[Rezension von:] Karol Berger: Musica ficta. Theories of accidental inflections in vocal polyphony from Marchetto da Padova to Gioseffo Zarlino. Cambridge [und fünf weitere]: Cambridge University Press (1987). XVII, 266 S., Notenbeisp.:
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Artikel |
| Sprache: | German |
| Veröffentlicht: |
1989
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| ISSN: | 0027-4801 |
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| spelling | Berger, Christian 1951- Verfasser (DE-588)124275923 aut [Rezension von:] Karol Berger: Musica ficta. Theories of accidental inflections in vocal polyphony from Marchetto da Padova to Gioseffo Zarlino. Cambridge [und fünf weitere]: Cambridge University Press (1987). XVII, 266 S., Notenbeisp. Christian Berger 1989 txt rdacontent n rdamedia nc rdacarrier Die Musikforschung / hrsg. von der Gesellschaft für Musikforschung Kassel, 1989 42. Jahrgang 1989 / Heft 4, Seite 372-375 (DE-604)BV002560069 0027-4801 (DE-600)206602-6 Rezension von Musica ficta / Karol Berger (DE-604)BV000780436 |
| spellingShingle | Berger, Christian 1951- [Rezension von:] Karol Berger: Musica ficta. Theories of accidental inflections in vocal polyphony from Marchetto da Padova to Gioseffo Zarlino. Cambridge [und fünf weitere]: Cambridge University Press (1987). XVII, 266 S., Notenbeisp. |
| title | [Rezension von:] Karol Berger: Musica ficta. Theories of accidental inflections in vocal polyphony from Marchetto da Padova to Gioseffo Zarlino. Cambridge [und fünf weitere]: Cambridge University Press (1987). XVII, 266 S., Notenbeisp. |
| title_auth | [Rezension von:] Karol Berger: Musica ficta. Theories of accidental inflections in vocal polyphony from Marchetto da Padova to Gioseffo Zarlino. Cambridge [und fünf weitere]: Cambridge University Press (1987). XVII, 266 S., Notenbeisp. |
| title_exact_search | [Rezension von:] Karol Berger: Musica ficta. Theories of accidental inflections in vocal polyphony from Marchetto da Padova to Gioseffo Zarlino. Cambridge [und fünf weitere]: Cambridge University Press (1987). XVII, 266 S., Notenbeisp. |
| title_full | [Rezension von:] Karol Berger: Musica ficta. Theories of accidental inflections in vocal polyphony from Marchetto da Padova to Gioseffo Zarlino. Cambridge [und fünf weitere]: Cambridge University Press (1987). XVII, 266 S., Notenbeisp. Christian Berger |
| title_fullStr | [Rezension von:] Karol Berger: Musica ficta. Theories of accidental inflections in vocal polyphony from Marchetto da Padova to Gioseffo Zarlino. Cambridge [und fünf weitere]: Cambridge University Press (1987). XVII, 266 S., Notenbeisp. Christian Berger |
| title_full_unstemmed | [Rezension von:] Karol Berger: Musica ficta. Theories of accidental inflections in vocal polyphony from Marchetto da Padova to Gioseffo Zarlino. Cambridge [und fünf weitere]: Cambridge University Press (1987). XVII, 266 S., Notenbeisp. Christian Berger |
| title_short | [Rezension von:] Karol Berger: Musica ficta. Theories of accidental inflections in vocal polyphony from Marchetto da Padova to Gioseffo Zarlino. Cambridge [und fünf weitere]: Cambridge University Press (1987). XVII, 266 S., Notenbeisp. |
| title_sort | rezension von karol berger musica ficta theories of accidental inflections in vocal polyphony from marchetto da padova to gioseffo zarlino cambridge und funf weitere cambridge university press 1987 xvii 266 s notenbeisp |
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