Music after the fall: modern composition and culture since 1989
Music after the Fall is the first book to survey contemporary Western art music within the transformed political, cultural, and technological environment of the post-Cold War era. In this book, Tim Rutherford-Johnson considers musical composition against this changed backdrop, placing it in the cont...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oakland, California
University of California Press
[2017]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Music after the Fall is the first book to survey contemporary Western art music within the transformed political, cultural, and technological environment of the post-Cold War era. In this book, Tim Rutherford-Johnson considers musical composition against this changed backdrop, placing it in the context of globalization, digitization, and new media. Drawing connections with the other arts, in particular visual art and architecture, he expands the definition of Western art music to include forms of composition, experimental music, sound art, and crossover work from across the spectrum, inside and beyond the concert hall. Each chapter is a critical consideration of a wide range of composers, performers, works, and institutions, and develops a broad and rich picture of the new music ecosystem, from North American string quartets to Lebanese improvisers, from electroacoustic music studios in South America to ruined pianos in the Australian outback. Rutherford-Johnson puts forth a new approach to the study of contemporary music that relies less on taxonomies of style and technique than on the comparison of different responses to common themes of permission, fluidity, excess, and loss. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xii, 348 Seiten Illustrationen |
| ISBN: | 9780520283152 9780520283145 |
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| 520 | |a Music after the Fall is the first book to survey contemporary Western art music within the transformed political, cultural, and technological environment of the post-Cold War era. In this book, Tim Rutherford-Johnson considers musical composition against this changed backdrop, placing it in the context of globalization, digitization, and new media. Drawing connections with the other arts, in particular visual art and architecture, he expands the definition of Western art music to include forms of composition, experimental music, sound art, and crossover work from across the spectrum, inside and beyond the concert hall. Each chapter is a critical consideration of a wide range of composers, performers, works, and institutions, and develops a broad and rich picture of the new music ecosystem, from North American string quartets to Lebanese improvisers, from electroacoustic music studios in South America to ruined pianos in the Australian outback. Rutherford-Johnson puts forth a new approach to the study of contemporary music that relies less on taxonomies of style and technique than on the comparison of different responses to common themes of permission, fluidity, excess, and loss. | ||
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
List of illustrations ix
Acknowledgments xi
1. 1989 and After 1
2. Mediation and the Marketplace 24
3. Permission: Freedom, Choice, and the Body 5*
4. Fluidity: Digital Translations, Displacements, and Journeys 87
5. Mobility: Worldwide Flows, Networks, and Archipelagos 120
6. Superabundance: Spectacle, Scale, and Excess 162
7. Loss: Ruins, Memorials, and Documents 206
8. Recovery: Gaps between Past and Present 232
Appendix 1: Recommended Listening 265
Appendix 2: Further Reading 279
Notes 309
Index 331
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| spelling | Rutherford-Johnson, Tim 1977- Verfasser (DE-588)1029990573 aut Music after the fall modern composition and culture since 1989 Tim Rutherford-Johnson Oakland, California University of California Press [2017] © 2017 xii, 348 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Music after the Fall is the first book to survey contemporary Western art music within the transformed political, cultural, and technological environment of the post-Cold War era. In this book, Tim Rutherford-Johnson considers musical composition against this changed backdrop, placing it in the context of globalization, digitization, and new media. Drawing connections with the other arts, in particular visual art and architecture, he expands the definition of Western art music to include forms of composition, experimental music, sound art, and crossover work from across the spectrum, inside and beyond the concert hall. Each chapter is a critical consideration of a wide range of composers, performers, works, and institutions, and develops a broad and rich picture of the new music ecosystem, from North American string quartets to Lebanese improvisers, from electroacoustic music studios in South America to ruined pianos in the Australian outback. Rutherford-Johnson puts forth a new approach to the study of contemporary music that relies less on taxonomies of style and technique than on the comparison of different responses to common themes of permission, fluidity, excess, and loss. Geschichte 1900-2000 Geschichte 1989-2016 gnd rswk-swf Geschichte Gesellschaft Musik Music 20th century History and criticism Music 21st century History and criticism Music Social aspects History 20th century Music Social aspects History 21st century Globalisierung (DE-588)4557997-0 gnd rswk-swf Politischer Wandel (DE-588)4175047-0 gnd rswk-swf Neue Musik (DE-588)4428235-7 gnd rswk-swf Neue Musik (DE-588)4428235-7 s Politischer Wandel (DE-588)4175047-0 s Globalisierung (DE-588)4557997-0 s Geschichte 1989-2016 z DE-604 Erscheint auch als Online-Ausgabe 978-0-520-95904-0 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029269806&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Rutherford-Johnson, Tim 1977- Music after the fall modern composition and culture since 1989 Geschichte Gesellschaft Musik Music 20th century History and criticism Music 21st century History and criticism Music Social aspects History 20th century Music Social aspects History 21st century Globalisierung (DE-588)4557997-0 gnd Politischer Wandel (DE-588)4175047-0 gnd Neue Musik (DE-588)4428235-7 gnd |
| subject_GND | (DE-588)4557997-0 (DE-588)4175047-0 (DE-588)4428235-7 |
| title | Music after the fall modern composition and culture since 1989 |
| title_auth | Music after the fall modern composition and culture since 1989 |
| title_exact_search | Music after the fall modern composition and culture since 1989 |
| title_full | Music after the fall modern composition and culture since 1989 Tim Rutherford-Johnson |
| title_fullStr | Music after the fall modern composition and culture since 1989 Tim Rutherford-Johnson |
| title_full_unstemmed | Music after the fall modern composition and culture since 1989 Tim Rutherford-Johnson |
| title_short | Music after the fall |
| title_sort | music after the fall modern composition and culture since 1989 |
| title_sub | modern composition and culture since 1989 |
| topic | Geschichte Gesellschaft Musik Music 20th century History and criticism Music 21st century History and criticism Music Social aspects History 20th century Music Social aspects History 21st century Globalisierung (DE-588)4557997-0 gnd Politischer Wandel (DE-588)4175047-0 gnd Neue Musik (DE-588)4428235-7 gnd |
| topic_facet | Geschichte Gesellschaft Musik Music 20th century History and criticism Music 21st century History and criticism Music Social aspects History 20th century Music Social aspects History 21st century Globalisierung Politischer Wandel Neue Musik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029269806&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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