroud ; foreword by Plácido Domingo |
| title_short | The real Tales of Hoffmann |
| title_sort | the real tales of hoffmann origin history and restoration of an operatic masterpiece |
| title_sub | origin, history, and restoration of an operatic masterpiece |
| topic | Offenbach, Jacques 1819-1880 Hoffmann, E. T. A. (Ernst Theodor Amadeus) 1776-1822 Offenbach, Jacques 1819-1880 Les contes d'Hoffmann (DE-588)300115350 gnd Barbier, Jules 1825-1901 Les contes d'Hoffmann (DE-588)1135588503 gnd Hoffmann, E. T. A. 1776-1822 (DE-588)118552465 gnd Rezeption (DE-588)4049716-1 gnd Entstehung (DE-588)4156614-2 gnd Libretto (DE-588)4035588-3 gnd |
| topic_facet | Offenbach, Jacques 1819-1880 Hoffmann, E. T. A. (Ernst Theodor Amadeus) 1776-1822 Offenbach, Jacques 1819-1880 Les contes d'Hoffmann Barbier, Jules 1825-1901 Les contes d'Hoffmann Hoffmann, E. T. A. 1776-1822 Rezeption Entstehung Libretto Aufsatzsammlung Diskografie Filmografie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029269868&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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