God's song and music's meanings: theology, liturgy, and musicology in dialogue
Taking seriously the practice and not just the theory of music, this ground-breaking collection of essays establishes a new standard for the interdisciplinary conversation between theology, musicology, and liturgical studies. The public making of music in our society happens more often in the contex...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
[2020]
|
| Schriftenreihe: | Routledge studies in theology, imagination and the arts
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Taking seriously the practice and not just the theory of music, this ground-breaking collection of essays establishes a new standard for the interdisciplinary conversation between theology, musicology, and liturgical studies. The public making of music in our society happens more often in the context of chapels, churches, and cathedrals than anywhere else. The command to sing and make music to God makes music an essential part of the DNA of Christian worship. The book’s three main parts address questions about the history, the performative contexts, and the nature of music. Its opening four chapters traces how accounts of music and its relation to God, the cosmos, and the human person have changed dramatically through Western history, from the patristic period through medieval, Reformation and modern times. A second section examines the role of music in worship, and asks what—if anything—makes a piece of music suitable for religious use. The final part of the book shows how the serious discussion of music opens onto considerations of time, tradition, ontology, anthropology, providence, and the nature of God. A pioneering set of explorations by a distinguished group of international scholars, this book will be of interest to anyone interested in Christianity’s long relationship with music, including those working in the fields of theology, musicology, and liturgical studies. |
| Beschreibung: | Die Hardback-Ausgabe erscheint voraussichtlich August 2019, die Paperback-Ausgabe erscheint laut Verlag ca. 01/ 2021 |
| Beschreibung: | x, 195 Seiten |
| ISBN: | 9781472478672 9781472478641 |
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| 520 | |a Taking seriously the practice and not just the theory of music, this ground-breaking collection of essays establishes a new standard for the interdisciplinary conversation between theology, musicology, and liturgical studies. The public making of music in our society happens more often in the context of chapels, churches, and cathedrals than anywhere else. The command to sing and make music to God makes music an essential part of the DNA of Christian worship. The book’s three main parts address questions about the history, the performative contexts, and the nature of music. Its opening four chapters traces how accounts of music and its relation to God, the cosmos, and the human person have changed dramatically through Western history, from the patristic period through medieval, Reformation and modern times. A second section examines the role of music in worship, and asks what—if anything—makes a piece of music suitable for religious use. The final part of the book shows how the serious discussion of music opens onto considerations of time, tradition, ontology, anthropology, providence, and the nature of God. A pioneering set of explorations by a distinguished group of international scholars, this book will be of interest to anyone interested in Christianity’s long relationship with music, including those working in the fields of theology, musicology, and liturgical studies. | ||
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Datensatz im Suchindex
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| adam_text | Contents List of contributors Preface vii ix VERNON WHITE PART 1 The meanings of music in Western history 1 Mellifluous music in early Western Christianity 1 3 CAROL HARRISON 2 ‘We prefer gods we can see’: music’s mediations between seen things and God in the patristic and medieval periods 19 NANCY VAN DEUSEN 3 Hearing revelation: music and theology in theReformation 41 JONATHAN ARNOLD 4 Music, atheism, and modernity: aesthetics, morality, and the theological construction of the self 63 GARETH WILSON PART 2 The work of worship and the meanings of music 79 5 The worship of God and the quest of the spirit: ‘contemporary’ verstis ‘traditional’ church music 81 GORDON GRAHAM 6 Musical promiscuity: can the same music serve sacred and profane ends equally well? LUCY WINKETT 94
vi Contents 7 ‘Mixing their musick’: worship, music, and Christian communities 107 JAMES HAWKEY PART 3 The meanings of music and the mystery of God 8 The malleable meanings of music 125 127 JOHN BUTT 9 The material, the moral, and the mysterious: three dimensions of music 140 BEN QUASH 10 Absolute music/absolute worship 163 DANIEL K.L. CHUA Afterword 182 JEREMY S. BEGBIE Index 190
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| title | God's song and music's meanings theology, liturgy, and musicology in dialogue |
| title_alt | How shall we sing the Lord's song? |
| title_auth | God's song and music's meanings theology, liturgy, and musicology in dialogue |
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| title_full | God's song and music's meanings theology, liturgy, and musicology in dialogue edited by James Hawkey, Ben Quash, Vernon White |
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| title_full_unstemmed | God's song and music's meanings theology, liturgy, and musicology in dialogue edited by James Hawkey, Ben Quash, Vernon White |
| title_short | God's song and music's meanings |
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